Review by Adam M on September 9, 2025.

This album showcased a more aggressive side to the band and remains a classic in the genre because of this fact.  There is an increased sense of evil and this makes it more foreboding.  The album is dark and this shows it to be more prominent than any other work by the outfit.  There is really an overarching power that lifts this above other albums by the band.

The musicianship is really top notch on the album and the songwriting is  solid and not overly technical.  There is a really nice tone to the guitars as they crunch along  The production is rather strong and allows the instruments to breath nicely.  There is a tendency for drumming to be poignant and this aspect of the work is shown prominently by Dave Lombardo.

The flaw to the work is in how it is not as all around impressive as Slayer’s Reign in Blood album.  This makes it something of a runner-up in aggressive albums because Sepultura’s Beneath the Remainsis also better and this makes it second fiddle to those albums.  It is still one of the better album of thrash you shall find. 

Overall, this was a really powerful display of metal might and perhaps the best album of the band.  It is still not as essential as Reign in Blood and this means it plays second fiddle to this release.  Songs like “Eyes of Wrath" are still classic of the genre and they crush as much as they ever have.  This is a smashing release and essential listening.

Rating: 7.9/10

Review by Luka on June 11, 2001.

As soon as this CD started bellowing out in it’s mighty thrash metal glory I was already floating in heaven. Testament owed us big time and they were back, as their previous albums "Low" and "Demonic" were just about their weakest records ever. Well they must have started doing something right this time, ‘cuz I haven’t heard them this good since "Souls of Black"!

But that’s not the whole story, however, as the first 20 minutes of this CD kicked my ass and blew me away to that realm of metal perfection few others can create, I soon felt the ground beneath me drop. The first 5 songs deliver simply amazing riffs, dynamics and speed. A clear definition of fast, ass-kicking, low-tuned thrash metal. Avoiding the pretentiousness of "Low" and the monotony of "Demonic", this time the boys put away the Coors and get down to do some serious, hard work. The song structures are innovative and refreshing, the riffs technical, fast and brutal. The drumming skillful and intricate. The intro to "3 Days in Darkness" is just killer, the prime example of heavy and complicated riffing, "Down For Life" has the catchiest verse I’ve heard in a long time and the heavy and progressive "True Believer" reaches a climax of utter metal perfection.

And now for the rest of the album. I don’t know what the hell happened to the guys but after the 5th song Testament just dropped the idea of making the perfect thrash metal album and puked out the other 6 tracks. It surprises me that they didn’t even bother to mix up the great tracks with that bad ones. The first five were on a roll, and after that, gutter-ball. The whole album just drops and you’re thinking "what the hell? Who put this shit in the player when I was listening to an awesome album?". Unimaginative, stale and repetitive, I can’t help but just press stop after the 5th song. What a shame, I’d give it 10 if they’d made the effort and determination to produce what would undoubtedly be a mind-blowing thrash metal album.

Bottom Line: The first 5 songs get 10/10, the rest get 3. If you think five truly kick ass songs are worth the money, go for it!

Rating: 7 out of 10

Review by Adam M on May 2, 2018.

Boss Keloid performs the music that Mastodon should be making now.  It could be considered sludge, but this is indeed very similar to that band and occupies a similar style to them.  The music is grimy and certainly fits into the sludge mould, but is more versatile and evokes a number of different types of emotions. 

The music is uplifting in tone and will make you feel good inside.  It’s somewhat original even though there are the Mastodon comparisons.  The sort of grimy feel of the band is what makes them different and allows them to breath new life into the metal genre.  This is still restricted by the style and not allowed to be more progressive than one would expect.  It’s a very thrilling album and gets the energy flowing with the amount of passion the band exudes.  The amount of fun the band is having is infectious and grabs the listener from the get go.  In fact, this band seems to have made the magic that Mastodon has lacked since their album Crack the Skye and taken over the throne from them.  Is the album perfect?  Certainly not.  It lacks originality and makes good use of tropes that previous sludge bands have already applied.  This is still some of the most fun music I’ve heard this year and worthy of many listens.  It’s an infectious album that finds enjoyment in riff construction and has many interesting rhythms to showcase. 

Melted on the Inch certainly filled a void for the sludge type of album this year and will be one of the best albums from that genre this year.  It takes the blueprint laid down by Mastodon and expands upon it in ways that suit the band.  There is a sense of exuberance that shines through and easily makes this better than recent material by that band.  Fans of the sludge genre will find much to like with Melted on the Inch.

Rating: 7.9 out of 10