Review by Tomek on February 12, 2018.

Carcass.

This was the first thing that popped in my head when the album started, so, naturally, I kept listening. My initial feeling quickly dispersed, and when the whole album ended I found Arch Enemy, In Flames and maybe some Disarmonia Mundi and Soilwork in there, too. Using set schemes and concepts, even putting your twist on it and releasing something that you can call your own is not the newest formula out there; taking what you consider the best bits out of your favorite bands, yet still moving against the coming current with the right proportions for your own concoction and creating something fresh and original – that is a feat that is different entirely. I think these guys come out victoriously from this challenge.

II – Interitus is a name that kind of points you in the direction of this being a second album by Nero Doctrine, but nothing is farther from the truth. These Germans created a new band (raised from the ashes of Dystopia, their previous project) and decided to play music that is diametrically opposed to the previous initiative. What we have here is their first release. Lots of influences are thrown together into this mixing pot, but there are also plenty of ingredients that they brought on their own. There is a big part of Swedish melodic death metal present here, but there is also a lot of thrash bits (the aggressive kind), some progressive leanings, and bunch of other stuff that Nero Doctrine figured to combine and do it in such a way that I am already looking forward to the next release.

What I like the most about this album is the diversity. Song after song, Nero Doctrine is relentlessly attacking the listener with amazingly constructed riffing of constantly busy guitars gushing a plethora of melodic lines. Every song has a few or more memorable melodies or hooks that are simply phenomenal and very 'sticky.' Those riffs and motifs stay in your head, and whenever you play the album you know exactly which song you are listening to. Drums are supported by the evident rumble of the bass, dominating with their energy and bursting with liveliness. There is also a ton of crunchy breakdowns and a lot of slow and heavy sections bringing even more variety and adding to the tempo changes. All this melody and catchiness is served without losing a bit of heaviness or any of the dynamic. After listening to this album numerous times, I am truly ecstatic about it.

Not everything is top notch and all taken care of on this album of course, but considering how much those guys got right on the first release I am not even going to start any complaints. The First album has the right to be a little 'off' in some places and to have some musical holes that needed to be filled, but all that is to be taken care of next time. At this point I can only recommend listening to this album and simply enjoying it.

Nero Doctrine came up with an excellent release, and if ‘III’ is going to be better than ‘II’ is, then it probably will be ‘I’ on the podium.

Rating: 8 out of 10

Review by Felix on September 24, 2023.

Change is always risk and chance. The better your current status is, the higher is the risk. Considering these self-evident facts, it is not surprising that Age Of Excuse continues the line of the stupendous Exercises In Futility. Only those strange people who confuse staying true to one's roots with stagnation find that stupid. Mgła, on the other hand, write continuity in huge letters across the complete work from 2019. The artwork, the booklet and even the back cover shares the design of its predecessor, we get the same number of songs and even the playtime is almost identical. Thus, the comparable musical content just adds the final brick.

Nevertheless, the Polish duo does not choose a despondent approach. It goes without saying that the six tracks present new nuances within the given stylistic frame. The aggressive and outstanding 'III', for example, delivers some shrill tones that lend the song a quite hysteric touch and the average velocity of the pieces seems to be a bit higher than before. But the defining elements remain unchanged. There are, not only in the opening 'I', still relatively hypnotic parts, the vocalist still sounds like someone who does not tolerate contradiction and the guitars have not stopped to create endlessly flowing lines. Even the production lies in close proximity to Exercises In Futiliy. It’s a professional, dense, more or less well-balanced mix. It captures the essence of the sinister music in a good manner and adds value to the full-length.

The album’s title is almost ironic and flirtatious, because Mgła do not need any excuses. Once again, no weak track has crept in and, as a matter of course, the homogeneity of the album is once again striking. Moreover, the band operates far away from all clichés. The opener starts with slowly plodding sequences instead of exploding in your ear immediately. Another big factor are the melodies that the duo presents. They are neither extremely morbid nor do they breathe the spirit of utter cruelty, but they cannot be blamed for softness or inappropriateness as well. They are an important tool to convey the dark spiritualism that characterizes the music of the two protagonists. The same goes for the lyrics which seem to deal with existential questions exclusively. Of course, black metal is not known for its exuberant humour, but Mgła contribute an extra portion of seriousness. In other words: it would be completely stupid, to release this album on red, yellow or orange vinyl. Only black is appropriate here.

