Review by Vladimir on May 25, 2024.

When it comes to black metal musicians creating side-projects within the same subgenre, I always have very mixed feelings about it because they mostly end up sounding just the same as their main band/project, if not even worse or perhaps even less interesting. This trend just pisses me off most of the time, and that's why I avoid taking a look at those other projects because of all the aforementioned reasons. However, I have made a couple of exceptions in the past, mostly because they often involve a very respected and experienced artist who knows how to do things properly. Case and point is the Norwegian black metal project Udåd, founded by Thomas Eriksen of the band Mork, whose works I've adored for some years now. Despite being a part of the same tree, Udåd is an entirely different entity on its own, and we'll get to that in a second. The self-titled debut album Udåd was released on March 15th, 2024 via Peaceville Records, and although it has been a while since it came out, it's still worth taking a look and analyzing its being as a whole.

The musical direction of Udåd is a bit more raw and necro style black metal, which still carries the atmosphere and melancholy of Mork, although presented in a much more monotone fashion. Gloom, sorrow and agony flows through the shouting vocals, backed up by slow or mid-tempo riffs and drums, which create this somewhat distorted aura painted in black and grey. The songs themselves are executed in a way that they seem like individual chapters in a story where the protagonist is constantly tormented by his demons and constantly facing difficulties, while every song presents a different kind of emotion that the character is going through at a certain stage in life. Mork's latest album Dypet was certainly more focused on emotions than all of the previous works, however, there is no denying that Udåd has a much stronger emphasis on extreme feelings that dictate the flow of every song, as if it musically represents a downward spiral where every following track is a gradual descent into madness. The biggest difference in comparison to Mork aside from the overall black metal approach, is Thomas Eriksen's vocal style, who incorporates heavy shouting vocals as opposed to the traditional harsh black metal vocals which he often used. There is much more rawness and grimness in the overall sound, which could be characterized as a what if scenario where Thomas took the other direction on the road sign instead of the one that leads to Isebakke. If Mork was Theodor Kittelsen, then Udåd is Edvard Munch.

Songwriting-wise, the album is straightforward and one-dimensional in terms of the overall execution, without relying on dynamics but still leaving enough room to add melodies and guitar solos to make it more engaging. I personally had a bit of a hard time grasping Udåd as opposed to Mork which instantly hit me when I first heard it, mostly due to the drastic sound difference, but nevertheless, I still managed to let my thoughts go and just flow with the darkness and eeriness of the songs. I appreciate the fact that Thomas was trying to go for something slightly different and much more necro in terms of the overall execution, but what I appreciate more is the fact that he didn't just make a Mork 2.0 when working on Udåd, which is often the case of many black metal musicians with multiple projects that basically sound the same. Production-wise, the album has a very necro sound with the raw buzzsaw distortion on the guitars, which was engineered by Thomas Eriksen himself, while the mixing was handled by Jack Control of Enormous Door studio.

Personally, Udåd is strange at first glance, especially when you hear the first couple of songs, but once you get used to it, you are actually going for a pretty solid raw and grim black metal ride. I am not sure if this is just meant to be a one-off album that Thomas Eriksen experimented with just for the sake of trying something different, but I would actually love to hear more in the future, and hopefully it will be further expanded with more interesting ideas. If you are into bands like Mutiilation, but you also happen to like Mork as well, you should probably take a look at Udåd.

Rating: 8 out of 10

Review by JD on March 11, 2013.

Yellowtooth. A rather interesting named band from the openness of Indiana pores out a very interesting mixing of deep Sludge and Heavy Doom Metal with some 70's Hard Rock flavouring smattered into a classic framework of older Metal/Hard Rock. You get something that comes out more than what it seems to be.

What you get with Yellowtooth is this wall of thick guitars, almost a groovy set of muscle melodies with demolishing drums that seem to be battering everything in sight. Add in a great growling gravelled voice and some very dark yet seriously blunt lyrics on a whole host of topics... you get exactly what this Indiana band is about, and then some.

Songs like the primitive yet very impressive attack of 'Soulstalker' and the way nasty 'Decay From Inside' blends some good Sludge/Doom/70's Hard Rock mix with vocals that are as sadistic as any - yet come across so perfect unlike most other singers out there. It is this perfect amalgamation of all of these various musical parts that come together to make a very interesting album to many parts of the Heavy Metal universe.

This might not be a perfect album by any stretch of the imagination but it is good because of its honest approach. It is so damned fucking massively good that it can show exactly how looming heaviness is supposed to be done. This is what metal is all about this is a lesson we all can learn over and over again.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 9.5
Production: 9
Originality: 9
Overall: 9.5

Rating: 9.2 out of 10