Review by Felix on November 26, 2022.

After 4 years of silence, Korgonthurus returned with “Kuolleestasyntynyt” (what a title!) in 2020. I was sceptical, because “Vuohen siunaus” had failed to leave a lasting impression on me. But nobody is immune to learning.”Born of Death” (to use the English translation) shows the band in a pretty good form. Right from the beginning, the mega-heavy first number, simutaneously the title track, will open your eyes and, more important, your ears.

“Kuolleestasyntynyt” (the song) resembles an old, heavy, iron locomotive that is slow to get going. It rumbles, it hisses, it lets steam off. It brings the traveller to the deepest pits of hell, to its blazing flames, to the Apocalypse in acoustic form. A totally black cosmos devours everything and the final thought before entering the afterlife is: if all tracks reach this level, the album deserves a 100% rating. Unfortunately, this is not the case. The first track remains the best one, but this does not mean that only lukewarm material follows.

Korgonthurus play many trump cards. They offer nerve-shattering guitar lines, a vocalist whose last mission is to destroy his voice by his very throaty approach and uttermost raging drums during the fast parts. High velocity is not omnipresent here, but the four-piece also does not shy away from rapid sections. The substance of the single songs justifies their average length of more than six minutes, only the closer with its calm outro could have benefited from reduction. On the other hand, the shortest track, “Riivattu”, is the one that comes closest to the opener. It provides a hellish overall picture, a bombardment of rapidly changing but always ominous scenarios. Options to escape? None. This is also due to the production. It mirrors pure blackness and sets the frame to express nothing but misanthropy. The guitars have a sinister basic tone, the different instruments (including the voice) are well-balanced and everything reeks of rot and death. In view of this mix, the gang from Suomi almost shows a cannibalistic, barbaric touch.

Unfortunately, the two tracks at the album’s end fall back on an only solid level. Neither disappointing, nor really thrilling, the full-length clocks in at nearly 39 minutes. Anyway, the trend is your friend and Korgonthurus are on the right way. The stylish design of the booklet (atmospheric artwork, black metal compatible paintings inside) underlines this thesis. Let’s see what their fourth album will deliver – I am curious. If they optimise their meditative, rather quiet parts or cut back their share in favour of Nordic frenzy, they can catch up with the top of the Finnish troops. I’m sure they have more songs up their sleeves like “Kuolleestasyntynyt”.

Rating: 7.8 out of 10

Review by Felix on November 26, 2022.

After 4 years of silence, Korgonthurus returned with “Kuolleestasyntynyt” (what a title!) in 2020. I was sceptical, because “Vuohen siunaus” had failed to leave a lasting impression on me. But nobody is immune to learning.”Born of Death” (to use the English translation) shows the band in a pretty good form. Right from the beginning, the mega-heavy first number, simutaneously the title track, will open your eyes and, more important, your ears.

“Kuolleestasyntynyt” (the song) resembles an old, heavy, iron locomotive that is slow to get going. It rumbles, it hisses, it lets steam off. It brings the traveller to the deepest pits of hell, to its blazing flames, to the Apocalypse in acoustic form. A totally black cosmos devours everything and the final thought before entering the afterlife is: if all tracks reach this level, the album deserves a 100% rating. Unfortunately, this is not the case. The first track remains the best one, but this does not mean that only lukewarm material follows.

Korgonthurus play many trump cards. They offer nerve-shattering guitar lines, a vocalist whose last mission is to destroy his voice by his very throaty approach and uttermost raging drums during the fast parts. High velocity is not omnipresent here, but the four-piece also does not shy away from rapid sections. The substance of the single songs justifies their average length of more than six minutes, only the closer with its calm outro could have benefited from reduction. On the other hand, the shortest track, “Riivattu”, is the one that comes closest to the opener. It provides a hellish overall picture, a bombardment of rapidly changing but always ominous scenarios. Options to escape? None. This is also due to the production. It mirrors pure blackness and sets the frame to express nothing but misanthropy. The guitars have a sinister basic tone, the different instruments (including the voice) are well-balanced and everything reeks of rot and death. In view of this mix, the gang from Suomi almost shows a cannibalistic, barbaric touch.

