Review by Death8699 on September 23, 2018.

Solid production quality, uncompromising Krisiun never ceases to amaze the listener! Though I'm in favor of Conquerors of Armageddon as their best release, this one, however, hits home with a vengeance. It's not all blast beating it's solid death metal that's probably nay arguably their best release since Conquerors.... That's just my opinion though. Think of it what you wish, I think they changed it up a bit and have slower tempos musically and a great mixing/recording quality. I loved every song on here. I never knew that music like this is possible, it really stunned me that this is where Krisiun leaves the mark.

Alex's vocals stay the same throughout, but the music flows with the music. The order of compositions are that it's 8 tracks of damaging death metal. Damaging in the sense to the eardrums. But put to a mild volume, this release shines in all aspects. After all these years, they've emerged once again to "kick ass" in the riff department. Moyses seems to have slowed down a little bit on his leads though, they're not as technical as they used to be. But that's alright, the riffs he came up with were well coordinated for this album. They definitely aren't fooling around musically, they want to be as technical as possible rhythm wise.

I can't single out a song on here to listen to first, all of them kicked ass. I really admired the production quality. You can hear everything in the mixing. The music is just BRUTAL. These Brazilian natives hit top of their game on here. Sure there are slower songs, but the rhythms kick ass. It's not as catchy as Conquerors.... but to duplicate a past album is nonsensical. They wanted something new and fresh. And that's what they've achieved on this recording. There are 8 total tracks on here running over 30 minutes in length. Just enough time to show the death metal community that Krisiun still is at it kicking ass.

Download this album on Spotify or possibly watch a YouTube video. Either way, that works. They've achieved perfection on here. And given us an album that's so invigorating and diverse. The tempos are at times slow but mostly they alternate between that. So yeah, I would download this and listen to it on Spotify because I was (like I said) all the tracks are worth your hearing. If you listen to it and strongly disagree with me about the outcome, so be it. These is just what's flowing in my ears when I listen to this album. Everyone's tastes are different so if you don't appreciate the album, that's not my fault. Get it ASAP!

Rating: 9 out of 10

(Originally written for: http://www.secret-face.com/)

Review by Felix on July 29, 2024.

A small question, am I the only one who is glad that the oh so hidden tracks have gone out of fashion? Unfortunately, some bands indulged in this nonsense some years ago. My CD player displays 66 songs (that alone makes the “hidden tracks” visible immediately) for Nocternity’s output from 2015, only to offer an admittedly fine instrumental lasting two minutes at the end after a short period of silence. In fact, there are eight songs to discover (and the instrumental) and I do not see any reason, why the band made this gimmick, but okay, let’s come to the main content of “Harps of the Ancient Temples”.

Generally speaking, the album is filled to the max with doomy black metal. The songs are meditative and creep out of the speakers. They create a more or less hypnotic, trance-like atmosphere, but most of all: they suffer from their uniformity. I admit that I prefer bands with a certain affinity for high speed, because this element usually increases the intensity of the compositions and black metal has to be intense. But Nocternity think they can manage everything with their expressive, the apocalyptic end heralding riffs. This is simply wrong, even though I confirm that some of them are really good. But even the most impressive riffs, for the example the one that dominates “B.O.D.D.”, cannot make up the lack of dynamic. Thus, the three-piece steers the album from 2015 straight towards the centre of boredom. Thank God, the guys do not arrive there, but the general approach remains dubious to me.

This is all the more true as Nocternity are actually quite capable of creating fiery, fast black metal. “Titans” proves that. Due to whatever reason, it is the only track here in which the Greeks free themselves from their snail's pace, exert massive pressure and yet do not lose any of their grandeur and dignity. That is no surprise, because “Titans” basically only differs in terms of the increase in tempo. The uniform, breaks-despising approach is carved in stone and remains unchanged. For me, who perhaps doesn't really represent the slow tempos loving target group of this album, this track is the absolute highlight. It far outshines the other titles, which are solid in terms of craftsmanship and composition, no more, no less.

