Kataklysm - Official Website - Interview


The Iron Will: 20 Years Determined

Canada Country of Origin: Canada

1. DVD I: IRON WILL Part I--- The Early Years 1991-2004---Let’s Start A Band 1991-1993
2. Signing To Nuclear Blast In 1994
3. Mexico In 1995
4. Max Leaves The Band
5. The Temple Of Knowledge
6. The Reformation In 1997
7. Leaving NB In 1998
8. The Prophecy Returns To NB In 2000
9. EPIC 2001
10. In Shadows & Dust
11. Max Quits, Again
12. DVD II: IRON WILL Part II---The Rebirth 2004-2011---Serenity In Fire With Martin In 2004
13. Max Comes Back
14. In The Arms... 2006
15. Prevailing In 2008
16. 2010 Heaven’s Venom
17. Ozzfest
18. Albano’s & Saverio
19. The World Tour
20. Transylvania
21. SPQR Rome
22. Touring With Kids
23. New Orleans
24. 2 Decades Of Congrats
25. Credits
26. DVD II & CD I: ON FIRE AT SUMMER BREEZE---Live At Summer Breeze Open Air 2011---Determined (Vows Of Vengeance)
27. Taking The World By Storm
28. The Awakener
29. To Reign Again
30. Manipulator Of Souls
31. As I Slither
32. At The Edge Of The World
33. As My World Burns
34. Drum Solo
35. Blood On The Swans
36. Astral Empire
37. Feeling The Neverworld
38. The Orb Of Uncreation
39. In Shadows And Dust
40. Crippled And Broken
41. Push The Venom
42. CD II: Best Of Kataklysm --- Iron Will
43. Like Angels Weeping (The Dark)
44. Push The Venom
45. In Shadows And Dust
46. Manipulator Of Souls
47. Crippled And Broken
48. Prevail
49. As I Slither
50. The Awakener
51. The Resurrected
52. Let Them Bun
53. At The Edge Of The World
54. Taking The World By Storm
55. Blood In Heaven
56. The Ambassador Of Pain
57. Where The Enemy Sleeps
58. The Road To Devastation
59. Sorcery
60. The Orb Of Uncreation

Review by Chris Pratl on May 2, 2018.

Chicago legends Cianide have a long and lasting lineage attached to them. Around these Midwestern parts, these guys are far past local legends; they pretty much help define what our city manages to employ in terms of quality metal. When the tagline “Metal Never Bends” is uttered in many a metal show or social gathering of like-minded folk, you can attribute that to the legend that is Cianide. If you are unfamiliar with their back catalog, I strongly urge you to rectify this yesterday – you won't be sorry.

Yes, I'm a fan for many, many years, but I also would never espouse the virtues of any band I didn't feel worthy of such adoration and praise. From the beginning with 1992's The Dying Truth up through the present day, there is nary a blemish on such a storied career. I won't sit here and go through the band's history; I encourage and implore you all to do that if you enjoy quality death metal with doom influences devoid of inane 'bells and whistles' and gimmicks posing as nuance. These guys are, in short, as real a deal as it gets.

So, death metal in its wonderfully chaotic live setting isn't your thing you say? I may submit for your consideration the limited, albeit worthy offering of a live soundboard cassette (yep, they still exist!) of the band's show at Reggie's Rock House here in Chicago on July 21, 2017 simply titled Reggie's Chicago – July 21, 2017 on Headsplit Records. You are (mis)treated to 12 tracks of homegrown death/doom, the likes of which can't be matched around these parts. If you have never had the sick pleasure of witnessing this band live (or even hearing their studio efforts), you are not only missing out, you are wasting precious time. In the nearly 50-minutes of stage time herein, you hear a solid, unrelenting foray into the cellars of Sabbath-like death metal from whence many a 'doomy' dirge has been disseminated. This trio manages to create a definitive wall of sound that can't possibly be denied. What you will find here on this live offering is a full-set of fast-to-slower, gut-squeezing death with vocals that don't follow the typical blueprint; the gruff vocal is a throaty persistence that both utilizes the tone to near perfection and enunciates well so that the gamut of degradation and scorn can be taken in accordingly.