Unfortunately, the two tracks at the album’s end fall back on an only solid level. Neither disappointing, nor really thrilling, the full-length clocks in at nearly 39 minutes. Anyway, the trend is your friend and Korgonthurus are on the right way. The stylish design of the booklet (atmospheric artwork, black metal compatible paintings inside) underlines this thesis. Let’s see what their fourth album will deliver – I am curious. If they optimise their meditative, rather quiet parts or cut back their share in favour of Nordic frenzy, they can catch up with the top of the Finnish troops. I’m sure they have more songs up their sleeves like “Kuolleestasyntynyt”.

Rating: 7.8 out of 10

Review by Fernando on April 9, 2020.

Finland needs no introduction when it comes to black metal, and from the myriad of bands that country has given the world, Korgonthurus is certainly a name to reckon.

This band is primarily known for being co-founded by Corvus, the former vocalist of Finnish black metal luminaries Horna, who also is the most recognizable since he participated in arguably that band’s best albums. But Horna is Corvus’ past; today he lends his unique blood curdling screeches to Korgonthurus. This band can be considered old; founded in 2000 by Corvus and drummer Kryth, the band has had a very rocky existence. Marred by inactivity, a rotating lineup and at least two major breakups which resulted in a two-decade old band only having three full length albums and various splits and EP releases, the band has been able to power through those tribulations and in 2020 they brought their third album which, in my humble opinion might be their finest work yet.

The thing that makes Kuolleestasyntynyt and Korgonthurus as a whole stand out is how their chosen style of black metal is unlike anything you might’ve heard before. The simplest way to describe this band’s sound is as a melting pot of a lot of sounds with the most noteworthy thing being how their music in this particular album sound and feels violent. There’s a near palpable sense of pure anger and violence in the music that is unlike any other black metal band out there and what’s more impressive is how this violence the band has in their music doesn’t sound forced or artificial. This isn’t the sound of some edgy idiot with the maturity of a 13 year old atheist, or some misanthrope who takes himself dead serious to the detriment that their music would make; it’s kind of shocking but also impressive how abrasive and violent the music on this album sounds.

It’s hard to explain how all the individual instruments and performances manage to make this album sound so aggressive and caustic as what creates this sound is the band’s work as a unit. The most noteworthy part is the guitar work of both Corvus and Insanis Xul, if anything it’s in the guitar work where the key to all this chaotic soundscape. Corvus and Insanis Xul’s guitars have a distinct sound that’s very groovy for a black metal album but without any semblance of genre crosspollination. It’s still black metal, it still has the tremolo picking and riffs and they even manage to add some of the signature somber melodies that are a trademark of Finnish black metal, but they do so in a way that enriches the overall sound of the album, making it very dynamic and without being beholden to the tropes and formulas of this particular regional style. The thing I’ve been saying over and over is how the music is so violent throughout, the overall atmosphere of this album is one of utter desperation, like a warrior lost in a dark forest who has lost everything and has nothing but a desire to kill everything and everyone in its path with utmost cruelty imaginable.

A large part of what gives this impression are the vocals of Corvus. He has always been known for his Nazgul like shrieks that are emblematic of black metal. You can appreciate it on the Horna albums he made as well as the first two Korgonthurus albums but for this particular one he seems to have reached a whole new level. His vocal work here is so intense, so unnerving and so unhinged that it might be too much to handle, especially if you aren’t familiar with the black metal. The last noteworthy aspect of course is the drumming and bass work, both handled by co-founder Kryth. Years of experience have honed his drumming skills and in here he plays with organic precision going from unswerving speed to a more controlled mid-tempo for the melodic parts where the album enters somber atmospherics, although he seems to shine more on the bass, being able to match the abrasiveness of the guitars. Overall all the members succeed and the final product speaks for itself.

