Acrimonious


Perdition Gospel

Greece Country of Origin: Greece

Perdition Gospel
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Type: EP
Release Date: November 29th, 2006
Label: Salvation Distro
Genre: Black, Death, Melodic
1. Path To Eternity (Intro)
2. Deity’s Grace
3. Inferno
4. Beyond Illusions
5. Ocean's Assault
6. Confront Immensity
7. Condemned The World
9. My Everlasting Scar
10. Glorious Death (Outro)
1. How To Become A God
2. Hunger
3. Black 'N' Roll
4. So White, So Blue, So Cold
5. My Darkest Desire
6. Damballah
7. Decay
8. The Bright Side Of Death
9. Sabbath
10. Mr. Toodling
11. Lorelindorenan
12. Burarum
1. Paradies
2. Pfeffer
3. Phoenix
4. Freudentanz
5. Steinheit
6. Verdammt
7. Fluss
8. Koma
9. Felsen
10. Herz
11. Fährmann
1. Premiers Chants
2. La Procession Des Flagellants
4. Exhortation
5. Saints Céphalophores
6. La Grande Apostasie
1. Double Yeah
3. Jade's Place
4. Neverending Mary
5. Back Door Epoque
6. Smell You Later Fishy Bitch
7. Collateral Pleasure
8. Home Made Chili Delicious Italian Beef
9. Tip Of The Day
10. Panda Vs Koala
11. Wayout


Review by Adam M on January 2, 2011.

This album is hard to pin down because it varies the styles played so frequently. At times, there are moments that are almost euphoric musically, but at others it almost dissolves into generic Metalcore. More often than not, the good overshadows the bad here, however Destrage craft an interesting experience. The songs 'Twice The Price' and 'Jade’s Place' are highlights because they are compelling in their structure.

Destrage illustrate genre-blending relatively effectively and the nuances found within the songs elevate them above what you might typically expect from Metalcore. The outfit is truly more ingenious when constantly varying their style than going for all out aggression. There are occasions where Destrage may appear juvenile sounding, but these are overshadowed by the times when they make themselves out to be an intelligent act. Unlike a lot of Metalcore, there is always a tempo shift or instrumentation change that prevents Destrage from becoming generic. Similarly, the songs are better when they concentrate more on the instrumentation than the vocals. The clean vocals at times aren’t appealing and remind of mainstream acts, but the solid instrumental work wins out on the whole for me. Drumming and guitar showcases are impressive and steal the show overall. Furthermore, there are catchy subdued moments at times that bring in elements like acoustic guitar.

Destrage are a very good act, but have even more room to improve in the future, without a doubt. This isn’t a typical metal release, so it comes recommended to fans of bands like Protest The Hero for example. The aspects of the disc that are inventive outweigh those that are annoying on the long run. There will probably be a specific audience that appreciates the most and many others that will ignore it completely, but that’s what you’ll get with a style that is so different.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 7
Production: 7.5
Originality: 7.5
Overall: 7.5

Rating: 7.5 out of 10

   1.56k

Review by Adam M on January 2, 2011.

This album is hard to pin down because it varies the styles played so frequently. At times, there are moments that are almost euphoric musically, but at others it almost dissolves into generic Metalcore. More often than not, the good overshadows the bad here, however Destrage craft an interesting experience. The songs 'Twice The Price' and 'Jade’s Place' are highlights because they are compelling in their structure.

Destrage illustrate genre-blending relatively effectively and the nuances found within the songs elevate them above what you might typically expect from Metalcore. The outfit is truly more ingenious when constantly varying their style than going for all out aggression. There are occasions where Destrage may appear juvenile sounding, but these are overshadowed by the times when they make themselves out to be an intelligent act. Unlike a lot of Metalcore, there is always a tempo shift or instrumentation change that prevents Destrage from becoming generic. Similarly, the songs are better when they concentrate more on the instrumentation than the vocals. The clean vocals at times aren’t appealing and remind of mainstream acts, but the solid instrumental work wins out on the whole for me. Drumming and guitar showcases are impressive and steal the show overall. Furthermore, there are catchy subdued moments at times that bring in elements like acoustic guitar.

Destrage are a very good act, but have even more room to improve in the future, without a doubt. This isn’t a typical metal release, so it comes recommended to fans of bands like Protest The Hero for example. The aspects of the disc that are inventive outweigh those that are annoying on the long run. There will probably be a specific audience that appreciates the most and many others that will ignore it completely, but that’s what you’ll get with a style that is so different.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 7
Production: 7.5
Originality: 7.5
Overall: 7.5

Rating: 7.5 out of 10

   1.56k

Review by Denis on March 11, 2003.