While there is a small amount of production-polish associated with bringing this live show to a logical release standard, the intensity and brutality of tracks like “Desecration Storm” or “Death Dealer” are still felt in the core of your stomach. Further, the 'polish' doesn't take away from the music itself: a solid mesh of airy thickness and clarity, something very tough to capture on a death metal live release without subtracting or adding too much of one or another. Everything here is what you might expect to see and hear when you see Cianide live: a galloping jaunt through an air of Chicago metal in its purest, unadulterated form. There isn't any need for technical perfection or overly-anal attention to minuscule detail; the band never puts out a half-assed product, which is why their catalog is as solid and respected as it is. This little live addition, limited or not, is just another notch in the aged, brilliant bullet belt.

I cannot state just how important a band like Cianide was and is to my personal metal education growing up on the now-plague-like streets of Chicago; they provided a strong soundtrack to my youth that has managed to carry over into my middle-age, most likely ending up in my damaged memory bank when I take my last breaths on this cursed plane. Yes, the local connection is a worthy notation for someone in my position, but I could write novels listing the bands from these streets that are long forgotten to time. Cianide comes around once a lifetime; they are as important to us here as Incantation is to Johnstown or Possessed to San Francisco. The local pride is strong, of course, but the music is exemplary and resonating – no amount of personal geography can embellish that point.

Rating: 9 out of 10          

   987

Review by Chris Pratl on May 2, 2018.

Chicago legends Cianide have a long and lasting lineage attached to them. Around these Midwestern parts, these guys are far past local legends; they pretty much help define what our city manages to employ in terms of quality metal. When the tagline “Metal Never Bends” is uttered in many a metal show or social gathering of like-minded folk, you can attribute that to the legend that is Cianide. If you are unfamiliar with their back catalog, I strongly urge you to rectify this yesterday – you won't be sorry.

Yes, I'm a fan for many, many years, but I also would never espouse the virtues of any band I didn't feel worthy of such adoration and praise. From the beginning with 1992's The Dying Truth up through the present day, there is nary a blemish on such a storied career. I won't sit here and go through the band's history; I encourage and implore you all to do that if you enjoy quality death metal with doom influences devoid of inane 'bells and whistles' and gimmicks posing as nuance. These guys are, in short, as real a deal as it gets.

So, death metal in its wonderfully chaotic live setting isn't your thing you say? I may submit for your consideration the limited, albeit worthy offering of a live soundboard cassette (yep, they still exist!) of the band's show at Reggie's Rock House here in Chicago on July 21, 2017 simply titled Reggie's Chicago – July 21, 2017 on Headsplit Records. You are (mis)treated to 12 tracks of homegrown death/doom, the likes of which can't be matched around these parts. If you have never had the sick pleasure of witnessing this band live (or even hearing their studio efforts), you are not only missing out, you are wasting precious time. In the nearly 50-minutes of stage time herein, you hear a solid, unrelenting foray into the cellars of Sabbath-like death metal from whence many a 'doomy' dirge has been disseminated. This trio manages to create a definitive wall of sound that can't possibly be denied. What you will find here on this live offering is a full-set of fast-to-slower, gut-squeezing death with vocals that don't follow the typical blueprint; the gruff vocal is a throaty persistence that both utilizes the tone to near perfection and enunciates well so that the gamut of degradation and scorn can be taken in accordingly.

While there is a small amount of production-polish associated with bringing this live show to a logical release standard, the intensity and brutality of tracks like “Desecration Storm” or “Death Dealer” are still felt in the core of your stomach. Further, the 'polish' doesn't take away from the music itself: a solid mesh of airy thickness and clarity, something very tough to capture on a death metal live release without subtracting or adding too much of one or another. Everything here is what you might expect to see and hear when you see Cianide live: a galloping jaunt through an air of Chicago metal in its purest, unadulterated form. There isn't any need for technical perfection or overly-anal attention to minuscule detail; the band never puts out a half-assed product, which is why their catalog is as solid and respected as it is. This little live addition, limited or not, is just another notch in the aged, brilliant bullet belt.

I cannot state just how important a band like Cianide was and is to my personal metal education growing up on the now-plague-like streets of Chicago; they provided a strong soundtrack to my youth that has managed to carry over into my middle-age, most likely ending up in my damaged memory bank when I take my last breaths on this cursed plane. Yes, the local connection is a worthy notation for someone in my position, but I could write novels listing the bands from these streets that are long forgotten to time. Cianide comes around once a lifetime; they are as important to us here as Incantation is to Johnstown or Possessed to San Francisco. The local pride is strong, of course, but the music is exemplary and resonating – no amount of personal geography can embellish that point.

Rating: 9 out of 10          

   987

Review by Chris Pratl on May 2, 2018.

