Tetramorphe Impure - Official Website


Sworn To Profound Heresy

Italy Country of Origin: Italy

1. Xerión - O Diaño Das Tebras
2. Xerión - Madrigal Da Lúa
3. Xerión - Baixo Os Agoiros Da Nocturna Luz Divina
4. Omendark - Jainkoen Oihartzuna
5. Omendark - Aetas Bellum Autrigonum
6. Omendark - Izena Duen Guztia Omen Da
7. Omendark - Ipar Basoetan
8. Omendark - Kixmiren Heriotza
9. Omendark - Jentilen Egunsentia
10. Nakkiga - Naglimund
11. Nakkiga - Haritzaren Semeak (Arimen Guda)
12. Nakkiga - Erio
1. Neither Of Gods
2. Thru Sinfulness
3. Above The Aware
4. In All And Nothing
5. Seven In Heaven Seven On Earth
6. Blackened To Be
7. The Serpant Unfolds
8. Strenght Of The Flesh
9. From On High
10. Enemies Of Thy God
11. 5211131103
12. As It Has Come To End
1. Swinging Like Jesus
2. I Am Because We Are
3. T.C. Lethbridge (Julian Cope Cover)
4. A Beautiful Start To The End Of The World
5. Devil For A Day
6. More Than War
1. Forsaken Light
2. Night Chants
3. Spirit Of Gravity
4. The Sunset Of Being


Review by Felix on June 27, 2024.

Norway has lost its leading role in terms of black metal already years ago, although some bands still try to follow in the footsteps of the pioneers. The bitter truth is: usually they fail. Hjemsøkt’s debut EP explains why. “Mystikk og Mørke” is a generic yet suitable title, the artwork is quite impressive in its simplicity. But the songs lack coherence. “Steinens mørke søvn” starts relatively promising with a dense guitar wall, but it does not take long until a break leads to a comparatively expressionless mid-tempo part. The song implodes completely as an acoustic break sets in. Only the extremely raw vocals remind us of the fact that we are listening to a black metal output. Finally, the song regains the intensity of the beginning with the fiery guitars until it ends abruptly. I am sorry, but this is an opener where the sum of the single parts is disappointing, because it does not shape a convincing overall result.

The further tracks have the same problem. Some sections are okay, but just when you think things are really getting going, the band is suddenly overcome by weltschmerz again and everything fizzles out. The short, calm intermezzo “Sorgens hymne” marches to a different drummer. The lead vocalist accompanies the mild guitar work with a relatively clean voice, but the whole thing remains insignificant. Anyway, such an interlude can be ignored as long as the other songs meet the expectations. But really thrilling sections do not occur here and, aggravating the situation, the production does not make the songs better. The guitars swallow the drums almost completely. Only the voice is able to resist the dominance of the guitars whose sound is free from nuances. Everything leaves a fuzzy picture. Perhaps some guys say that this type of production fits the genre excellently, but I disagree. A more professional sound would have been a fine thing, but maybe a low budget left no other options, so I don’t want to be too harsh here.

Now that I have explained why “Mystikk og Mørke” does not make my day, an important question remains: does the band has the talent and potential to do it better? Honestly speaking, time will tell, but if they focus on a few good ideas and lines per song, it is possible that they can make some huge steps forward. And they have to make a decision. Either they want to celebrate very intense black metal, or they like to embody a lot of tragic and fatalism. Their EP has shown that they cannot connect both streams successfully, at least not until now. Despite a few still great bands, Norway has lost a lot of its glory.

Rating: 5.3 out of 10

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Review by Krys on August 22, 2001.

I loved death metal since my mother cut me off from the milk source and nothing is going to change this as long as there are bands like Throneaeon who are releasing excellent albums like their full-length debut “Neither of Gods”.

In general, I don’t like throwing out band names, but just so you know in what vein Throneaeon music is progressing, Deicide, Vader or early Death would feet them perfectly. The question is just how well are all those styles blended together? But I’m sure you already read the rating so you know the answer.

This Swedish act is nothing more than just pure violence and hate. All this anger is served on perfectly produced silver platter where all instruments are clearly distinguishable, yet unmercifully destructive. From the first to the very last track those guys hit you with un-compromised power and fury, having a devastating impact on your little eardrums. Everything seems to be perfect; Tony Freed’s powerful death metal voice, excellent riffs and outstanding overall guitar work by the above mentioned and Jens Klovegard, and an airtight rhythm section of Roger Sundquist and Andreas Dahlstrom make my soul so happy that I’m having trouble holding it refraining from gushing like a pansy.

One little weakness that I see is a lack of variety and some songs might be a little difficult to recognize after first listening but what am I talking about...? One day I’m gonna burn in hell for trying to find weak points in perfectly recorded pieces of Satan’s art.

...And why am I even wasting my time and your bandwidth? There are better things in life than writing or reading reviews... one of them is “Neither of Gods”.

Bottom Line: Death metal can’t get much better than that. Do yourself a favor and get this CD using any means necessary. You’ll love it.

Rating: 9 out of 10

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