Review by Vladimir on December 18, 2023.

Even though I have been a big fan of Enforcer, as well as the other works that include their past members such as Joseph Tholl, Tobias Lindqvist and Adam Zaars, it took me a while until I finally managed to check out their heavy metal band Tyrann, which has been around since 2018. The band has received a respectable status among Swedish and worldwide heavy metal fans, thanks to the very good reputation of their debut full-length album Djävulens Musik from 2021. I'm still feel angry at myself for not checking out Tyrann earlier after being busy with so many other stuff that’s been around this year, however this time I am ready to redeem myself, as today I will be taking a closer look at the band’s second full-length album Besatt, released on June 2nd, 2023 via Electric Assault Records. 

Tyrann’s music is oriented towards a punk/rock ‘n roll oriented heavy metal with catchy riffs, punk rock drumming, along with Steve Harris-like basslines and melodic singing vocals by Tobias Lindqvist. Some songs like the title track 'Besatt' lean more towards a 70’s rock/heavy metal with some melodic guitar work here and there, while also throwing in a punk rock section on the second half to spice things up with some good old-fashioned rock and roll. The seventh track 'Ingen Tid För Oss' also introduces a bit of hard rock/AOR elements with the addition of keyboards and mid-tempo riffing, expressing some emotional moments that lean so much towards 80’s hits by bands such as Journey or Europe, although without sounding like a desperate attempt at commercializing their sound. The lyrics on this album are primarily in Swedish language, however tracks such as 'Face The Tyrant' and 'Ingen Tid För Oss' also contain some lyrics in English but for a brief moment. The songwriting is really energetic and groovy as well, with plenty to enjoy from the rocking riffs to the catchy lyrics with choruses will make your body move, the best example being the opening track 'Transsylvanien' and 'Omen'. There are also examples that lean towards a heavier direction, like the final track 'Rå Energi' which has some tight galloping riffs, and the song title perfectly describes the kind of energy this album radiates. The only downside that I have to this album is that it quickly reaches its conclusion, due to the overall length of each track that brings this album up to a total of 28 minutes and 45 seconds, which despite being longer than the predecessor Djävulens Musik, still made me beg for more. On the positive side, this just proves the fact that the songs are effective in their overall execution by grasping your at most attention and make you even thirstier for a dose of rock and roll. After a long time of listening to Enforcer and being completely mesmerized by Tobias‘s basslines, this time I really began to think that Tobias is also great as a vocalist and I would daresay that he is so incredibly underrated because he can definitely steal the show, especially with Joseph Tholl on backing vocals who amps it up during their live performances. What I liked a lot besides the overall band performance is the sound production which is very organic and top-notch, giving so much space for each instrument to stand out without thinning out the layers too much where it doesn’t feel like it’s hitting the spot. 

Besatt is a straightforward but incredibly enjoyable album that shows just how Tyrann is capable of writing good music without any unnecessary gimmicks or taking themselves way too seriously. Even though I came a bit late on this album, I am still glad that I managed to catch up after all the stuff that has been around this year, and I am certain that many oldschool heavy metal fans dig Besatt just as much as I do. If you still haven’t checked out Besatt or Tyrann in general, I strongly suggest you do, because otherwise you would be missing out on all of these bangers. 

Rating: 8.8 out of 10

Review by Vladimir on December 18, 2023.

Even though I have been a big fan of Enforcer, as well as the other works that include their past members such as Joseph Tholl, Tobias Lindqvist and Adam Zaars, it took me a while until I finally managed to check out their heavy metal band Tyrann, which has been around since 2018. The band has received a respectable status among Swedish and worldwide heavy metal fans, thanks to the very good reputation of their debut full-length album Djävulens Musik from 2021. I'm still feel angry at myself for not checking out Tyrann earlier after being busy with so many other stuff that’s been around this year, however this time I am ready to redeem myself, as today I will be taking a closer look at the band’s second full-length album Besatt, released on June 2nd, 2023 via Electric Assault Records. 