With all that praise out of the way it’s worth mentioning that this album is very much a black metal album and not at all newbie friendly. In fact, given how intense and unforgiving the music is, if you’re interested in this band I highly recommend listening to their second album first (and as a warning you shouldn’t expect Korgonthurus to be anything like Horna) as it has nothing in common with Korgonthurus other than the fact that Corvus used to sing for that band. This album plays on the hardest difficulty and it will put you to the test.

Best tracks: 'Kuolleestasyntynyt', 'Syyttäjäenkeli', 'Riivattu', 'Yön Lapsi','Nox'

Rating: 9 out of 10

Review by Fernando on April 9, 2020.

Finland needs no introduction when it comes to black metal, and from the myriad of bands that country has given the world, Korgonthurus is certainly a name to reckon.

This band is primarily known for being co-founded by Corvus, the former vocalist of Finnish black metal luminaries Horna, who also is the most recognizable since he participated in arguably that band’s best albums. But Horna is Corvus’ past; today he lends his unique blood curdling screeches to Korgonthurus. This band can be considered old; founded in 2000 by Corvus and drummer Kryth, the band has had a very rocky existence. Marred by inactivity, a rotating lineup and at least two major breakups which resulted in a two-decade old band only having three full length albums and various splits and EP releases, the band has been able to power through those tribulations and in 2020 they brought their third album which, in my humble opinion might be their finest work yet.

The thing that makes Kuolleestasyntynyt and Korgonthurus as a whole stand out is how their chosen style of black metal is unlike anything you might’ve heard before. The simplest way to describe this band’s sound is as a melting pot of a lot of sounds with the most noteworthy thing being how their music in this particular album sound and feels violent. There’s a near palpable sense of pure anger and violence in the music that is unlike any other black metal band out there and what’s more impressive is how this violence the band has in their music doesn’t sound forced or artificial. This isn’t the sound of some edgy idiot with the maturity of a 13 year old atheist, or some misanthrope who takes himself dead serious to the detriment that their music would make; it’s kind of shocking but also impressive how abrasive and violent the music on this album sounds.

It’s hard to explain how all the individual instruments and performances manage to make this album sound so aggressive and caustic as what creates this sound is the band’s work as a unit. The most noteworthy part is the guitar work of both Corvus and Insanis Xul, if anything it’s in the guitar work where the key to all this chaotic soundscape. Corvus and Insanis Xul’s guitars have a distinct sound that’s very groovy for a black metal album but without any semblance of genre crosspollination. It’s still black metal, it still has the tremolo picking and riffs and they even manage to add some of the signature somber melodies that are a trademark of Finnish black metal, but they do so in a way that enriches the overall sound of the album, making it very dynamic and without being beholden to the tropes and formulas of this particular regional style. The thing I’ve been saying over and over is how the music is so violent throughout, the overall atmosphere of this album is one of utter desperation, like a warrior lost in a dark forest who has lost everything and has nothing but a desire to kill everything and everyone in its path with utmost cruelty imaginable.

A large part of what gives this impression are the vocals of Corvus. He has always been known for his Nazgul like shrieks that are emblematic of black metal. You can appreciate it on the Horna albums he made as well as the first two Korgonthurus albums but for this particular one he seems to have reached a whole new level. His vocal work here is so intense, so unnerving and so unhinged that it might be too much to handle, especially if you aren’t familiar with the black metal. The last noteworthy aspect of course is the drumming and bass work, both handled by co-founder Kryth. Years of experience have honed his drumming skills and in here he plays with organic precision going from unswerving speed to a more controlled mid-tempo for the melodic parts where the album enters somber atmospherics, although he seems to shine more on the bass, being able to match the abrasiveness of the guitars. Overall all the members succeed and the final product speaks for itself.

