Dysentery


...Brings Me No Tears

Germany Country of Origin: Germany

...Brings Me No Tears
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Type: Full-Length
Release Date: 1993
Label: Lowland Records
Genre: Death, Grindcore
1. Sonic Pleasures Of Genital Pathology
2. With Pins And Chisels
3. Dermapathological Dreams
4. Siagolic Cruor
5. Bacterial Decomposition
6. A Purulent Torso
7. Abnormal Faecal
8. Siagolic Cruor
9. With Pins And Chisels
10. Dermapathological Dreams
11. Cadaverizer II


Review by Carl on January 25, 2021.

I don't know about you, but I love these underground gems from the early to mid 90's. Usually these are not the best sounding or most technically capable albums, but they are aggressive as hell and simply ooze enthusiasm and underground spirit, and that's what I truly appreciate about them. Take for example albums like Nuclear Death's "Carrion for Worm", Graveland's "Carpathian Wolves" or "Documentaries of Disgust" by Disordered, I simply adore these albums, in all their obscure, raw and sometimes clumsy glory. Germany's Dysentery fits in very well among those already mentioned, dropping a debut full length in 1993, but I can't imagine a lot of people taking notice. I myself only discovered it a month or so ago, but it managed to pull the right strings with me, despite its flaws.

I went into this expecting an early example of what is sometimes called pathological grind (you know: early Carcass, Regurgitate, early General Surgery, ...), and found myself somewhat disappointed after discovering it didn't sound quite like that. After repeated listens though, it did start to grow on me, mainly because the band take their cues from some older (different) sources than your average grindcore band did at that time. The music does have it's grindcore parts, with bands like Agathocles and Blood as clearest reference, but the music has me thinking more of a blend of crude hardcore/thrash bands like Concrete Sox, Extreme Noise Terror or Cryptic Slaughter on one side and primal black/thrash on the other. Perhaps it's the production on this album, but it had me thinking of albums like Sodom's "Obsessed by Cruelty" and Bathory's "The Return", with nods to Hellhammer and even Venom, at times. It's old school goodness galore! The vocals are the point where the influence of Carcass really creeps through, with the band both employing a gargling and a down pitched style, and thankfully, here it adds a cool touch to the music. The use of pitched vocals is always hit or miss, it either adds to the music or it sounds totally ridiculous, there's no in between. Here it hits the mark, and combined with the primitive thrash/death/grind that the band has on offer, it actually gives Dysentery somewhat a face of it's own. Held together by a deliciously raw production, this release manages to tick the necessary boxes to make it one of those charming underground gems from days gone by.

There are however some things that landed less well with me. Take the riffing, for instance: for the most part it is simple yet effective, like old Sodom, but at times there are parts that are just boring, something that is not helped by the fact that Dysentery has the tendency to make their songs pretty long. The bulk of the material clocks in around the 4 minute mark, with one track even passing 7 minutes runtime. Perhaps it would've been a good idea to "trim the fat" here and there. Also, in the final mix the drums are somewhat in the background, which has as a result that in the fast parts the drums get drowned out by the guitars, making it sound messy and directionless at times. Still, these little gripes aside, this is still a great enjoyable piece of work that I enjoy a lot.

This is one of those obscure underground gems that oozes with enthusiasm and charm despite its flaws. Dysentery certainly deserves a place between illustrious names such as Judecca, Repulsion, Naked Whipper, Atrocity (US), Black Funeral, Necrosanct and the rest of their contemporaries. I can surely recommend this to all who have a special place in their black pus-filled heart for raw death/grind/black/grind/... from the late 80's and early 90's.

Rating: 7.5 out of 10

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