Tyrann’s music is oriented towards a punk/rock ‘n roll oriented heavy metal with catchy riffs, punk rock drumming, along with Steve Harris-like basslines and melodic singing vocals by Tobias Lindqvist. Some songs like the title track 'Besatt' lean more towards a 70’s rock/heavy metal with some melodic guitar work here and there, while also throwing in a punk rock section on the second half to spice things up with some good old-fashioned rock and roll. The seventh track 'Ingen Tid För Oss' also introduces a bit of hard rock/AOR elements with the addition of keyboards and mid-tempo riffing, expressing some emotional moments that lean so much towards 80’s hits by bands such as Journey or Europe, although without sounding like a desperate attempt at commercializing their sound. The lyrics on this album are primarily in Swedish language, however tracks such as 'Face The Tyrant' and 'Ingen Tid För Oss' also contain some lyrics in English but for a brief moment. The songwriting is really energetic and groovy as well, with plenty to enjoy from the rocking riffs to the catchy lyrics with choruses will make your body move, the best example being the opening track 'Transsylvanien' and 'Omen'. There are also examples that lean towards a heavier direction, like the final track 'Rå Energi' which has some tight galloping riffs, and the song title perfectly describes the kind of energy this album radiates. The only downside that I have to this album is that it quickly reaches its conclusion, due to the overall length of each track that brings this album up to a total of 28 minutes and 45 seconds, which despite being longer than the predecessor Djävulens Musik, still made me beg for more. On the positive side, this just proves the fact that the songs are effective in their overall execution by grasping your at most attention and make you even thirstier for a dose of rock and roll. After a long time of listening to Enforcer and being completely mesmerized by Tobias‘s basslines, this time I really began to think that Tobias is also great as a vocalist and I would daresay that he is so incredibly underrated because he can definitely steal the show, especially with Joseph Tholl on backing vocals who amps it up during their live performances. What I liked a lot besides the overall band performance is the sound production which is very organic and top-notch, giving so much space for each instrument to stand out without thinning out the layers too much where it doesn’t feel like it’s hitting the spot. 

Besatt is a straightforward but incredibly enjoyable album that shows just how Tyrann is capable of writing good music without any unnecessary gimmicks or taking themselves way too seriously. Even though I came a bit late on this album, I am still glad that I managed to catch up after all the stuff that has been around this year, and I am certain that many oldschool heavy metal fans dig Besatt just as much as I do. If you still haven’t checked out Besatt or Tyrann in general, I strongly suggest you do, because otherwise you would be missing out on all of these bangers. 

Rating: 8.8 out of 10

Review by Vladimir on December 18, 2023.

Even though I have been a big fan of Enforcer, as well as the other works that include their past members such as Joseph Tholl, Tobias Lindqvist and Adam Zaars, it took me a while until I finally managed to check out their heavy metal band Tyrann, which has been around since 2018. The band has received a respectable status among Swedish and worldwide heavy metal fans, thanks to the very good reputation of their debut full-length album Djävulens Musik from 2021. I'm still feel angry at myself for not checking out Tyrann earlier after being busy with so many other stuff that’s been around this year, however this time I am ready to redeem myself, as today I will be taking a closer look at the band’s second full-length album Besatt, released on June 2nd, 2023 via Electric Assault Records. 

