Review by Maciek on September 23, 2020.

I've had this album on my "to-do list" for a while or more like ringing somewhere in my head reminding me that it needs a proper listening and writing few words about it. So finally I've managed to do it, put it on repeat for the last few days to catch all stuff that's been recorded or at least the most important or outstanding elements.

So, first of all - it's a melodic death/thrash production. And it's the band's first full-length. If I would have to compare it to anything, it would be a mixture of Dawn of Disease (around "Ascension Gate"), a bit of Omophagia and some of the better stuff from No Return. There are some elements that remind me of Archspire and Allegaeon, especially the more "catchy" stuff. But there's definitely a lot more to it. The album has all elements you would expect from good death/thrash album - the drumwork is very solid, we've got blast beats, double bass drum is very active and Jacob generally presents very good variety of death/thrash rhythms with notably impressive work on cymbals. The rhythm section is completed by very good bass work, if I saw it correctly, played on 7-string bass. Really impressive, you can constantly hear some very interesting melody lines played on it (although you need either headphones or play it very loud as I think it's a bit too quiet), making each track more rich and keeping you glued to your speakers. I would probably recommend trying out 'Totalityranny' to hear the most impressive bass work in last few years, but believe me, each track has a lot going on in that section.

The vocals are quite varied, you get deep growls, you get shrieks, you get pig-squeaks, whichever you can imagine as necessary for a good death metal band and the variety of vocal techniques also make this album very interesting. Guitarwork is very impressive with riffs also providing quite a lot of enjoyment for your ears. We've got one-string old school death metal melody lines, we've got 2-string riffs, chords and everything in between. But most of all, and you probably know by now that it's my favourite part, it's got so many good solos. I can't really pick my favourite one, they're all so good that the only thing I have to say is - listen to them all and admire.

To sum it up - a very impressive debut album recorded by quite young musicians and in my opinion a band to keep an eye on. Hopefully the next release will get slightly better production for the rhythm section - I would definitely put the bass more in front and drums sound a bit "plastic". But the cool thing is that after you're done with listening to the studio version, you can check out the band performing the whole album live here.

Rating: 9 out of 10

Review by Tomek on December 3, 2013.

Coincidence is a funny thing. I was just talking to someone about bands from France and how their metal scene seems to be coming around again. We talked about melodic death, black metal or progressive death bands, about how well they sound and how little they’re known, and then Hord from France and their The Book Of Eliot happens to me. Haven’t heard anything from there in a while and after listening few times I can’t put them solidly in any of those categories, but there are smatterings of those in the mix, also with some groove, some industrial and even death.

It seems like quite a feat to combine so many influences into one, but Hord has it figured it out for the most part. Guitar work is solid and rarely ceases to pack a punch coming down with relentless chugs or beautiful passages and tons of unique themes. There are parts of some songs that seem a little redundant but they disappear quickly, followed by change of rhythm or distinctive melody. Rumble of the bass, ever-changing vocals and use of samples pulls you in and captivates you in a constant flow of intriguing musical ideas. Tempo changes, moments of extreme metal going into calm atmospheric passages, vocals that go from clean singing, to growl, to screaming, to occasional moments of just speaking, all those elements create musical images that are hard to forget. Everything works just right for Hord, but there is one idea that I would like them to erase. It would be vocals - when growling goes into monotonous metalcore scream territory. It messes up the harmony for me and makes me lose focus. Fortunately this is just a minor lapse.

I very much like the flow of the album and character of it. It starts with slow atmospheric passage and then turns into harsh and mechanical beating to eventually combine all those elements into one. It happens all throughout the album and to me it enhances the experience quite tremendously. The idea of turning hard and punishing thumping into a melodic landscape or go with both for a moment and then split into something completely different is not new by any means, but to do it right is the measure of success. Hord are very successful in doing that and I very much enjoyed what they offered.

The Book Of Eliot is a concept album. It is a poetical, visual and musical journey through the ashes of humanity, following the life and fall of the last human on earth through his personal diary. Looking at the album artwork, reading the lyrics and listening to the album I can say that music accompanies it beautifully. I recommend this one to everybody with a gist of imagination, taste for adventure and an open mind. Fans of Mnemic, Devin Townsend, Raunchy, Sybreed should not miss that one.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 8
Production: 8
Originality: 8
Overall: 7.5

Rating: 7.9 out of 10

Review by Tomek on December 3, 2013.

Coincidence is a funny thing. I was just talking to someone about bands from France and how their metal scene seems to be coming around again. We talked about melodic death, black metal or progressive death bands, about how well they sound and how little they’re known, and then Hord from France and their The Book Of Eliot happens to me. Haven’t heard anything from there in a while and after listening few times I can’t put them solidly in any of those categories, but there are smatterings of those in the mix, also with some groove, some industrial and even death.

It seems like quite a feat to combine so many influences into one, but Hord has it figured it out for the most part. Guitar work is solid and rarely ceases to pack a punch coming down with relentless chugs or beautiful passages and tons of unique themes. There are parts of some songs that seem a little redundant but they disappear quickly, followed by change of rhythm or distinctive melody. Rumble of the bass, ever-changing vocals and use of samples pulls you in and captivates you in a constant flow of intriguing musical ideas. Tempo changes, moments of extreme metal going into calm atmospheric passages, vocals that go from clean singing, to growl, to screaming, to occasional moments of just speaking, all those elements create musical images that are hard to forget. Everything works just right for Hord, but there is one idea that I would like them to erase. It would be vocals - when growling goes into monotonous metalcore scream territory. It messes up the harmony for me and makes me lose focus. Fortunately this is just a minor lapse.

I very much like the flow of the album and character of it. It starts with slow atmospheric passage and then turns into harsh and mechanical beating to eventually combine all those elements into one. It happens all throughout the album and to me it enhances the experience quite tremendously. The idea of turning hard and punishing thumping into a melodic landscape or go with both for a moment and then split into something completely different is not new by any means, but to do it right is the measure of success. Hord are very successful in doing that and I very much enjoyed what they offered.

The Book Of Eliot is a concept album. It is a poetical, visual and musical journey through the ashes of humanity, following the life and fall of the last human on earth through his personal diary. Looking at the album artwork, reading the lyrics and listening to the album I can say that music accompanies it beautifully. I recommend this one to everybody with a gist of imagination, taste for adventure and an open mind. Fans of Mnemic, Devin Townsend, Raunchy, Sybreed should not miss that one.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 8
Production: 8
Originality: 8
Overall: 7.5

Rating: 7.9 out of 10