Review by Adam M on September 6, 2017.

Royal Thunder still brings the traditional stoner/doom approach, but there music is more mainstream focused now. The songs on WICK are the band’s most accessible yet and go a long way to cementing their current sound with the audience. The guitar riffs are still meaty enough even though they carry along the more easy to digest approach. This is music for people that like the psychedelic vibe in their music and it’s a sound that’s unique enough.

The album gets off to a strong start with Burning Tree, one of the more memorable tracks to be found here and continues along a strong path with April Showers, which is an absolute barnburner. It must be mentioned that vocalist Mlny Parsonz does an incredible job on this release too. Her distinctive singing carries these tracks even when they seem to drag a bit. It’s the successful combination between her and the guitar riffs that makes this outfit such a wonder to behold in its cohesive entirety. The songs here are certainly catchy and this is an advantage they have over a straight doom band. There is more of an accessible flair to the tracks that makes one want to replay them in the mind and that is an element I find lacking in many doom releases. It must be said that the album doesn’t really open any doors and those that find Crooked Doors to be the band’s best release may just maintain this position. Despite the inability to move in new directions, the band really makes sure that you know that their formula is fully functioning.

This is one of the most vibrant and passionate albums released so far in 2017 despite the lack of originality. Although the album doesn’t really progress greatly from the last release, it perfects the style that the band is going for. Fans of doom and stoner will find much to enjoy here.

Rating: 7.8 out of 10

Review by Adam M on September 6, 2017.

Royal Thunder still brings the traditional stoner/doom approach, but there music is more mainstream focused now. The songs on WICK are the band’s most accessible yet and go a long way to cementing their current sound with the audience. The guitar riffs are still meaty enough even though they carry along the more easy to digest approach. This is music for people that like the psychedelic vibe in their music and it’s a sound that’s unique enough.

The album gets off to a strong start with Burning Tree, one of the more memorable tracks to be found here and continues along a strong path with April Showers, which is an absolute barnburner. It must be mentioned that vocalist Mlny Parsonz does an incredible job on this release too. Her distinctive singing carries these tracks even when they seem to drag a bit. It’s the successful combination between her and the guitar riffs that makes this outfit such a wonder to behold in its cohesive entirety. The songs here are certainly catchy and this is an advantage they have over a straight doom band. There is more of an accessible flair to the tracks that makes one want to replay them in the mind and that is an element I find lacking in many doom releases. It must be said that the album doesn’t really open any doors and those that find Crooked Doors to be the band’s best release may just maintain this position. Despite the inability to move in new directions, the band really makes sure that you know that their formula is fully functioning.

This is one of the most vibrant and passionate albums released so far in 2017 despite the lack of originality. Although the album doesn’t really progress greatly from the last release, it perfects the style that the band is going for. Fans of doom and stoner will find much to enjoy here.

Rating: 7.8 out of 10

Review by Ryan on April 6, 2014.

We are well into the second decade of the 21st century, and I feel thrash metal in its pure and classic sense has lost most of its appeal. Sure, I still go back to listen to those lauded discs from the '80s and early '90s, and I get the occasional bit of dumb fun from the likes of Havok and Merciless Death, but what is new? I'm more interested in hearing thrash used as a base for some kind of alloy. Thrash can mix well with things such as black metal, death metal, doom metal, prog, powerviolence, or even traditional metal from the pre-thrash era. It's largely in this last category that we find Black Magic, whose name appropriately references a song from Slayer’s debut.

Their debut album "Wizard's Spell" represents the sort of low budget, low concept basement fun that only requires enough dexterity and thoughtfulness to properly play a riff by Iron Maiden or Mercyful Fate. Fortunately, these Norsemen perfectly capture what I can only assume was a weekend of drunken revelry. Theirs is the sort of music that requires either the naïveté of a teenager or the mentality of one.

If Metal Archives is to be believed, this album was made by two young men who were barely born in the '80s, and thus cannot possibly remember even trace elements of its culture or politics. The recording is thus an exercise in nostalgia by osmosis. Influences were acquired via recommendations of cool older brothers, unwitting mentors, or uncles and aunts that the rest of the family regarded with silent grimaces and scowls of contempt. Good on them!

Venom, Slayer, Mercyful Fate, Iron Maiden, Hellhammer & Celtic Frost… all of this and more has been carefully considered for both songwriting templates and production choices. The initial inspiration may have been sloppy and easy fun, but the final product resulted from a good degree of consideration. Reverb was applied here, and an extra hammer pull-off there, but only just before the tempo change. Each song evokes some aspect of 1980s heavy metal and/or thrash, making this a tidy little project. Black Magic is probably not a band with a long shelf life, at least in its current format. They may yet hold surprises, but as things stand this is like a weekend trip from Boston to Maine: short, sweet, and only to be repeated on special occasions.

Rating: 8 out of 10

Review by Ryan on April 6, 2014.

We are well into the second decade of the 21st century, and I feel thrash metal in its pure and classic sense has lost most of its appeal. Sure, I still go back to listen to those lauded discs from the '80s and early '90s, and I get the occasional bit of dumb fun from the likes of Havok and Merciless Death, but what is new? I'm more interested in hearing thrash used as a base for some kind of alloy. Thrash can mix well with things such as black metal, death metal, doom metal, prog, powerviolence, or even traditional metal from the pre-thrash era. It's largely in this last category that we find Black Magic, whose name appropriately references a song from Slayer’s debut.

Their debut album "Wizard's Spell" represents the sort of low budget, low concept basement fun that only requires enough dexterity and thoughtfulness to properly play a riff by Iron Maiden or Mercyful Fate. Fortunately, these Norsemen perfectly capture what I can only assume was a weekend of drunken revelry. Theirs is the sort of music that requires either the naïveté of a teenager or the mentality of one.

If Metal Archives is to be believed, this album was made by two young men who were barely born in the '80s, and thus cannot possibly remember even trace elements of its culture or politics. The recording is thus an exercise in nostalgia by osmosis. Influences were acquired via recommendations of cool older brothers, unwitting mentors, or uncles and aunts that the rest of the family regarded with silent grimaces and scowls of contempt. Good on them!

Venom, Slayer, Mercyful Fate, Iron Maiden, Hellhammer & Celtic Frost… all of this and more has been carefully considered for both songwriting templates and production choices. The initial inspiration may have been sloppy and easy fun, but the final product resulted from a good degree of consideration. Reverb was applied here, and an extra hammer pull-off there, but only just before the tempo change. Each song evokes some aspect of 1980s heavy metal and/or thrash, making this a tidy little project. Black Magic is probably not a band with a long shelf life, at least in its current format. They may yet hold surprises, but as things stand this is like a weekend trip from Boston to Maine: short, sweet, and only to be repeated on special occasions.

Rating: 8 out of 10