Review by Adam M on September 3, 2025.

This album was a revolutionary album for metal because it had a huge impact on the melodic death metal genre.  It is very melodic and abrasive and makes a proper impact.  The album is storming from the get go and never lets up to craft a truly memorable experience that is one of the more important ones of the genre.

The musicianship is excellent with a great deal of emphasis on the buzzsaw guitars, pounding drumming and excellent vocals of Lindberg.  It all comes together to create a tightly knit affair that is quite entertaining and innovative for the time.  Though earlier albums are perhaps a bit more harsh, this one is nicely streamlined for consumption of a mass audience.

The flaw to the album lies in the fact that it is perhaps too simplistic in style and this leads it to being rather redundant and not very impactful at times.  It is followed by albums that build on its style and is still a very necessary part of music history and timeless in nature.  Fans of the band’s later albums will certainly like it.

All in all, this was a nice melodic death metal album and one of the better examples of the style at the time.  It is very essential in the grand swing of the genre and has the right amount of aggression mixed with melody to create a well-rounded album.  It is certainly not the greatest album of all time in metal, but an essential listen nonetheless.

Rating:: 8.1/10

Review by ChadL on April 26, 2002.

Man, I would love to have been there to see the look on the members of At The Gates face's when they walked out of Studio Fredman... They must have had the biggest shit eating grins on their faces!! They must have known that they were about to drop an atom bomb on the metal world!!!

From start to finish, "Slaughter Of The Soul" is the most perfect 30 minutes of metal since "Reign In Blood", quite possibly even better. There is not a single weak second on this opus, as not one note is out of place. If you've never heard them before, At The Gates plays "Gothenburg" Swedish death metal, and on this, what unfortunately was to be their final album, they perfected their craft. Each band member gives it their all on this, and vocalist Thomas Lindberg (Lock Up/The Crown) really pushes the album over the edge with his tortured and heartfelt screams. Brothers Anders and Jonas Bjorler (The Haunted) (guitar and bass respectively) laid down some of metals all-time greatest riffs on this one ('Blinded By Fear', 'Slaughter Of The Soul'), and rhythm guitarist Martin Larsson adds incredible depth to the music. The drumming is handled masterfully by Adrian Erlandsson (now in Cradle Of Filth), and he proves that he is one of metal's foremost skin bashers with a never-ending supply of complex rhythm, fills and impeccable timing.

Every aspect of "Slaughter Of The Soul" is perfect. From the ferocious music to the crystal clear Studio Fredman production is flawless. Lindbergs lyrics are amazing. Mostly centering around depression and suicide, they provide a very intelligent social critique of the sick world we live in, and listening to his anguished screams sends chills down my spine every time... just listen to him purge his soul on 'Suicide Nation' ('suicide... jaws locked around your spine') and on the their final "real" song 'Need' ('open me... with your kiss of steal, end my pain, set me free'). I just can't lavish enough praise on this album. Out of the approx. 400 CD's I own I listen to this more than any other, almost everyday of my life. It just sucks that they broke up, but at least they went out at the very top of their game.

Bottom Line: This is Swedish death metal at it's very best. If you don't own it, drop whatever your doing right now and track it down. If you don't, you shouldn’t call your self a metalhead. Absolutely essential.

Production: 10
Atmosphere: 10
Musicianship: 10
Originality: 10
Overall: 10

Rating: 10 out of 10