Tyrann’s music is oriented towards a punk/rock ‘n roll oriented heavy metal with catchy riffs, punk rock drumming, along with Steve Harris-like basslines and melodic singing vocals by Tobias Lindqvist. Some songs like the title track 'Besatt' lean more towards a 70’s rock/heavy metal with some melodic guitar work here and there, while also throwing in a punk rock section on the second half to spice things up with some good old-fashioned rock and roll. The seventh track 'Ingen Tid För Oss' also introduces a bit of hard rock/AOR elements with the addition of keyboards and mid-tempo riffing, expressing some emotional moments that lean so much towards 80’s hits by bands such as Journey or Europe, although without sounding like a desperate attempt at commercializing their sound. The lyrics on this album are primarily in Swedish language, however tracks such as 'Face The Tyrant' and 'Ingen Tid För Oss' also contain some lyrics in English but for a brief moment. The songwriting is really energetic and groovy as well, with plenty to enjoy from the rocking riffs to the catchy lyrics with choruses will make your body move, the best example being the opening track 'Transsylvanien' and 'Omen'. There are also examples that lean towards a heavier direction, like the final track 'Rå Energi' which has some tight galloping riffs, and the song title perfectly describes the kind of energy this album radiates. The only downside that I have to this album is that it quickly reaches its conclusion, due to the overall length of each track that brings this album up to a total of 28 minutes and 45 seconds, which despite being longer than the predecessor Djävulens Musik, still made me beg for more. On the positive side, this just proves the fact that the songs are effective in their overall execution by grasping your at most attention and make you even thirstier for a dose of rock and roll. After a long time of listening to Enforcer and being completely mesmerized by Tobias‘s basslines, this time I really began to think that Tobias is also great as a vocalist and I would daresay that he is so incredibly underrated because he can definitely steal the show, especially with Joseph Tholl on backing vocals who amps it up during their live performances. What I liked a lot besides the overall band performance is the sound production which is very organic and top-notch, giving so much space for each instrument to stand out without thinning out the layers too much where it doesn’t feel like it’s hitting the spot. 

Besatt is a straightforward but incredibly enjoyable album that shows just how Tyrann is capable of writing good music without any unnecessary gimmicks or taking themselves way too seriously. Even though I came a bit late on this album, I am still glad that I managed to catch up after all the stuff that has been around this year, and I am certain that many oldschool heavy metal fans dig Besatt just as much as I do. If you still haven’t checked out Besatt or Tyrann in general, I strongly suggest you do, because otherwise you would be missing out on all of these bangers. 

Rating: 8.8 out of 10

Review by Death8699 on November 11, 2018.

Yes, quite a long break from the metal scene, however, Carcass is back! This one fits in the genre of not only melodic death, but actually death 'n roll. That doesn't necessarily make it "not" melodic, it's melodic as all hell. Plus Steer sounds like he's keeping the guitars tuning to B still, reliving the old tunes and turning the music into a pure melodic medley of tunes that are stifling, not to mention that they're still thick and heavy as all hell. Walker's vocals are pretty much the same as its previous outputs, reliving the spirit of the past and applying it to their newer sound fitting it rather well alongside the melodies fast paced tempos.

Commendable return although some have this contingency that it wasn't music they are adhering to, it's money. With that belief, the whole of the album tends to make it as worthy as nil. I appreciated the album immensely, not out of bias or disagreement with other people's views, but because I felt a good vibe when I heard this, and yes, it was like reliving the gift of melodic memories. I think that Steer made the music commendable here, despite the slighter change in songwriting structure, the melodicism of the music keep it for me interested because the emotion definitely comes out in the music.

I've never been a fan of Carcass lyrical department, mainly just the music and vocals. On this one, I think that Steer's leads weren't as wicked on that of Heartwork, but still was able to dish out some highly technical riffs, with a touch of rock and roll feel to it. I'm guessing that was the underlying style in the songwriting department, they wanted to bring themselves back into the world of emotion in music, even if it is heavy and the guitars thick. Actually, the guitars are to me the highlight of the album and the production quality was commendable. Walker sounds the same yes, but it truly does fit with Steer's musical compositions. 

I didn't lose interest in any of the songs the whole way through. In fact, I felt it to be exuberant in feel, original in style, lucid in essence and wicked in spirit. These aspects made the album work and possibly one of the top albums of 2013. I'm not in agreement with others just for the sake of agreeing with them, I truly thought that this comeback leads to other bands comebacks in metal, not just them, but those who've disbanded in the past for whatever reason. So yes, the hallmark here are Steer's utter complexity in writing style, tremolo picking riffing abundant, a vibe that puts the sound in a world of its own among their discography.