A new band for me but "Fangorn" is actually the third album from Fangorn since their beginning in 1994. Recorded at the Digidirt Studio in Dresden (Germany) this release presents the end result of hard work from these talented musicians: Hardy and Grit on vocals, Robert on drums, Marten and Daniel sharing the guitar duties, Sylke on bass.

For a while, it seemed that all metal coming from Germany was power with high pitch male vocals. Well, I'm thrilled by this album since it's everything but that! There's some power stuff but forget the high pitch male thing. No instead you have a very interesting blend of just about any kind of metal with a combination of death male vocals vs. angelic female singer. A thrilling and tasty recording thus variety is the essence of Fangorn. You'll be unable to find two songs similar and by a very intelligent use of complex writing, no songs stay the same from beginning to end. Be on the lookout for frequent shifting in the mood and pace. Perfect vocals for the compositions are as changing as the songs require it so you'll get scary death, screams, spoken words, beautiful or haunting female vocals to accompany musical structures fluctuating from Death to Gothic or Doom, then Prog and at times some Power passages are also included. Looks like boredom was eradicated from these guys' musical dictionary!

Bottom Line: Truly an experience to be had by all!

Categorical Rating Breakdown

Musicianship: 8.5
Atmosphere: 9
Originality: 9
Production: 8.5
Overall: 8.5

Rating: 8.7 out of 10

   1.56k

Review by Denis on March 11, 2003.

A new band for me but "Fangorn" is actually the third album from Fangorn since their beginning in 1994. Recorded at the Digidirt Studio in Dresden (Germany) this release presents the end result of hard work from these talented musicians: Hardy and Grit on vocals, Robert on drums, Marten and Daniel sharing the guitar duties, Sylke on bass.

For a while, it seemed that all metal coming from Germany was power with high pitch male vocals. Well, I'm thrilled by this album since it's everything but that! There's some power stuff but forget the high pitch male thing. No instead you have a very interesting blend of just about any kind of metal with a combination of death male vocals vs. angelic female singer. A thrilling and tasty recording thus variety is the essence of Fangorn. You'll be unable to find two songs similar and by a very intelligent use of complex writing, no songs stay the same from beginning to end. Be on the lookout for frequent shifting in the mood and pace. Perfect vocals for the compositions are as changing as the songs require it so you'll get scary death, screams, spoken words, beautiful or haunting female vocals to accompany musical structures fluctuating from Death to Gothic or Doom, then Prog and at times some Power passages are also included. Looks like boredom was eradicated from these guys' musical dictionary!

Bottom Line: Truly an experience to be had by all!

Categorical Rating Breakdown

Musicianship: 8.5
Atmosphere: 9
Originality: 9
Production: 8.5
Overall: 8.5

Rating: 8.7 out of 10

   1.56k

Review by Denis on March 11, 2003.

A new band for me but "Fangorn" is actually the third album from Fangorn since their beginning in 1994. Recorded at the Digidirt Studio in Dresden (Germany) this release presents the end result of hard work from these talented musicians: Hardy and Grit on vocals, Robert on drums, Marten and Daniel sharing the guitar duties, Sylke on bass.

For a while, it seemed that all metal coming from Germany was power with high pitch male vocals. Well, I'm thrilled by this album since it's everything but that! There's some power stuff but forget the high pitch male thing. No instead you have a very interesting blend of just about any kind of metal with a combination of death male vocals vs. angelic female singer. A thrilling and tasty recording thus variety is the essence of Fangorn. You'll be unable to find two songs similar and by a very intelligent use of complex writing, no songs stay the same from beginning to end. Be on the lookout for frequent shifting in the mood and pace. Perfect vocals for the compositions are as changing as the songs require it so you'll get scary death, screams, spoken words, beautiful or haunting female vocals to accompany musical structures fluctuating from Death to Gothic or Doom, then Prog and at times some Power passages are also included. Looks like boredom was eradicated from these guys' musical dictionary!

Bottom Line: Truly an experience to be had by all!

Categorical Rating Breakdown

Musicianship: 8.5
Atmosphere: 9
Originality: 9
Production: 8.5
Overall: 8.5

Rating: 8.7 out of 10

   1.56k