Tombtoker - Official Website
Coffin Texts |
United States
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Review by Tomek on December 20, 2007.
Demolisher impressed me with the quality of their musicianship from the very first time I’ve listened to their “Enter the Suffering” EP. They are a very young band (formed only 2 years ago), but their take on Death Metal will most definitely carry those boys very far.
“Enter the Suffering” contains only 3 songs, but there is so much going on, that every time I’ve listened to it, I was finding something new. I know it sounds like something you’ve read hundreds of times before, but, believe me, this is the truth. I’ve listened to that CD maybe 30 times so far, and I just keep coming back. Why? Well, let me put it this way: Plenty of crushing mid-paced moments that are so very inviting for some serious headbanging. Brutal guitar work with some groove and hooks going from slow to galloping riffs, plowing double bass kicks and some gut-wrenching growls and screams that gave me goose bumps. Very tight from beginning to the end, with solid song structures and ass kicking energy.
Most of you will probably ask: how can you put so much into only 3 songs? Well, it seems like Demolisher had no problem with such. I’m simply loving it and you probably will too. Check those guys out. Meanwhile, I’m gonna press Play again.
Musicianship: 8
Atmosphere: 8
Originality: 8
Production: 8
Overall: 8
Rating: 8 out of 10
Review by Adam M on December 25, 2018.
What we have here is a nice combination of power metal and thrash, two genres that aren’t combined often. The outcome is a sound very similar to Demons and Wizards, but fret not, this band does enough to separate itself. The thrash component of the band gives the album the type of impact that most power metal albums are lacking. I still think the power metal component overtakes everything and makes for a very sweet sounding listen.
This album is simply unique because not many bands have tried to combine these two genres in the same way. The songs have a charisma that is welcoming and makes it less cheesy than the typical power metal release. The riffs are very strong and powerful and always make for a gripping listen. If there is a flaw to the band, it’s that they are occupying the same territory as Demons and Wizards and thus have a lot to live up to. Despite sounding similar to that band, they are able to elevate their sound. Also, the songs begin to sound the same, even with the added acoustic sections and other portions to vary things up. This is still one of the better albums of the year and cements its place nicely in a very fresh and uncharted genre. The brilliant idea of combining power metal with thrash comes to full fruition.
These are songs that are also full of bravado and have an epic nature to them. It all adds up to a very solid power/thrash album that has a slight focus on the power side of things. The Extraterrestrial Compendium is a very welcome addition to this year’s crop of music and makes for a galloping and fun listen. Fans of both power and thrash metal should find something to like here as will fans of Demons and Wizards.
Rating: 7.8 out of 10
1.04kReview by Alex on January 11, 2019.
Usually when it comes to stoner doom I'm very reluctant, in some cases it’s immediately dismissed without second thought. That’s because I find the genre to have a somewhat laid-back “whatever” approach which I’m not a fan of. There have been some exceptional bands in this line of music that have been putting out records that are impressive musically and subject-wise particularly within the past few years. But with so many bands filling the stoner doom metal scene without trying to innovate, it becomes harder to pick-out those that do have something interesting to offer, either with the subjects discussed, musical intrigue or both. Tombtoker answers to the challenge of taking the death/doom metal form and blending it effectively with both traditional doom, stoner doom and even punk metal plus many more. With that and some interesting themes surrounding disastrous biological experimentation, I was easily captivated.
It’s great to see another band refusing to cage themselves in by conforming to the norms and stereotypes of the genre. With so many regurgitating the same sound, listening becomes a blandly excruciating experience; but with Coffin Texts it’s the opposite, as I have listened to it countless times in one day. Tombtoker’s style is unpredictable on Coffin Texts; though only an Ep, it adeptly arranges diverse sections with sensible transitions. The guitar playing is superb in handling multiple techniques thus giving a varied and memorable performance throughout the record. The traditional fuzzy sound is there, but it never interferes with the balance of the record's mix or override the other instruments and vocals. The bass and drumming are great as well in being able to keep up with the interchanging styles. And the vocal approach adds a complexion that favors the genre-juggling and concepts explored.
You get the first few musical notes of “Warfare Revolution” and think to yourself ‘this is stoner doom’; then surprisingly you're hit by hawking yaps and mid-ranged gutturals followed by stoner rock-guitar and punk metal vocals that almost repaints the initial idea proposed by the band regarding their sound. You can hear plenty of that on “Robo Cujo” that blends crossover thrash with psychedelic doom metal/rock; and being one of the stronger recordings, it's only followed by more absorbing romances. It's displayed by Tombtoker that they are diligent at summoning attention and preserving it as time progresses on Coffin Texts. It’s easily discouraging to any listener by having so many influences reside in the makeup of a band’s sound; but if properly applied, the final result may be overly pleasing. In Tombtoker’s case, Coffin Texts has so many surprises expertly inserted that it’s impossible not to notice. “Stenchsquatch” is the highlight of Coffin Texts; it’s the song on the record that brings everything together, and being situated in the middle of the Ep adds to the feeling of completion to the record. “Stenchsquatch” has the best hooks, riffs and momentum control. It’s a pure gold-standard type of song, a real ear catcher this one. Coffin Texts is a mighty javelin toss of a record, one that sets a higher standard in challenging the future of the genre. This record should be celebrated throughout the length and breadth of the underground metal scene for its overwhelming success in mixing so many influences effectively thus creating something satisfyingly different.
Rating: 8.2 out of 10
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