The fact that this band made a hallmark comeback to the metal scene is quite admirable. Just not only that, but listening to 47+ minutes of pure and fresh melodic/death 'n roll. The music is captivating, the vocals so much like the past, the production quality like that of Heartwork, and a drive for this band to really make its mark once again in approach to metal. I don't think that this album is them just selling out, I think that the memories of the past became relived and their adjunct to keeping themselves untouchable in this unique melodic form will turn new listeners into their vibe getting them interested in the older melodic days, not as much the way early grind ones. A monument.

Rating: 9.5 out of 10

Review by Death8699 on November 11, 2018.

Yes, quite a long break from the metal scene, however, Carcass is back! This one fits in the genre of not only melodic death, but actually death 'n roll. That doesn't necessarily make it "not" melodic, it's melodic as all hell. Plus Steer sounds like he's keeping the guitars tuning to B still, reliving the old tunes and turning the music into a pure melodic medley of tunes that are stifling, not to mention that they're still thick and heavy as all hell. Walker's vocals are pretty much the same as its previous outputs, reliving the spirit of the past and applying it to their newer sound fitting it rather well alongside the melodies fast paced tempos.

Commendable return although some have this contingency that it wasn't music they are adhering to, it's money. With that belief, the whole of the album tends to make it as worthy as nil. I appreciated the album immensely, not out of bias or disagreement with other people's views, but because I felt a good vibe when I heard this, and yes, it was like reliving the gift of melodic memories. I think that Steer made the music commendable here, despite the slighter change in songwriting structure, the melodicism of the music keep it for me interested because the emotion definitely comes out in the music.

I've never been a fan of Carcass lyrical department, mainly just the music and vocals. On this one, I think that Steer's leads weren't as wicked on that of Heartwork, but still was able to dish out some highly technical riffs, with a touch of rock and roll feel to it. I'm guessing that was the underlying style in the songwriting department, they wanted to bring themselves back into the world of emotion in music, even if it is heavy and the guitars thick. Actually, the guitars are to me the highlight of the album and the production quality was commendable. Walker sounds the same yes, but it truly does fit with Steer's musical compositions. 

I didn't lose interest in any of the songs the whole way through. In fact, I felt it to be exuberant in feel, original in style, lucid in essence and wicked in spirit. These aspects made the album work and possibly one of the top albums of 2013. I'm not in agreement with others just for the sake of agreeing with them, I truly thought that this comeback leads to other bands comebacks in metal, not just them, but those who've disbanded in the past for whatever reason. So yes, the hallmark here are Steer's utter complexity in writing style, tremolo picking riffing abundant, a vibe that puts the sound in a world of its own among their discography.

The fact that this band made a hallmark comeback to the metal scene is quite admirable. Just not only that, but listening to 47+ minutes of pure and fresh melodic/death 'n roll. The music is captivating, the vocals so much like the past, the production quality like that of Heartwork, and a drive for this band to really make its mark once again in approach to metal. I don't think that this album is them just selling out, I think that the memories of the past became relived and their adjunct to keeping themselves untouchable in this unique melodic form will turn new listeners into their vibe getting them interested in the older melodic days, not as much the way early grind ones. A monument.

Rating: 9.5 out of 10

Review by Adam M on September 23, 2013.

I awaited the new Carcass with relatively low expectations. Many people were saying this album was similar to "Heartwork" and being a bigger fan of the album "Necroticism: Descanting The Insalubrious", I would have been hoping for something more similar to that. They’ve surprised me with the quality and consistency of their new album, however.

