Review by Jack on November 21, 2002.

I am usually not one for the arts of pure death metal. It’s incessant, monotonous and for most of the time, very boring. A lot has been said of Hate Eternal and their newest album “King of All Kings” (it got KKKKK in Kerrang!, which is certainly saying something). However, the majority of critique for “King of All Kings” has been nothing but admiration. Much of this excitement has been nothing but pure hype and bandwagon supporting, I am sure. “King of All Kings” is undoubtedly a very good album, but it certainly doesn’t reach the greatness that some willingly attribute to it.

The trio of Anderson, Roddy and Rutan certainly know their stuff; there is no doubting that. Countless years in some of the biggest known acts (you all know of whom I am speaking) have assured us that Hate Eternal will be nothing less than a band that creates sparkling death metal albums time and time again. They are simply too professional to do otherwise. Derek ‘One Take’ Roddy’s drumming is absolutely superb and he continually beats the skins without any lapse for the entire duration of “King of All Kings”. Rutan’s vocals are devastating and morbid, suiting the atmosphere and lyrics of Hate Eternal perfectly. The bass guitar work of Jared Anderson is as consistent and vigil as ever, providing a perfect underlay to the shredding of the aforementioned Rutan on guitar.

Notice how I am not really enthusiastic about this record? ”King of All Kings” a very good record, don’t get me wrong, but it doesn’t fill the emptiness inside me that I guess I was hoping it would do. It’s proficient, reliable death metal, but it’s really not much more.

Bottom Line: If you are into death metal and most extreme brands of metal, you could probably pick up ”King of All Kings” in a heartbeat. However, if you more accustomed to the more obscure takes on death sound, then perhaps I might advise you try before you buy. While this album might be discussed as a classic for many millennia to come, it’s not the sort of hat that fits every head.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 7
Originality: 7
Overall: 6.5

Rating: 7.5 out of 10

Review by Adam M on November 24, 2016.

Trap Them has a huge Entombed vibe to their proceedings. This is shown by the dirty riffing of the outfit which is catchy and massive sounding. The music is built upon these guitar riffs that have a huge impact overall. The sound never deviates largely from the Entombed sound and thus has an issue with innovation.

These songs sound heavy and intense, but there’s nothing new on offer here really. This leads me to believe that the band is maxed out at their current output and wouldn’t be able to incorporate much new into their sounds. Still, with the raucous heaviness of the band, one is greatly captivated by this sound. It works to their advantage to have the riffs being played in this manner because it allows them to groove. There is certainly a swagger to these songs and it’s infectious to behold. Songs are short and to the point, but make their mark upon the listener in the short running time offered. The amount of distortion is also high and helps keep the tracks sounding potent and vital. This means that an overall intense sound is offered by Trap Them and leads them to being such a focused outfit. However, the lack of innovation really hurts the band. There are tons of bands like Vomitory that have performed this still and possibly even better than what’s on offer here. There’s not a huge reason to listen to this band unless you’re absolutely obsessed with the Entombed style then. This will do nothing to change your mind. It will only build upon what has already been established.

When the music performed with such accuracy it’s hard to skip upon, however. Crown Feral is a good album of the style, but it’s already been done before by other bands and better as well.

Rating: 7 out of 10