Review by Adam M on October 16, 2012.

Enslaved return to the fold with another quality album in "RIITIIR". The band is taking a more progressive and spacey direction on this album. The songs are given more room to breathe with an increased song length and looser structures overall. This allows the band to continue to evolve in a positive and interesting direction and shows that there is no sign of them bowing down to the mainstream or simplifying their sound in any manner.

This album may appeal to a different brand of people than the last one, however. It doesn’t have the initial knockout impact of "Axioma Ethica Odini" and requires more multiple listens to further digest the more off tangent nature of the material. There are many twists and turns that need further investigation to become entranced with overall. However, this album also doesn’t have as many highlight tracks as the last album. The album opener 'Thoughts Like Hammers' is a far cry from the storming beginning that 'Ethica Odini' was to its predecessor. There is a lot of material to like on "RIITTIIR", but it will still only end up being one of the better albums of the year instead of the best album of the year like the "Axioma Ethica Odini". It’s difficult to find a highlight song, but the last song 'Forsaken' is definitely a standout much like the closing one 'Lightning' was on the previous album. It features some more subtle moments combined with more grandiose ones and results in an excellent way to close the album.

Overall, this album is a grower and excellent addition to the Enslaved disography, but it also has a few releases that surpass it within their discography as well.

Categorical Rating Breakdown

Musicianship: 9.5
Atmosphere: 9
Production: 9
Originality: 8.5
Overall: 9

Rating: 9 out of 10

Review by Allan on April 14, 2002.

Since the beginning, Enslaved have always been about musical evolution. It wasn’t all about dancing around in Viking helmets while wielding battle-axes. It’s more than that. For them, it has been about keeping firm in their roots while “using old skills in new ways, and new skills in old ways”. Any fan of the band should have seen this album coming their way. Did you really think the band was going to remake albums like “Frost” or “Blodhemn” over and over? And why would you really want them to anyway? Sorry if it isn’t “metal” enough for you. The fact is, Enslaved are doing what they want to do, and they are ready to move on without you.

Continuing where they left off, Enslaved take the new era of their music that was “Mardraum” and progress with it, forming “Monumension”. It’s got that same atmosphere almost. It has that kind of heavy, yet warm and dark atmosphere surrounding it. Enslaved bring in so much more with this record though. Often you will run into hypnotizing passages of music, doomy guitar lines, or dark psychedelic moods that the band only hinted towards with “Mardraum”. Much like Neurosis in a sense, Enslaved have great song composing ability that brings in more than just one mood per song. It can be completely destructive with heaviness (No, this isn’t Cryptopsy... this heaviness is more focused on the atmosphere), or be intensely beautiful within the same song. The clean vocals are definitely used less sparingly than before. They are such an integral part of the song. Grutle Kjellson sounds better than ever before. His voice is like a rag soaked with emotion, and when he sings he is drenching it out onto you. Much like this is the guitar playing. Ivar Bjørnson and R. Kronheim play phenomenally. Not only are they skillful guitar players, they are both amazing musicians. There is in fact a difference, you know. They play those guitars like it’s a part of themselves. Drummer Dirge Rep does an amazing job. The removal of Harald Helgeson after “Eld” was the best move the band could make. Of course any Enslaved drummer will be compared to Trym Torson, but I honestly don’t know if he would have been better than Dirge Rep for this album. There isn’t anything about this album that I can find a flaw in. From the every aspect of the music itself to the band members, it’s a seamless package of Enslaved.

Bottom Line: While many fans will toss and turn at night in their beds wondering why Enslaved aren’t so “true” anymore, they don’t even know the meaning of the word, or the band. Where Enslaved goes from here is their choice, but for now, “Monumension” is monumental.

Categorical Rating Breakdown

Originality: 10
Musicianship: 10
Atmosphere: 10
Production: 10
Overall: 10

Rating: 10 out of 10