Review by Adam M on May 2, 2018.

Boss Keloid performs the music that Mastodon should be making now.  It could be considered sludge, but this is indeed very similar to that band and occupies a similar style to them.  The music is grimy and certainly fits into the sludge mould, but is more versatile and evokes a number of different types of emotions. 

The music is uplifting in tone and will make you feel good inside.  It’s somewhat original even though there are the Mastodon comparisons.  The sort of grimy feel of the band is what makes them different and allows them to breath new life into the metal genre.  This is still restricted by the style and not allowed to be more progressive than one would expect.  It’s a very thrilling album and gets the energy flowing with the amount of passion the band exudes.  The amount of fun the band is having is infectious and grabs the listener from the get go.  In fact, this band seems to have made the magic that Mastodon has lacked since their album Crack the Skye and taken over the throne from them.  Is the album perfect?  Certainly not.  It lacks originality and makes good use of tropes that previous sludge bands have already applied.  This is still some of the most fun music I’ve heard this year and worthy of many listens.  It’s an infectious album that finds enjoyment in riff construction and has many interesting rhythms to showcase. 

Melted on the Inch certainly filled a void for the sludge type of album this year and will be one of the best albums from that genre this year.  It takes the blueprint laid down by Mastodon and expands upon it in ways that suit the band.  There is a sense of exuberance that shines through and easily makes this better than recent material by that band.  Fans of the sludge genre will find much to like with Melted on the Inch.

Rating: 7.9 out of 10

Review by Felix on November 21, 2019.

I admit that I eagerly await the announced full-length from the most competent Belgian devils Slaughter Messiah. Yet it still takes three months until its release and sometimes I enjoy a placebo as well. The Reign of the Infernal King is maybe even more than just an actually ineffective substitute drug. The picture of bass player “Lava” seems to be the optical implementation of the music - and this dude has a mighty, powerful and unfriendly aura.

The band does not think that it is most important to give full speed ahead, but this is not the only tempo the dudes know. “Extinguished are the Candles of Holiness” shows the complete portfolio: thundering and rapid eruptions as well as an almost lugubrious guitar solo. Alas, the track also shows that the album is not free from incoherent sections. The entire first minute offers nothing but a stupid dialog. Pretty long 60 seconds that kill the flow of the album, I can tell you. Honestly speaking, I thought I had bought a black metal record and no audio book or something like that. But okay, this kind of “atmosphere-slayer” remains an exception. The beginning of “As Flames Spread into Chaos” makes up for this. A violent riff, performed in memory of the fast songs of Beherit’s “Engram” album, tears apart the silence and for a short time it seems as if all hell breaks loose. However, even this song does not focus on pure violence exclusively. After having unleashed a proper inferno, it falls victim to a dragging mid-part. Not bad, but a waste of resources.

Yes, it’s no new finding, but albums mainly depend on the quality of the song-writing. Ars Veneficium avoid obvious mistakes, their technical skills do not lay themselves open to attack and the band has no intention to hurt even the smallest Satanic law. Their compositions praise the long-term tenant of hell, the loud voiced vocals add the genre-typical rawness and the hard-hitting guitars have the power it needs to form a steadfast black metal sound. The competently tortured drums do not stand in the background and even the bass of our old friend Lava is audible from time to time. The combination of all these elements mostly leads to good, but not outstanding songs. Of course, exceptions confirm the rule. “Damnation of the Soul” meets the international standards of the devastating genre due to its density, its relentlessness and its homicidal beauty, but all in all the compositional skills leave room for improvement. On the other hand, the five-piece finds the balance between complexity and primitiveness and the flickering yet very harsh guitars of “Fallen to the Realm” form another track that pays tribute to Beherit’s aforementioned classic. By the way, this track also shines with a gloomy guitar line (inter alia at 1:25) that seems to be inspired by the fantastic leads of Enthroned’s “Bloodline”.

Some meditative yet very heavy riffs, mainly used to open the songs, complete the picture. The artists under the banner of Ars Veneficium are no clowns, the album has an authentic touch and only people with an underdeveloped sense of harshness will ignore this output. Maybe I just set the bar too high, because Belgians have proved that they can produce gigantically strong black metal. “Prophecies of Pagan Fire”, “Fatherland” or “Morbis Re-Incantations”, do I need to say more? Compared with these masterpieces, The Reign of the Infernal King sees only the taillights of these speedsters. Anyway, if you need a further dose of black metal from Flanders/Wallonia, feel free to check out the here reviewed release.

Rating: 7.4 out of 10

Review by Felix on November 21, 2019.

I admit that I eagerly await the announced full-length from the most competent Belgian devils Slaughter Messiah. Yet it still takes three months until its release and sometimes I enjoy a placebo as well. The Reign of the Infernal King is maybe even more than just an actually ineffective substitute drug. The picture of bass player “Lava” seems to be the optical implementation of the music - and this dude has a mighty, powerful and unfriendly aura.

The band does not think that it is most important to give full speed ahead, but this is not the only tempo the dudes know. “Extinguished are the Candles of Holiness” shows the complete portfolio: thundering and rapid eruptions as well as an almost lugubrious guitar solo. Alas, the track also shows that the album is not free from incoherent sections. The entire first minute offers nothing but a stupid dialog. Pretty long 60 seconds that kill the flow of the album, I can tell you. Honestly speaking, I thought I had bought a black metal record and no audio book or something like that. But okay, this kind of “atmosphere-slayer” remains an exception. The beginning of “As Flames Spread into Chaos” makes up for this. A violent riff, performed in memory of the fast songs of Beherit’s “Engram” album, tears apart the silence and for a short time it seems as if all hell breaks loose. However, even this song does not focus on pure violence exclusively. After having unleashed a proper inferno, it falls victim to a dragging mid-part. Not bad, but a waste of resources.

Yes, it’s no new finding, but albums mainly depend on the quality of the song-writing. Ars Veneficium avoid obvious mistakes, their technical skills do not lay themselves open to attack and the band has no intention to hurt even the smallest Satanic law. Their compositions praise the long-term tenant of hell, the loud voiced vocals add the genre-typical rawness and the hard-hitting guitars have the power it needs to form a steadfast black metal sound. The competently tortured drums do not stand in the background and even the bass of our old friend Lava is audible from time to time. The combination of all these elements mostly leads to good, but not outstanding songs. Of course, exceptions confirm the rule. “Damnation of the Soul” meets the international standards of the devastating genre due to its density, its relentlessness and its homicidal beauty, but all in all the compositional skills leave room for improvement. On the other hand, the five-piece finds the balance between complexity and primitiveness and the flickering yet very harsh guitars of “Fallen to the Realm” form another track that pays tribute to Beherit’s aforementioned classic. By the way, this track also shines with a gloomy guitar line (inter alia at 1:25) that seems to be inspired by the fantastic leads of Enthroned’s “Bloodline”.

Some meditative yet very heavy riffs, mainly used to open the songs, complete the picture. The artists under the banner of Ars Veneficium are no clowns, the album has an authentic touch and only people with an underdeveloped sense of harshness will ignore this output. Maybe I just set the bar too high, because Belgians have proved that they can produce gigantically strong black metal. “Prophecies of Pagan Fire”, “Fatherland” or “Morbis Re-Incantations”, do I need to say more? Compared with these masterpieces, The Reign of the Infernal King sees only the taillights of these speedsters. Anyway, if you need a further dose of black metal from Flanders/Wallonia, feel free to check out the here reviewed release.

Rating: 7.4 out of 10