Despite having more melodic tendencies comparable to "Heartwork" than the complexly nuanced Death Metal of "Necroticism", the song-writing and number of memorable moments make this yet another attractive addition to the band’s discography. The biggest highlights like 'Noncompliance To ASTM F899-12 Standard', '316L Grade Surgical Steel' and 'Mount Of Execution' drop interesting references to "Necroticism" along with harmonics of something one have expected from "Heartwork". The combination of all the elements that have worked best for the band in the past put into a newer framework works well enough to hold my attention throughout. Great vocals accompany the instrumentation and this is a really notable feature of the album as well. Every song offers something different and when taken as a whole the album is a strong one overall. There are some tracks like 'Capitve Bolt Pistol' that lean too much towards "Heartwork" in sound, but the amount of compelling riffs and thoughtful new elements make this an impressive listen regardless.

As it’s been only a decent year for music at best, a great album from the likes of Carcass is always going to be appreciated and this is the case here as well. This isn’t the flawless masterpiece that "Necroticism" was for me many years ago, but it is a well-conceived and delivered album that puts shame to many of its competitors from the year, regardless. Plus, it’s nice to have the legends back for another go again even if this is really turns out to be one of their last attempts now. "Surgical Steel" is an excellent album that fans of the band from the nineties era in particular will appreciate greatly.

Categorical Rating Breakdown

Musicianship: 9.5
Atmosphere: 8.5
Production: 9
Originality: 8.5
Overall: 8.5

Rating: 8.9 out of 10

Review by Death8699 on November 11, 2018.

Yes, quite a long break from the metal scene, however, Carcass is back! This one fits in the genre of not only melodic death, but actually death 'n roll. That doesn't necessarily make it "not" melodic, it's melodic as all hell. Plus Steer sounds like he's keeping the guitars tuning to B still, reliving the old tunes and turning the music into a pure melodic medley of tunes that are stifling, not to mention that they're still thick and heavy as all hell. Walker's vocals are pretty much the same as its previous outputs, reliving the spirit of the past and applying it to their newer sound fitting it rather well alongside the melodies fast paced tempos.

Commendable return although some have this contingency that it wasn't music they are adhering to, it's money. With that belief, the whole of the album tends to make it as worthy as nil. I appreciated the album immensely, not out of bias or disagreement with other people's views, but because I felt a good vibe when I heard this, and yes, it was like reliving the gift of melodic memories. I think that Steer made the music commendable here, despite the slighter change in songwriting structure, the melodicism of the music keep it for me interested because the emotion definitely comes out in the music.

I've never been a fan of Carcass lyrical department, mainly just the music and vocals. On this one, I think that Steer's leads weren't as wicked on that of Heartwork, but still was able to dish out some highly technical riffs, with a touch of rock and roll feel to it. I'm guessing that was the underlying style in the songwriting department, they wanted to bring themselves back into the world of emotion in music, even if it is heavy and the guitars thick. Actually, the guitars are to me the highlight of the album and the production quality was commendable. Walker sounds the same yes, but it truly does fit with Steer's musical compositions. 

I didn't lose interest in any of the songs the whole way through. In fact, I felt it to be exuberant in feel, original in style, lucid in essence and wicked in spirit. These aspects made the album work and possibly one of the top albums of 2013. I'm not in agreement with others just for the sake of agreeing with them, I truly thought that this comeback leads to other bands comebacks in metal, not just them, but those who've disbanded in the past for whatever reason. So yes, the hallmark here are Steer's utter complexity in writing style, tremolo picking riffing abundant, a vibe that puts the sound in a world of its own among their discography.

The fact that this band made a hallmark comeback to the metal scene is quite admirable. Just not only that, but listening to 47+ minutes of pure and fresh melodic/death 'n roll. The music is captivating, the vocals so much like the past, the production quality like that of Heartwork, and a drive for this band to really make its mark once again in approach to metal. I don't think that this album is them just selling out, I think that the memories of the past became relived and their adjunct to keeping themselves untouchable in this unique melodic form will turn new listeners into their vibe getting them interested in the older melodic days, not as much the way early grind ones. A monument.

Rating: 9.5 out of 10

Review by Adam M on September 23, 2013.