With regard to the production, everything is okay. The guitars shine with an appropriately sinister basic tone, the bass is not completely irrelevant and the drums have found their rightful place as well. The evocative, sometimes narrative voice is not totally immune against monotony, but maybe uniformly designed demand one-dimensional vocals? Anyway, if you like to inhale a dose of dark flowing black metal from time to time, “Harps of the Ancient Temples” with its adequate, colourless artwork and booklet can be the right choice for you. And if you even like hidden tracks, you should order the disc or vinyl immediately.

Rating: 6.8 out of 10

Review by Alex on September 3, 2018.

Nocternity has been releasing quality black metal since the year 2001. I had only discovered them in 2017, how have they been so obscure for so long? En Oria is solid enough to attract some inquisitive eyes and ears.

Harps of the Ancient Temples is the soundtrack of a chest pounding warrior. Imagine your 5-year-old daughter/son is building a sand castle on the beach, upon completion; a sweaty, sticky, hairy version of David Hasselhoff in his prime, emerges from a distance and begins to jog within the path; with his chest bloating in the air, he obliviously tramples on and over the just completed sand castle. And instead of offering an apology; he inconsiderately marches on without a care in the world. Look at how the artwork glorifies itself in saying to the viewer "behold my greatness!, now bow your head in shame and disgrace of the fact that you will never look and be as strong and intimidating as I am." Remember that line from Pam Ferris aka ''Trunchbull'' in the 1996 family movie Matilda? "I'm big and you're small, I'm right and you're wrong", this sums up Harps of The Ancient Temples.

Harps of the Ancient Temples has a very slow pace in musical structure. Most of the songs trod a narrow path between doom and death metal; whilst still maintaining the traditional black metal sound and feeling. The drums handle the doom, the vocals handle the death and the guitars handle the blackness. All of the songs seem to be meticulously composed; with an emphasis being placed on flow and atmosphere. The transition from one song to the next is important when attempting to immerse the listener; Nocternity does this like a monarch of the musical arts. Momentum is key; I cannot mention this enough. 

The tremolo picking is introduced when and where it should be, that being said, I must give substantial credit to the guitarist Ιωάννης Αλέξανδρος Ματζώρος (loannis Alexandros Magoros) for his highly skilled and admirable work on every track. His guitar solos on songs such as the self titled track, "Andromeda" and "Blood Rite Tree" are sexy and are played with much passion. The guitar solos are utilized sparingly thus giving other elements of the music a spotlight.

Not to be misunderstood, this is a very mean piece of art, the vocals and lyrics handle that well. Andreas Bauer's vocal style fall's somewhere between moderate black/death metal barks and deep death metal growls. Some lines are spoken, some are slightly whispered and some are delivered in a nefarious, authoritative and intimidating fashion. The lyrics are a pleasure to sit down and read thoroughly as the record spins. The lyrics on Harps of the Ancient Temples are very grim and portray a battle-tested warrior of old, a veteran of sword-wielding, an adept of combative sorcery of the ancient times.

For most of the album except the track "Titans", Nikos Samakouris's drumming follows the guitars in its slow trance-inducing rhythm. The drums are very audible even when the guitars hit the high notes. The beats carry a feeling of being struck with much will and dedication; similar to a medieval warrior as he prepares his battle gear for the next conquest; in which he emerges victorious. 

The production on Harps of the Ancient Temples is loud and clear but not overproduced. I have no problem with this due to having heard almost all of Nocternity's older material, which has a very murky and claustrophobic sound that worked well; therefore a clearer production will showcase the band's strengths. Most of the songs on Harps of the Ancient Temples; notably B.O.D.D, River of Woe and the self-titled track, are so bombastic in sound, that one may feel the urge to sag his/her pants, tie a bandana around the forehead and "gangsta walk" during the winter, in - 0 degrees fahrenheit, with a blunt in mouth and "holla at all the homies". 

This is an album that I am proud to have within my black metal collection. I am glad for the day in which I discovered Nocternity. I hope another album is in the works as this review is being written. Someone on YouTube said it well in the comments section of a track by Nocternity; I could not have agreed more, that Nocternity is "Greece's best-kept secret". 

What can be said to accurately describe this album? Apart from my substandard, uninteresting literature, I reckon an excerpt from this obscure masterpiece would serve it justice.

"Unutterable strength from the unknown
Pouring all that is thy own
Blows of thy hammer, meld the spell
Forge a just will, on the anvile of hell"

Rating: 9.9 out of 10