Review by Maverick on December 23, 2025.

Holy shit! What a treat of an album this is. This is a must-listen to in the broader black metal space, not only because of this band’s relative popularity in underground music but because of the musical intensity that one could only consider a deeply spiritual experience. I jammed this on my bus rides to work a lot, and it’s offered me a lot of comfort. The combination of thick-sounding guitars and the somewhat interesting atmospheric-esque instrumentation renders one in a state of euphoria. It is definitely an exercise in futility to try and summarise one’s experience of this album. So I’ll try to do it just.

First, the general artistic impression one gets from this album is a feeling of artistic bleakness that rivals that orthodox Satanic morbidity of the first two waves of black metal (at least). There is enough “meat” here, that is, instrumentation that unifies the album without making it sound too bland. The drumming from Darkside has a compelling mix of skankbeats, blastbeats, interesting and mathematically precise drumming that almost sounds atmospheric. Wait, let me rephrase this, the groove rendering of the guitars and bass literally doesn’t move away from an atmospheric rendering but instead moves towards it. Like, 'Exercises In Futility II' for example, culminates in an atmospherically delivered melody with that dark finish automatically phases into an atmospheric tune. And what’s even more surprising is that it doesn’t take the traditional filler-riffs and ambience to achieve its goals, which seems to be common with more raw noise-oriented bands like Xasthur, Leviathan, and Paysage d’Hiver. Don’t get me wrong, there’s definitely a place for that, but this creative ensemble makes it more tasty. This moves away from traditional raw black metal philosophy, but polished black metal is becoming way more acceptable, and I would argue rivals the technicality of death metal and blackened death acts.

Second, I want to elaborate more on the instrumentation. Rhythmically, the time signatures are on point. They don’t venture into anything over the top or novel, the time signatures almost indefinitely stick to 4/4 without any overly crude riffing, so there’s no use of punk or speed riffing. The guitars mirror one another, and occasionally, there seems to be octave movement. It fits in perfectly with the vocals, which makes it sound really badass. The delivery is pretty epic, and it sounds very epic with a morbid sort of proto-melodic edge. It’s got that “shit is about to go down” type vibe to it. Sinister and lethal, and it doesn’t try too hard. What I have noticed, especially in black metal bands that try to create a novel atmosphere, is that Mgła tries to keep it consistent. Now, one might argue that track V utilizes a more thrashy-speedy rendering, but I think the speed is more catered towards that atmospheric layering. With the drums, it ends up giving you that hypnotic vibe. The drums aim for that atmosphere, to render a very clear and precise black metal offering.

Third, my overall impression is that the band stays within the confines of black metal not too much so that it becomes just another black metal album but it interestingly layers things with very existentialist lyrics that leaves one coming back for more, I mean check this out, in track VI, you have an acoustic interlude that moves into blast-beats, and a very tasty and bleak tremelo lead, with these lyrics:

“As if you didn't know how it feels to lose
As if you didn't know how it feels to lose at dice with fate
At least have some dignity
As if it wasn't a lifetime spent on connecting the dots
There was no pattern
As if the irony was more than a defense mechanism
And we could actually laugh for a change
As if steel hooks in our backs were more than a nuisance
And we could actually feel something”

If that isn’t good, then I don’t know what is. The song just continues with the same vibe, and the cacophony continues into a euphoric frenzy.

I truly enjoyed this, and I would say that if you want to listen to a black metal masterpiece, and you are unsure where to start. Pick up this album. It has everything that you’d want from a black metal album – brilliant instrumentals layered consistently, to give you the chills that will only make you freeze in the euphoria of an existentialist blizzard. Stand out songs would include 'Exercises In Futility II' and 'Exercises in Futility VI', or just listen to the whole album for goodness sake!

Rating: 9.6 out of 10

Review by Felix on October 9, 2023.

Somewhere I have read this statement: Mgła is no music, but a spiritual experience. This sentence caught my attention. Until then, my encounters with the Poles' albums had been rather fleeting, although I had seen that they seemd to be a very respected formation. Doubtlessly, it was time or even over-due to take a deeper dive into their music.

Now that I have listened to "Exercises in Futility" I agree with the aforementioned claim, at least to a certain degree. It is outstanding what already the first tones of "V" create. Depth, melancholy, isolation and so much more… the song takes the listener by the hand and makes a journey with him to the darkest spots of his soul. Mgła have a knack for emotions evoking riffs and they put them into a dreary, bare and yet strong frame. The slow-to-mid-tempo number does not lack momentum, nevertheless it rather symbolizes the last breath of a failed existence than any impulse that would suggest vitality. But Mgła, or "V" in particular, is not only emotion. The musical arrangement also reflects the artists' maturity and skills. It does not suffer from narcissistic complexity, but it offers more than enough variety to keep the audience in line. So we get a more or less perfect symbiosis of emotional vibes and musical competence when listening to their mid-harsh black metal eruptions.

Of course, "Exercises in Futiliy" does not only exist of "V"… Six songs with an average length of seven minutes create a well portioned dose of black metal. All pieces shine with a pretty hypnotic basis mood. The commanding and throaty voice is embraced by the endless guitar lines that are always almost logical in their hopelessness, but never predictable. If anyone now thinks that I am of the opinion that Mgła nearly perfectly capture the original intention and the most natural feeling of black metal, then I can only say: exactly right.