With all that praise out of the way it’s worth mentioning that this album is very much a black metal album and not at all newbie friendly. In fact, given how intense and unforgiving the music is, if you’re interested in this band I highly recommend listening to their second album first (and as a warning you shouldn’t expect Korgonthurus to be anything like Horna) as it has nothing in common with Korgonthurus other than the fact that Corvus used to sing for that band. This album plays on the hardest difficulty and it will put you to the test.

Best tracks: 'Kuolleestasyntynyt', 'Syyttäjäenkeli', 'Riivattu', 'Yön Lapsi','Nox'

Rating: 9 out of 10

Review by Felix on November 26, 2022.

After 4 years of silence, Korgonthurus returned with “Kuolleestasyntynyt” (what a title!) in 2020. I was sceptical, because “Vuohen siunaus” had failed to leave a lasting impression on me. But nobody is immune to learning.”Born of Death” (to use the English translation) shows the band in a pretty good form. Right from the beginning, the mega-heavy first number, simutaneously the title track, will open your eyes and, more important, your ears.

“Kuolleestasyntynyt” (the song) resembles an old, heavy, iron locomotive that is slow to get going. It rumbles, it hisses, it lets steam off. It brings the traveller to the deepest pits of hell, to its blazing flames, to the Apocalypse in acoustic form. A totally black cosmos devours everything and the final thought before entering the afterlife is: if all tracks reach this level, the album deserves a 100% rating. Unfortunately, this is not the case. The first track remains the best one, but this does not mean that only lukewarm material follows.

Korgonthurus play many trump cards. They offer nerve-shattering guitar lines, a vocalist whose last mission is to destroy his voice by his very throaty approach and uttermost raging drums during the fast parts. High velocity is not omnipresent here, but the four-piece also does not shy away from rapid sections. The substance of the single songs justifies their average length of more than six minutes, only the closer with its calm outro could have benefited from reduction. On the other hand, the shortest track, “Riivattu”, is the one that comes closest to the opener. It provides a hellish overall picture, a bombardment of rapidly changing but always ominous scenarios. Options to escape? None. This is also due to the production. It mirrors pure blackness and sets the frame to express nothing but misanthropy. The guitars have a sinister basic tone, the different instruments (including the voice) are well-balanced and everything reeks of rot and death. In view of this mix, the gang from Suomi almost shows a cannibalistic, barbaric touch.

Unfortunately, the two tracks at the album’s end fall back on an only solid level. Neither disappointing, nor really thrilling, the full-length clocks in at nearly 39 minutes. Anyway, the trend is your friend and Korgonthurus are on the right way. The stylish design of the booklet (atmospheric artwork, black metal compatible paintings inside) underlines this thesis. Let’s see what their fourth album will deliver – I am curious. If they optimise their meditative, rather quiet parts or cut back their share in favour of Nordic frenzy, they can catch up with the top of the Finnish troops. I’m sure they have more songs up their sleeves like “Kuolleestasyntynyt”.

Rating: 7.8 out of 10

Review by Fernando on April 9, 2020.

Finland needs no introduction when it comes to black metal, and from the myriad of bands that country has given the world, Korgonthurus is certainly a name to reckon.

This band is primarily known for being co-founded by Corvus, the former vocalist of Finnish black metal luminaries Horna, who also is the most recognizable since he participated in arguably that band’s best albums. But Horna is Corvus’ past; today he lends his unique blood curdling screeches to Korgonthurus. This band can be considered old; founded in 2000 by Corvus and drummer Kryth, the band has had a very rocky existence. Marred by inactivity, a rotating lineup and at least two major breakups which resulted in a two-decade old band only having three full length albums and various splits and EP releases, the band has been able to power through those tribulations and in 2020 they brought their third album which, in my humble opinion might be their finest work yet.