I awaited the new Carcass with relatively low expectations. Many people were saying this album was similar to "Heartwork" and being a bigger fan of the album "Necroticism: Descanting The Insalubrious", I would have been hoping for something more similar to that. They’ve surprised me with the quality and consistency of their new album, however.

Despite having more melodic tendencies comparable to "Heartwork" than the complexly nuanced Death Metal of "Necroticism", the song-writing and number of memorable moments make this yet another attractive addition to the band’s discography. The biggest highlights like 'Noncompliance To ASTM F899-12 Standard', '316L Grade Surgical Steel' and 'Mount Of Execution' drop interesting references to "Necroticism" along with harmonics of something one have expected from "Heartwork". The combination of all the elements that have worked best for the band in the past put into a newer framework works well enough to hold my attention throughout. Great vocals accompany the instrumentation and this is a really notable feature of the album as well. Every song offers something different and when taken as a whole the album is a strong one overall. There are some tracks like 'Capitve Bolt Pistol' that lean too much towards "Heartwork" in sound, but the amount of compelling riffs and thoughtful new elements make this an impressive listen regardless.

As it’s been only a decent year for music at best, a great album from the likes of Carcass is always going to be appreciated and this is the case here as well. This isn’t the flawless masterpiece that "Necroticism" was for me many years ago, but it is a well-conceived and delivered album that puts shame to many of its competitors from the year, regardless. Plus, it’s nice to have the legends back for another go again even if this is really turns out to be one of their last attempts now. "Surgical Steel" is an excellent album that fans of the band from the nineties era in particular will appreciate greatly.

Categorical Rating Breakdown

Musicianship: 9.5
Atmosphere: 8.5
Production: 9
Originality: 8.5
Overall: 8.5

Rating: 8.9 out of 10

Review by Adam M on September 23, 2013.

I awaited the new Carcass with relatively low expectations. Many people were saying this album was similar to "Heartwork" and being a bigger fan of the album "Necroticism: Descanting The Insalubrious", I would have been hoping for something more similar to that. They’ve surprised me with the quality and consistency of their new album, however.

Despite having more melodic tendencies comparable to "Heartwork" than the complexly nuanced Death Metal of "Necroticism", the song-writing and number of memorable moments make this yet another attractive addition to the band’s discography. The biggest highlights like 'Noncompliance To ASTM F899-12 Standard', '316L Grade Surgical Steel' and 'Mount Of Execution' drop interesting references to "Necroticism" along with harmonics of something one have expected from "Heartwork". The combination of all the elements that have worked best for the band in the past put into a newer framework works well enough to hold my attention throughout. Great vocals accompany the instrumentation and this is a really notable feature of the album as well. Every song offers something different and when taken as a whole the album is a strong one overall. There are some tracks like 'Capitve Bolt Pistol' that lean too much towards "Heartwork" in sound, but the amount of compelling riffs and thoughtful new elements make this an impressive listen regardless.

As it’s been only a decent year for music at best, a great album from the likes of Carcass is always going to be appreciated and this is the case here as well. This isn’t the flawless masterpiece that "Necroticism" was for me many years ago, but it is a well-conceived and delivered album that puts shame to many of its competitors from the year, regardless. Plus, it’s nice to have the legends back for another go again even if this is really turns out to be one of their last attempts now. "Surgical Steel" is an excellent album that fans of the band from the nineties era in particular will appreciate greatly.

Categorical Rating Breakdown

Musicianship: 9.5
Atmosphere: 8.5
Production: 9
Originality: 8.5
Overall: 8.5

Rating: 8.9 out of 10

Review by Death8699 on November 11, 2018.

Yes, quite a long break from the metal scene, however, Carcass is back! This one fits in the genre of not only melodic death, but actually death 'n roll. That doesn't necessarily make it "not" melodic, it's melodic as all hell. Plus Steer sounds like he's keeping the guitars tuning to B still, reliving the old tunes and turning the music into a pure melodic medley of tunes that are stifling, not to mention that they're still thick and heavy as all hell. Walker's vocals are pretty much the same as its previous outputs, reliving the spirit of the past and applying it to their newer sound fitting it rather well alongside the melodies fast paced tempos.