I find the Poles' unwillingness to give their songs proper names a bit of a pity. My fascination for Venom, to give but one example, began reading titles such as "At War with Saten", "Countess Bathory" (I had never heard of her before) or "The Seven Gates of Hell". These expressive headlines fuelled my imagination, "I", "II" and so on are nothing but a missed opportunity. Well, this is a luxury problem, I know, but I felt the urge to mention it.(Teutonic small-mindedness, I beg your pardon). Let's see the vast majority of positive aspects. Stormy songs like those on the third and fourth position, equipped with a lot of pressure, velocity and power, build almost a kind of contrast to the depressive "V", but it is not a sharp one. Mgła are clever enough to avoid any sequence which could hurt the homogeneity of "Exercises in Futility". Therefore it comes as no surprise that the closer also stays within the given frame, It is another masterly arranged piece with a lot of very intense parts and a furious yet abrupt ending. With the last notes, the duo spits the listener out of their spiritual-metallic world into the cold. That's not nice – but it was really a great experience to discover their understanding of black metal.

Rating: 9 out of 10

Review by Nathan on October 9, 2023.

Look, I realize I'm just piling on the hype train here, but it's difficult to argue with an album that pretty much satisfied all of my expectations. With Hearts Toward None already solidified this band's status as a bona fide black metal band in my mind, and you can already see the little ways Mgla's evolving their sound begin to manifest with this album. Everything that made them a good band before is still left intact, and there's even more for a seasoned fan to enjoy.

The strength of this band as far back as Presence (the only thing I haven't heard by this band is the split they put out with Clandestine Blaze) has always been the straightforward riffs and how they remain memorable, even when emphasized and repeated. Somehow, despite staying strictly confined to a melodic black metal realm leading to a similarity in theme between songs, this band has a multitude of tracks and moments that stand out. Exercises in Futility is no exception to this; while my favorite tracks on this album were the first and last ones after the first few listens, I started gravitating towards "Exercises II" and "Exercises IV" once I had listened to the opener and closer way too many times, and then eventually the rest of the tracks grew on me once I gave them more time. Every track has something really cool to offer, which is something I couldn't even say about past Mgla albums--they're not impervious to a stinker or two, after all, but there are none to be found here. Exercises in Futility is surprisingly diverse despite remaining within the parameters of the band's style, and as a result it sounds the most well-rounded of any album they've put out.

There are a couple extra spices that have been thrown into the mix that give Exercises in Futility its own flavor compared to Mgla's previous releases. Primarily the drums. Especially the drums. The way Darkside dances on the cymbals effortlessly to make the standard blast heavy black metal drumming really stick with you is awe-inspiring and persists throughout every song. The moments where the drums lay off the blasting for a little bit and settle into the pocket are great tension-releases, too, and the songs that have a mid-paced groove in them are on a whole new level as a result. I'm particularly thinking of the moments at the beginning of the album, the opening of the fifth track and the groove midway through the closing track--each one of these three segments of music is near-impossible not to bang your head to. It's rare that I find myself noting a black metal drummer having really interesting beats, but shit, this guy might be one of the most memorable drummers I've ever heard.

The real beauty of Mgla lays in their songwriting, however. Because their riffs are so melodically similar to one another, they write songs that can take proper time and care to introduce the best riffs while still keeping every moment interesting in some way. They always write a hell of an epic closer, too (I'm starting to notice that I really like it when a band has a larger-than-life final track), and "Exercises VI" holds its own with the best of 'em. Starting off with a nice acoustic intro, a triumphant tremolo riff crashes in to introduce the black metal element, and then the song goes to a rolling double-kick while playing the distorted version of the opening riff. It sounds somewhat simple and mundane when I type it out, but I swear it's genius when you actually hear how it flows. Earlier Mgla was riffy and enjoyable on a more primitive level, but now that these guys have more patient songwriting everything stays as enjoyable on the twentieth spin as it was the first time around. "Mgla's third album shows them really maturing as a band and expanding on their earlier albums while staying true to their core" sounds like some stock music-journalist tripe and it pains me to even write a sentence like that, but at the same time I can't say it's incorrect.

Maybe this review doesn't serve a particularly intriguing purpose, because I've heard nothing but positive feedback already about this release and I really can't find any major negatives with it myself. I was a fan of the band before, I'm still a fan now, and if you're the same way I can imagine Exercises in Futility will also satisfy you. Everything you liked about Mgla is still there--powerful harmonies, lots of energetic groove, hollow, resonant vocals that do well to add a low-end to the otherwise somewhat shrill music, and of course a stubborn adherence to black metal tropes through it all. Anything you could have possibly liked is just explored in greater detail on Exercises in Futility, and this really shows that these guys are beyond being just a mere up-and-comer in the world of black metal. They've established themselves as one of the black metal heavyweights in a strong Polish scene, so jump on the bandwagon while you still have the chance. I haven't really said anything new about this album, but nothing else needs to be said. It's good. Listen to it if you like black metal. Cool? Cool.

Rating: 9.4 out of 10