The thing that makes Kuolleestasyntynyt and Korgonthurus as a whole stand out is how their chosen style of black metal is unlike anything you might’ve heard before. The simplest way to describe this band’s sound is as a melting pot of a lot of sounds with the most noteworthy thing being how their music in this particular album sound and feels violent. There’s a near palpable sense of pure anger and violence in the music that is unlike any other black metal band out there and what’s more impressive is how this violence the band has in their music doesn’t sound forced or artificial. This isn’t the sound of some edgy idiot with the maturity of a 13 year old atheist, or some misanthrope who takes himself dead serious to the detriment that their music would make; it’s kind of shocking but also impressive how abrasive and violent the music on this album sounds.

It’s hard to explain how all the individual instruments and performances manage to make this album sound so aggressive and caustic as what creates this sound is the band’s work as a unit. The most noteworthy part is the guitar work of both Corvus and Insanis Xul, if anything it’s in the guitar work where the key to all this chaotic soundscape. Corvus and Insanis Xul’s guitars have a distinct sound that’s very groovy for a black metal album but without any semblance of genre crosspollination. It’s still black metal, it still has the tremolo picking and riffs and they even manage to add some of the signature somber melodies that are a trademark of Finnish black metal, but they do so in a way that enriches the overall sound of the album, making it very dynamic and without being beholden to the tropes and formulas of this particular regional style. The thing I’ve been saying over and over is how the music is so violent throughout, the overall atmosphere of this album is one of utter desperation, like a warrior lost in a dark forest who has lost everything and has nothing but a desire to kill everything and everyone in its path with utmost cruelty imaginable.

A large part of what gives this impression are the vocals of Corvus. He has always been known for his Nazgul like shrieks that are emblematic of black metal. You can appreciate it on the Horna albums he made as well as the first two Korgonthurus albums but for this particular one he seems to have reached a whole new level. His vocal work here is so intense, so unnerving and so unhinged that it might be too much to handle, especially if you aren’t familiar with the black metal. The last noteworthy aspect of course is the drumming and bass work, both handled by co-founder Kryth. Years of experience have honed his drumming skills and in here he plays with organic precision going from unswerving speed to a more controlled mid-tempo for the melodic parts where the album enters somber atmospherics, although he seems to shine more on the bass, being able to match the abrasiveness of the guitars. Overall all the members succeed and the final product speaks for itself.

With all that praise out of the way it’s worth mentioning that this album is very much a black metal album and not at all newbie friendly. In fact, given how intense and unforgiving the music is, if you’re interested in this band I highly recommend listening to their second album first (and as a warning you shouldn’t expect Korgonthurus to be anything like Horna) as it has nothing in common with Korgonthurus other than the fact that Corvus used to sing for that band. This album plays on the hardest difficulty and it will put you to the test.

Best tracks: 'Kuolleestasyntynyt', 'Syyttäjäenkeli', 'Riivattu', 'Yön Lapsi','Nox'

Rating: 9 out of 10

Review by Felix on December 5, 2019.

Deströyer 666 are back. The alarming news is that only band leader KK survived. A completely new line-up supports him. But stay calm. The personnel changes do not cause any damage. Deströyer 666 have forged a pact with the God of vicious metal and with their fans as well. The fundamental orientation has not changed. A mix of black, thrash and mega-intensive heavy metal sends its shockwaves while benefitting from a dense, vehement and pugnacious production. Despite the long period of silence since the publication of the last regular studio album, the horde has nothing loss of its force. The band believes in toughness, intensity and robustness. Aside from this, the musicians have the capability to vary their approach in order to deliver a suspenseful album. However, one element is omnipresent. The malignant, beastly aura ensures the homogeneous appearance of Wildfire.

The band has created a handful of brilliant compositions. From my narrow-minded point of view, the strongest songs are naturally those where the dudes act as if there were no tomorrow. The title track and the opener taste like the most effective energy drink which is amplified by almost unhealthy flavor enhancer. These songs rely on truculent fundaments of pure heaviness and flattening riffs, while guitar eruptions contribute another facet of insanity. It may sound pretty trite, but Deströyer 666 spit on any form of compromise. Attack is the best defense and the four-piece embodies this motto in a very credible manner. The purity, the stubbornness and the f**k-off-attitude of their approach set my pulse racing. The two aforementioned thrash metal thunderstorms underline the exceptional position of the Australian legend. The guys can be very intransigent, but they always avoid drifting into pure noise. No doubt, KK controls the chaos.