Chicago legends Cianide have a long and lasting lineage attached to them. Around these Midwestern parts, these guys are far past local legends; they pretty much help define what our city manages to employ in terms of quality metal. When the tagline “Metal Never Bends” is uttered in many a metal show or social gathering of like-minded folk, you can attribute that to the legend that is Cianide. If you are unfamiliar with their back catalog, I strongly urge you to rectify this yesterday – you won't be sorry.

Yes, I'm a fan for many, many years, but I also would never espouse the virtues of any band I didn't feel worthy of such adoration and praise. From the beginning with 1992's The Dying Truth up through the present day, there is nary a blemish on such a storied career. I won't sit here and go through the band's history; I encourage and implore you all to do that if you enjoy quality death metal with doom influences devoid of inane 'bells and whistles' and gimmicks posing as nuance. These guys are, in short, as real a deal as it gets.

So, death metal in its wonderfully chaotic live setting isn't your thing you say? I may submit for your consideration the limited, albeit worthy offering of a live soundboard cassette (yep, they still exist!) of the band's show at Reggie's Rock House here in Chicago on July 21, 2017 simply titled Reggie's Chicago – July 21, 2017 on Headsplit Records. You are (mis)treated to 12 tracks of homegrown death/doom, the likes of which can't be matched around these parts. If you have never had the sick pleasure of witnessing this band live (or even hearing their studio efforts), you are not only missing out, you are wasting precious time. In the nearly 50-minutes of stage time herein, you hear a solid, unrelenting foray into the cellars of Sabbath-like death metal from whence many a 'doomy' dirge has been disseminated. This trio manages to create a definitive wall of sound that can't possibly be denied. What you will find here on this live offering is a full-set of fast-to-slower, gut-squeezing death with vocals that don't follow the typical blueprint; the gruff vocal is a throaty persistence that both utilizes the tone to near perfection and enunciates well so that the gamut of degradation and scorn can be taken in accordingly.

While there is a small amount of production-polish associated with bringing this live show to a logical release standard, the intensity and brutality of tracks like “Desecration Storm” or “Death Dealer” are still felt in the core of your stomach. Further, the 'polish' doesn't take away from the music itself: a solid mesh of airy thickness and clarity, something very tough to capture on a death metal live release without subtracting or adding too much of one or another. Everything here is what you might expect to see and hear when you see Cianide live: a galloping jaunt through an air of Chicago metal in its purest, unadulterated form. There isn't any need for technical perfection or overly-anal attention to minuscule detail; the band never puts out a half-assed product, which is why their catalog is as solid and respected as it is. This little live addition, limited or not, is just another notch in the aged, brilliant bullet belt.

I cannot state just how important a band like Cianide was and is to my personal metal education growing up on the now-plague-like streets of Chicago; they provided a strong soundtrack to my youth that has managed to carry over into my middle-age, most likely ending up in my damaged memory bank when I take my last breaths on this cursed plane. Yes, the local connection is a worthy notation for someone in my position, but I could write novels listing the bands from these streets that are long forgotten to time. Cianide comes around once a lifetime; they are as important to us here as Incantation is to Johnstown or Possessed to San Francisco. The local pride is strong, of course, but the music is exemplary and resonating – no amount of personal geography can embellish that point.

Rating: 9 out of 10          

   987

Review by Chris Pratl on May 2, 2018.

Chicago legends Cianide have a long and lasting lineage attached to them. Around these Midwestern parts, these guys are far past local legends; they pretty much help define what our city manages to employ in terms of quality metal. When the tagline “Metal Never Bends” is uttered in many a metal show or social gathering of like-minded folk, you can attribute that to the legend that is Cianide. If you are unfamiliar with their back catalog, I strongly urge you to rectify this yesterday – you won't be sorry.

Yes, I'm a fan for many, many years, but I also would never espouse the virtues of any band I didn't feel worthy of such adoration and praise. From the beginning with 1992's The Dying Truth up through the present day, there is nary a blemish on such a storied career. I won't sit here and go through the band's history; I encourage and implore you all to do that if you enjoy quality death metal with doom influences devoid of inane 'bells and whistles' and gimmicks posing as nuance. These guys are, in short, as real a deal as it gets.

