Review by Allan on August 31, 2003.

In The Woods is undeniably one of the finest acts to have graced the metal scene with their presence. Original, progressive, captivating, unpredictable... they stormed through the metal scene in a mere five years, beginning with their debut "Heart of the Ages," and ending with the album "Three By Seven On A Pilgrimage," which brought together the trilogy of 7" that In The Woods released during their existence. Those that have taken the time to become acquainted with their stunning discography have been amazed by the amazing chemistry between these individuals.

After not hearing a word from the In The Woods camp in years, finally, after much deliberation, Prophecy Productions is letting their sub-label, Karmakosmetix Records, run by the In The Woods members themselves, release the much anticipated recording of their very last show, "Live At The Caledonien Hall," which took place on the 29th of December, 2000. My experience with live albums has been that they are simply acknowledged, listened to, and then they start their shelf life. What is the reason to listen to a lesser quality recording, with imperfections, if you can listen to a full-length studio recording that has superior production and is performed without flaw? However, for a band that's missing existence is still being mourned over by certain individuals, who wouldn't want to get their hands on more material from In The Woods? Somehow, In The Woods has managed to turn a live album into a necessity for fans.

"Live At The Caledonien Hall" covers material from most of the In The Woods discography, but mostly their four major releases, "Heart Of The Ages" ('Heart Of The Ages,' 'Mourning The Death of Aase'), "Omnio" ('299.796 km/s,' 'I Am Your Flesh,' 'Kairos,' 'Weeping Wollow,' 'Omnio'), "Strange In Stereo" ('Dead Man's Creek,' 'Path of the Righteous,' 'Titan Transcendence,' 'Closing In'), and "Three By Seven On A Pilgrimage" ('White Rabbit,' 'Empty Room'). There is also an amazing cover of the excellent song 'Epitaph' by King Crimson from their "In The Court of the Crimson King" album.

On "Live At The Caledonien Hall," In The Woods sound amazing. Not necessarily because every single note is perfect, but because they do something that most bands don't – they don't play with their brains. The emotion is clearly there, as is the atmosphere. The mix sounds great, with each instrument being audible to the right extent, and not overbearing. At times the guitar tone is absolutely stunning and matches the atmosphere perfectly. Both the male and female vocalists prove beyond doubt that their talent far exceeds their reputation, which is already incredibly high. The set list itself is great, seeing as it covers all of their albums, not to mention the entire "Omnio" album.

Bottom Line: In The Woods fans can now rejoice at the fact that we've been blessed with an album that many have anticipated since the band's final show. "Live At The Caledonien Hall" fulfills all the hype and then some.

Categorical Rating Breakdown

Musicianship: 9.5
Atmosphere: 9.5
Production: 8.5
Originality: 9.5
Overall: 9.5

Rating: 9.3 out of 10

Review by Adam M on August 22, 2018.

Hooded Menace partake in the type of music that made early Entombed such a riot and do so with great aplomb.  The riffs are devastating and the band brings forth a ton of groove.  They manage to separate themselves with a more diverse sound that constantly changes and avoids the generic death metal templates.  It was quite an interesting experience listening to this album and it shows that the band was having a great deal of fun making the release.  It shows a penchant for writing enjoyable passages and combining them together at will. 

Though the album only contains seven tracks, these tracks are long, meaty and feature a ton of substance to elevate them nicely into the higher portions of the death metal genre.  This diversity of sounds is illustrated nicely in Eerie Deliverance which goes through a number of shifts and changes.  The band defintely ups the variety quotient to make themselves a very worthwhile band.  The Entombed feeling still permeates the songs and adds that signature sound at every turn.  The overall sound of the band has me definitely liking it amongst the highest entries of the year so far, but it is brought down by some chugging slower portions.  If the speed of the band would stay at a fierce rate, they would be absolutely killer. 

As it stands, this is an excellent release of death metal.  It brings the chops, but also manages to switch things up and bring many different flavours into the mix.  It’s this uniqueness that caught my attention and made me grasp the musical thoughts the band put forth.  Those that are fans of Entombed should check Ossuarium Silhouettes Unhallowed out without hesitation as should all others of death metal.  It has the right amount of ferocity mixed with adventurous songwriting in equal measure. 

Rating: 7.9 out of 10