Hollenthon - Official Website


With Vilest of Worms To Dwell

Austria Country of Origin: Austria

With Vilest of Worms To Dwell
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Release Date: June 6th, 2014
Genre: Death, Melodic, Orchestral, Symphonic
1. Intro
2. Maggots
3. Noise 1
4. Colfax
5. Noise 2
6. Ebola
7. Noise 3
8. Bloody Vomit
9. Noise 4
10. Ode To Nathan
11. Noise 5
12. Beaten To Death
13. Noise 6
14. Whores
15. Noise 7
16. Shit On Everyone
17. Noise 8
18. Panic Attack
19. Noise 9
20. Dogrape
21. Lesbian Grandma
22. Ooka Mooka (Festering Puke Cover)
23. Bloody Vaginal Discharge
24. Noise 10
25. Gutted
26. Noise 11
27. Godfuck
28. Noise 12
29. Violent Planet
30. Noise 13
31. Generation Of Hate
1. Voodoo (Intro)
2. Heavy Metal Possession
3. Paura Nella Città Dei Morti Viventi
4. Hellhounds
5. Night Of The Undead
6. Heavy Metal Demons
7. Fight For Rock
8. Paganini Horror
9. Sign Of The Jackal
10. Queens Of Hell
11. The Beyond
12. Trick Or Treat (Fastway Cover)
1. Out Of Time
2. Warriors
3. Executioner
4. Air Raid
5. Warhammer
6. Backstreet Crawler
7. Darkness On The Ice
8. Ride Ride
9. Return To Yagi
1. Y Draig Goch
2. Woe To The Defeated
3. Lords Of Bedlam
4. To Kingdom Come
5. The Calm Before The Storm
6. Fire Upon The Blade
7. Conquest Demise
8. Conspirator
1. Consequence And Consequences (Intro)
2. Nothing Here For Me
3. Towards The Midnight Ocean
4. Naufragios (Interlude)
5. They Who Were Lost And Now Are Cursed
6. Into Unknown Lands

Review by Tobias on August 31, 2001.

The vision here isn’t just unique, it’s intense, well conceived and just plain massive. Hellenthon is a rarity of a gem and people had better start paying attention or they will be missing out on some of the wildest propensity for a unique brand of melodic death metal.

It’s few and far between that an album can surprise a listener with the very first notes, let alone suspend that surprise throughout the entire album, but that’s exactly what happens in Hollenthon’s sophomore effort, Vilest of Worms…. The cliched phrase describing albums as the ultimate Armageddon between angels and devils has never been more deserved. This is the soundtrack to an ethereal battle of indescribable proportions.

This disc is orchestral melodic death metal that must be listened to in whole. Even without the use of classical instruments such as violins, cellos, trumpets and more, the arrangement of the meat-and-potatoes metal instruments is reminiscent of the thunderous symphonies of Wagner or Tchaikovsky.

Then there is the intensity displayed here; oh holy hell, what driving force! There is simply layer upon layer of puritanical symphonic mayhem. But the intensity doesn’t stop there, it flows right through to the surprises that Hollenthon throws at the listener with alternate vocals, female vocals and choral movements that inspire the imagination to envision magnificent scenes of power and destruction.

From the opening notes that will snap you out of your chair to the monstrous victory march that marks the end of this coruscating metal epic, the listener will be enveloped in an extraordinary bed of sound.

I think perhaps by saying any more than I have, I would be wasting my words. It is time for you to experience the Vilest of Worms direct from Hollenthon.

Bottom Line: Here you can find the blazing glory of symphonic metal embodied to near perfection in a single CD. I have no complaints; perhaps I should listen to it another 20 times to find one.

Rating: 10 of 10

   1.05k

Review by Tobias on August 31, 2001.

The vision here isn’t just unique, it’s intense, well conceived and just plain massive. Hellenthon is a rarity of a gem and people had better start paying attention or they will be missing out on some of the wildest propensity for a unique brand of melodic death metal.

It’s few and far between that an album can surprise a listener with the very first notes, let alone suspend that surprise throughout the entire album, but that’s exactly what happens in Hollenthon’s sophomore effort, Vilest of Worms…. The cliched phrase describing albums as the ultimate Armageddon between angels and devils has never been more deserved. This is the soundtrack to an ethereal battle of indescribable proportions.

This disc is orchestral melodic death metal that must be listened to in whole. Even without the use of classical instruments such as violins, cellos, trumpets and more, the arrangement of the meat-and-potatoes metal instruments is reminiscent of the thunderous symphonies of Wagner or Tchaikovsky.

Then there is the intensity displayed here; oh holy hell, what driving force! There is simply layer upon layer of puritanical symphonic mayhem. But the intensity doesn’t stop there, it flows right through to the surprises that Hollenthon throws at the listener with alternate vocals, female vocals and choral movements that inspire the imagination to envision magnificent scenes of power and destruction.

From the opening notes that will snap you out of your chair to the monstrous victory march that marks the end of this coruscating metal epic, the listener will be enveloped in an extraordinary bed of sound.

I think perhaps by saying any more than I have, I would be wasting my words. It is time for you to experience the Vilest of Worms direct from Hollenthon.

Bottom Line: Here you can find the blazing glory of symphonic metal embodied to near perfection in a single CD. I have no complaints; perhaps I should listen to it another 20 times to find one.

Rating: 10 of 10

   1.05k

Review by Tobias on August 31, 2001.

The vision here isn’t just unique, it’s intense, well conceived and just plain massive. Hellenthon is a rarity of a gem and people had better start paying attention or they will be missing out on some of the wildest propensity for a unique brand of melodic death metal.

It’s few and far between that an album can surprise a listener with the very first notes, let alone suspend that surprise throughout the entire album, but that’s exactly what happens in Hollenthon’s sophomore effort, Vilest of Worms…. The cliched phrase describing albums as the ultimate Armageddon between angels and devils has never been more deserved. This is the soundtrack to an ethereal battle of indescribable proportions.

This disc is orchestral melodic death metal that must be listened to in whole. Even without the use of classical instruments such as violins, cellos, trumpets and more, the arrangement of the meat-and-potatoes metal instruments is reminiscent of the thunderous symphonies of Wagner or Tchaikovsky.

Then there is the intensity displayed here; oh holy hell, what driving force! There is simply layer upon layer of puritanical symphonic mayhem. But the intensity doesn’t stop there, it flows right through to the surprises that Hollenthon throws at the listener with alternate vocals, female vocals and choral movements that inspire the imagination to envision magnificent scenes of power and destruction.

From the opening notes that will snap you out of your chair to the monstrous victory march that marks the end of this coruscating metal epic, the listener will be enveloped in an extraordinary bed of sound.

I think perhaps by saying any more than I have, I would be wasting my words. It is time for you to experience the Vilest of Worms direct from Hollenthon.

Bottom Line: Here you can find the blazing glory of symphonic metal embodied to near perfection in a single CD. I have no complaints; perhaps I should listen to it another 20 times to find one.

Rating: 10 of 10

   1.05k