So, death metal in its wonderfully chaotic live setting isn't your thing you say? I may submit for your consideration the limited, albeit worthy offering of a live soundboard cassette (yep, they still exist!) of the band's show at Reggie's Rock House here in Chicago on July 21, 2017 simply titled Reggie's Chicago – July 21, 2017 on Headsplit Records. You are (mis)treated to 12 tracks of homegrown death/doom, the likes of which can't be matched around these parts. If you have never had the sick pleasure of witnessing this band live (or even hearing their studio efforts), you are not only missing out, you are wasting precious time. In the nearly 50-minutes of stage time herein, you hear a solid, unrelenting foray into the cellars of Sabbath-like death metal from whence many a 'doomy' dirge has been disseminated. This trio manages to create a definitive wall of sound that can't possibly be denied. What you will find here on this live offering is a full-set of fast-to-slower, gut-squeezing death with vocals that don't follow the typical blueprint; the gruff vocal is a throaty persistence that both utilizes the tone to near perfection and enunciates well so that the gamut of degradation and scorn can be taken in accordingly.

While there is a small amount of production-polish associated with bringing this live show to a logical release standard, the intensity and brutality of tracks like “Desecration Storm” or “Death Dealer” are still felt in the core of your stomach. Further, the 'polish' doesn't take away from the music itself: a solid mesh of airy thickness and clarity, something very tough to capture on a death metal live release without subtracting or adding too much of one or another. Everything here is what you might expect to see and hear when you see Cianide live: a galloping jaunt through an air of Chicago metal in its purest, unadulterated form. There isn't any need for technical perfection or overly-anal attention to minuscule detail; the band never puts out a half-assed product, which is why their catalog is as solid and respected as it is. This little live addition, limited or not, is just another notch in the aged, brilliant bullet belt.

I cannot state just how important a band like Cianide was and is to my personal metal education growing up on the now-plague-like streets of Chicago; they provided a strong soundtrack to my youth that has managed to carry over into my middle-age, most likely ending up in my damaged memory bank when I take my last breaths on this cursed plane. Yes, the local connection is a worthy notation for someone in my position, but I could write novels listing the bands from these streets that are long forgotten to time. Cianide comes around once a lifetime; they are as important to us here as Incantation is to Johnstown or Possessed to San Francisco. The local pride is strong, of course, but the music is exemplary and resonating – no amount of personal geography can embellish that point.

Rating: 9 out of 10          

   987

Review by Chris Pratl on May 2, 2018.

Chicago legends Cianide have a long and lasting lineage attached to them. Around these Midwestern parts, these guys are far past local legends; they pretty much help define what our city manages to employ in terms of quality metal. When the tagline “Metal Never Bends” is uttered in many a metal show or social gathering of like-minded folk, you can attribute that to the legend that is Cianide. If you are unfamiliar with their back catalog, I strongly urge you to rectify this yesterday – you won't be sorry.

Yes, I'm a fan for many, many years, but I also would never espouse the virtues of any band I didn't feel worthy of such adoration and praise. From the beginning with 1992's The Dying Truth up through the present day, there is nary a blemish on such a storied career. I won't sit here and go through the band's history; I encourage and implore you all to do that if you enjoy quality death metal with doom influences devoid of inane 'bells and whistles' and gimmicks posing as nuance. These guys are, in short, as real a deal as it gets.

So, death metal in its wonderfully chaotic live setting isn't your thing you say? I may submit for your consideration the limited, albeit worthy offering of a live soundboard cassette (yep, they still exist!) of the band's show at Reggie's Rock House here in Chicago on July 21, 2017 simply titled Reggie's Chicago – July 21, 2017 on Headsplit Records. You are (mis)treated to 12 tracks of homegrown death/doom, the likes of which can't be matched around these parts. If you have never had the sick pleasure of witnessing this band live (or even hearing their studio efforts), you are not only missing out, you are wasting precious time. In the nearly 50-minutes of stage time herein, you hear a solid, unrelenting foray into the cellars of Sabbath-like death metal from whence many a 'doomy' dirge has been disseminated. This trio manages to create a definitive wall of sound that can't possibly be denied. What you will find here on this live offering is a full-set of fast-to-slower, gut-squeezing death with vocals that don't follow the typical blueprint; the gruff vocal is a throaty persistence that both utilizes the tone to near perfection and enunciates well so that the gamut of degradation and scorn can be taken in accordingly.