'III' is not the only track that bursts out of the speakers in a pretty violent manner. 'IV' is another fast-paced celebration of cold obscurity. That’s why I appreciate the centre of the album the most, but, as already said before, I am able to enjoy all tracks and the full-length offers many swift sections. On the other hand, the despair of part 'V' of Exercises In Futility remains unrivalled here. Nevertheless, Age Of Excuse manifests the flawless reputation of a band that does not lack individuality. No need to change, just go on this exciting way.

Rating: 8.5 out of 10

Review by Fernando on September 27, 2019.

Mgła have proven themselves to be the flag bearers of the Polish black metal scene and have taken the underground by storm. Their trademark style of melodic and gritty black metal have made them stand out and they have returned with their fourth full length album, Age of Excuse.

In Age of Excuse, Mgła continue where they left off on Exercises in Futility, the album that catapulted into the black metal spotlight with a new sense of refinement and even some progressive elements. Indeed, this new LP is very reminiscent of its predecessor, however the band have added more flair and complexity to the music. The compositions are much more dynamic and there’s a stronger focus on creating an ominous atmosphere with moments of aggression as opposed to the direct approach from their previous records. The influence from the band’s members other project, Kriegsmaschine is very apparent and that band’s last album was also a blackened progressive outing with complex and dynamic music. M. and Darkside seems to have carried some of that musicality into Age of Excuse as a sort of seasoning, hence the aforementioned refined style of the music, but make no mistake, this is still very much a Mgła album and everything of what fans want is still present; the cold riffs, complex drumming and sense of dread that only the Polish fog can do.

Drummer Darkside continues to be the main standout of the band. His drumming is as layered and complicated as ever but there’s much more panache and focus added to Darkside’s near robotic precision; he makes full use of the drum kit and gives an every song a distinct rhythm that makes them unique aside from his expertly executed blast beats and double bass drumming. But no talk of Mgła would be complete without founder and mastermind M. who once again handles the lion share of the job by handling vocals and strings. The first thing to notice is the vocals and M.’s unique take on shrieking vocals which on this album take a much more controlled approach; the vocals sound as menacing as ever but there’s a sense of holding the rage inside. In a weird way the vocals sound as if they’re being restrained but you can still sense all the frustration and rage, like a rabid dog that’s collared and trying to get up, which complement the subject matter of the lyrics perfectly, describing a world gone to ruin wherein its inhabitants accept to live in the squalor while a select few try to break away from being drowned in the filth. A fitting and topical concept for our current times. The guitar and bass work continue to be as impressive as ever; the refinement I already mentioned is most present in the string sections, a droning wall of sound to maintain the fast pace which is then broken into dynamic and complex riffs to carry the rest of the song, the grimness and dread of the music lives and breathes on M.’s riffs and masterful tremolo picking. And all of this is accompanied and brought together by the excellent production quality, which only Mgła succeeds in balancing the grit of any good black metal album with the right amount of polish to make it sound great, and as such you get the best of both worlds.

However while this album continues Mgła’s stride of exceptional black metal, it’s major shortcoming is the main problem of all black metal bands, which is the repetitiveness. This is a Mgła album through and through but beyond the added progressive elements and refined musicianship, this album doesn’t stand out that much from either Exercises in Futility or With Hearts Toward None. Make no mistake, this album is a quality black metal album and it does feel like this is the last hurrah of this era of Mgła, but it also has the death rattles of the end of an era, so to speak. Overall Mgła does what they do best but if by the next album they still retain the same sound of the last 3 albums, then most people will move on to the next big black metal band, for sure.

Best tracks: 'Age of Excuse II', 'Age of Excuse IV', 'Age of Excuse VI'

Rating: 8.2 out of 10