Yet there are more soon-to-be-classics to discover. "Live and Burn", kicked off by belligerent riffs, is another rough diamond. Needless to mention that it also offers an impenetrable jungle of guitars which creates an intensive listening experience. However, the song has another outstanding feature. The rather mid-paced number scores with its triumphant, almost catchy chorus. Speaking of mid-paced pieces, I must also mention the fantastic "White Line Fever". It proves that Deströyer 666 do not lack of musicality. No need to panic, this does not mean that they present softened melodies. They rather combine thrilling melodies with their typical harshness. Almost fragile leads show up occasionally. They are accompanied by the extravagant performance of drummer Perracide who contributes well-accentuated drum rolls and KK adds fairly melodic vocal lines. To avoid misunderstandings: he is able to manage this surprisingly harmonic tones. It is therefore no problem that he rarely uses his voice in a pretty melodic way. But do not confuse his mighty "ooohooohooohooo" with the approach of these trendy Vikings that have long beards instead of long ships and play electric guitars instead of folkloric instruments.

The four described pieces and the equally impressive, almost epic "Hounds at Ya Back" form the spearhead of an album that reflects pure fanaticism. I do not want to disguise the fact that a very small number of songs fails to reach the highest level of quality. Anyway, the overall picture is highly fascinating. The authenticity of the band leader and his henchmen ennobles even the slightly weaker tracks. Instead of thinking about the profitability of their music, the members of the gang are focused on the creation of pure metal. Small restriction: solely for commercial reasons, the "deluxe digibox" offers a bonus track. Regardless of the fact that this piece lasts only three minutes, it is not surprising that "Deathblow" did not find a place on the regular edition of the album. It is neither a letdown nor a highlight, a solid track. But its most important function for the band - or its management - is obviously that it serves as a unique selling point for the digibox. Is this approach compatible with the often praised "values of metal"? You decide. However, with regard to the non-excessive playtime of the regular album, they should have add this song on every edition of Wildfire. Anyway, there is no need to over-dramatize this point; Deströyer 666 have composed a very intriguing fifth full-length. It cannot be described as groundbreaking, but it cements the well-deserved reputation of the band.

Rating: 8.7 out of 10

Review by Adam M on March 3, 2016.

Destroyer 666 perform a fast and aggressive combination of black and thrash metal. It is very vivid and harsh in its nature. The guitar riff attack is quite prominent in this release and shines through. It’s these riffs that form the backbone of the music Destroyer 666 plays.

The music is rough and tough and this leads to a distinctive sound compared to say, Immortal. That music is icier and less destructive in nature. The comparison bodes well for the band because they add the thrash aspects to their music with much vehemence. This music has a repetitive feel that is similar to that genre, but keeps the black metal portions shining through. The title “Wildfire” is very appropriate for the style of music here because it has a fiery nature. This leads to the harsh aspect that is more prominent than in Immortal’s work. There is a particularly raw sound to the band that would have a very strong aura within the early thrash recordings. This thrash style has a large legacy and it’s something that Destroyer 666 capitalizes upon. There are numerous small tidbits that point to early Slayer material as there are with the comparisons to Immortal. The nature of having thrash and black metal in equal measures is something that is almost a pioneering vision for this band. They are adept at mixing the two genres and this resonates strongly in the music.

Still, there is something holding this back from being stellar. Maybe it’s the fact that it sounds a bit too standard without enough innovative directions taken. This is something that could be alleviated on future recordings from this band. Though sounding typical, the music still sounds well done and performed, however. Wildfire is something that thrash and black metal fans need to check out, but not so much from fans beyond those genres.

Rating: 7.5 out of 10