Commendable return although some have this contingency that it wasn't music they are adhering to, it's money. With that belief, the whole of the album tends to make it as worthy as nil. I appreciated the album immensely, not out of bias or disagreement with other people's views, but because I felt a good vibe when I heard this, and yes, it was like reliving the gift of melodic memories. I think that Steer made the music commendable here, despite the slighter change in songwriting structure, the melodicism of the music keep it for me interested because the emotion definitely comes out in the music.

I've never been a fan of Carcass lyrical department, mainly just the music and vocals. On this one, I think that Steer's leads weren't as wicked on that of Heartwork, but still was able to dish out some highly technical riffs, with a touch of rock and roll feel to it. I'm guessing that was the underlying style in the songwriting department, they wanted to bring themselves back into the world of emotion in music, even if it is heavy and the guitars thick. Actually, the guitars are to me the highlight of the album and the production quality was commendable. Walker sounds the same yes, but it truly does fit with Steer's musical compositions. 

I didn't lose interest in any of the songs the whole way through. In fact, I felt it to be exuberant in feel, original in style, lucid in essence and wicked in spirit. These aspects made the album work and possibly one of the top albums of 2013. I'm not in agreement with others just for the sake of agreeing with them, I truly thought that this comeback leads to other bands comebacks in metal, not just them, but those who've disbanded in the past for whatever reason. So yes, the hallmark here are Steer's utter complexity in writing style, tremolo picking riffing abundant, a vibe that puts the sound in a world of its own among their discography.

The fact that this band made a hallmark comeback to the metal scene is quite admirable. Just not only that, but listening to 47+ minutes of pure and fresh melodic/death 'n roll. The music is captivating, the vocals so much like the past, the production quality like that of Heartwork, and a drive for this band to really make its mark once again in approach to metal. I don't think that this album is them just selling out, I think that the memories of the past became relived and their adjunct to keeping themselves untouchable in this unique melodic form will turn new listeners into their vibe getting them interested in the older melodic days, not as much the way early grind ones. A monument.

Rating: 9.5 out of 10

Review by Adam M on September 23, 2013.

I awaited the new Carcass with relatively low expectations. Many people were saying this album was similar to "Heartwork" and being a bigger fan of the album "Necroticism: Descanting The Insalubrious", I would have been hoping for something more similar to that. They’ve surprised me with the quality and consistency of their new album, however.

Despite having more melodic tendencies comparable to "Heartwork" than the complexly nuanced Death Metal of "Necroticism", the song-writing and number of memorable moments make this yet another attractive addition to the band’s discography. The biggest highlights like 'Noncompliance To ASTM F899-12 Standard', '316L Grade Surgical Steel' and 'Mount Of Execution' drop interesting references to "Necroticism" along with harmonics of something one have expected from "Heartwork". The combination of all the elements that have worked best for the band in the past put into a newer framework works well enough to hold my attention throughout. Great vocals accompany the instrumentation and this is a really notable feature of the album as well. Every song offers something different and when taken as a whole the album is a strong one overall. There are some tracks like 'Capitve Bolt Pistol' that lean too much towards "Heartwork" in sound, but the amount of compelling riffs and thoughtful new elements make this an impressive listen regardless.

As it’s been only a decent year for music at best, a great album from the likes of Carcass is always going to be appreciated and this is the case here as well. This isn’t the flawless masterpiece that "Necroticism" was for me many years ago, but it is a well-conceived and delivered album that puts shame to many of its competitors from the year, regardless. Plus, it’s nice to have the legends back for another go again even if this is really turns out to be one of their last attempts now. "Surgical Steel" is an excellent album that fans of the band from the nineties era in particular will appreciate greatly.

Categorical Rating Breakdown

Musicianship: 9.5
Atmosphere: 8.5
Production: 9
Originality: 8.5
Overall: 8.5

Rating: 8.9 out of 10