While there is a small amount of production-polish associated with bringing this live show to a logical release standard, the intensity and brutality of tracks like “Desecration Storm” or “Death Dealer” are still felt in the core of your stomach. Further, the 'polish' doesn't take away from the music itself: a solid mesh of airy thickness and clarity, something very tough to capture on a death metal live release without subtracting or adding too much of one or another. Everything here is what you might expect to see and hear when you see Cianide live: a galloping jaunt through an air of Chicago metal in its purest, unadulterated form. There isn't any need for technical perfection or overly-anal attention to minuscule detail; the band never puts out a half-assed product, which is why their catalog is as solid and respected as it is. This little live addition, limited or not, is just another notch in the aged, brilliant bullet belt.

I cannot state just how important a band like Cianide was and is to my personal metal education growing up on the now-plague-like streets of Chicago; they provided a strong soundtrack to my youth that has managed to carry over into my middle-age, most likely ending up in my damaged memory bank when I take my last breaths on this cursed plane. Yes, the local connection is a worthy notation for someone in my position, but I could write novels listing the bands from these streets that are long forgotten to time. Cianide comes around once a lifetime; they are as important to us here as Incantation is to Johnstown or Possessed to San Francisco. The local pride is strong, of course, but the music is exemplary and resonating – no amount of personal geography can embellish that point.

Rating: 9 out of 10          

   987

Review by Chris Pratl on May 2, 2018.

Chicago legends Cianide have a long and lasting lineage attached to them. Around these Midwestern parts, these guys are far past local legends; they pretty much help define what our city manages to employ in terms of quality metal. When the tagline “Metal Never Bends” is uttered in many a metal show or social gathering of like-minded folk, you can attribute that to the legend that is Cianide. If you are unfamiliar with their back catalog, I strongly urge you to rectify this yesterday – you won't be sorry.

Yes, I'm a fan for many, many years, but I also would never espouse the virtues of any band I didn't feel worthy of such adoration and praise. From the beginning with 1992's The Dying Truth up through the present day, there is nary a blemish on such a storied career. I won't sit here and go through the band's history; I encourage and implore you all to do that if you enjoy quality death metal with doom influences devoid of inane 'bells and whistles' and gimmicks posing as nuance. These guys are, in short, as real a deal as it gets.

So, death metal in its wonderfully chaotic live setting isn't your thing you say? I may submit for your consideration the limited, albeit worthy offering of a live soundboard cassette (yep, they still exist!) of the band's show at Reggie's Rock House here in Chicago on July 21, 2017 simply titled Reggie's Chicago – July 21, 2017 on Headsplit Records. You are (mis)treated to 12 tracks of homegrown death/doom, the likes of which can't be matched around these parts. If you have never had the sick pleasure of witnessing this band live (or even hearing their studio efforts), you are not only missing out, you are wasting precious time. In the nearly 50-minutes of stage time herein, you hear a solid, unrelenting foray into the cellars of Sabbath-like death metal from whence many a 'doomy' dirge has been disseminated. This trio manages to create a definitive wall of sound that can't possibly be denied. What you will find here on this live offering is a full-set of fast-to-slower, gut-squeezing death with vocals that don't follow the typical blueprint; the gruff vocal is a throaty persistence that both utilizes the tone to near perfection and enunciates well so that the gamut of degradation and scorn can be taken in accordingly.

While there is a small amount of production-polish associated with bringing this live show to a logical release standard, the intensity and brutality of tracks like “Desecration Storm” or “Death Dealer” are still felt in the core of your stomach. Further, the 'polish' doesn't take away from the music itself: a solid mesh of airy thickness and clarity, something very tough to capture on a death metal live release without subtracting or adding too much of one or another. Everything here is what you might expect to see and hear when you see Cianide live: a galloping jaunt through an air of Chicago metal in its purest, unadulterated form. There isn't any need for technical perfection or overly-anal attention to minuscule detail; the band never puts out a half-assed product, which is why their catalog is as solid and respected as it is. This little live addition, limited or not, is just another notch in the aged, brilliant bullet belt.

I cannot state just how important a band like Cianide was and is to my personal metal education growing up on the now-plague-like streets of Chicago; they provided a strong soundtrack to my youth that has managed to carry over into my middle-age, most likely ending up in my damaged memory bank when I take my last breaths on this cursed plane. Yes, the local connection is a worthy notation for someone in my position, but I could write novels listing the bands from these streets that are long forgotten to time. Cianide comes around once a lifetime; they are as important to us here as Incantation is to Johnstown or Possessed to San Francisco. The local pride is strong, of course, but the music is exemplary and resonating – no amount of personal geography can embellish that point.

Rating: 9 out of 10          

   987