Review by Felix on January 25, 2020.

It is a drama that Quorthon died much too soon, even though some of his works are really a pain in the ass. He was the chameleon of metal; his drastic stylistic changes were hard to understand but everybody with a predilection for great metal will find some jewels in Bathory's discography. Blood Fire Death belongs to the strongest efforts of Quorthon, at least for those who do not think that pure Viking metal is the ultimate sub-genre.

It is a drama that the album did not continue the bloodline of the perfect Under the Sign of the Black Mark. The songs are not too far away from those of the aforementioned monument. "The Golden Walls of Heaven" stands shoulder to shoulder with "Massacre", inter alia due to its straight verses. The stomping "For All Those Who Died" is a close relative of "Call From the Grave". Nevertheless, the more metallic sound and the longer duration of the single tracks give the album another flavor. Not to mention the elaborate and atmospheric intro which constitutes the acoustic complement of the classic artwork. Celestial choirs and whinnying horses make clear where Rob Darken once found his inspiration... Admittedly, the serious grandeur of the gatefold vinyl does not mean that the lone fighter is unable to make a joke. The beginning of "Pace 'till Death" picks up the squeaking riff of Venom's "Teacher's Pet". With a twinkle in his eyes, Quorthon sends greetings to his idols. But from an overall perspective, this is a much more serious work than the somewhat bizarre Under the Sign....

It is a drama that Blood Fire Death marks the point where the adventurous Swede began to lose his enthusiasm for sheer aggression. Let's face the ironic twist of fate: the two epic numbers of this album are absolutely brilliant, but in hindsight, they implemented the seed of lethargy in Quorthon's creative outputs. I know that many metal maniacs have built an altar for Hammerheart and Twilight of the Gods, but I don't share this point of view, because the overly dignified approach has not much in common with the rebellious touch that made heavy metal to something special. However, I don't want to digress. Blood Fire Death cannot be blamed for lameness and with the exception of wide parts of the pretty noisy "Dies Irae", all songs have an exciting aura. (At least "Dies Irae" deserves the honor that its excerpt "Even the heavens shall burn when we are gathered" might have inspired Marduk in their search for a fitting album title.) "For All Those Who Died", for example, scores with its overarching vehemence. Sheer power crushes the audience, despite the comparatively stupid mid-tempo rumbling.

It is a drama that the best track of the full-length offers. Indeed, a more dramatic song is hardly imaginable. Switching between soft choirs, which are accompanied by an emotional guitar, and thunderous, painfully intensive metal pathos, the song develops an unbelievable power and one sees raging flames before the inner eye. Apart from this emotional rollercoaster, the guitar work is extremely strong and Quorthon sings and screams more passionate than ever before. It is time for great emotions at the latest when lines like "With hair as white as snow / Hammer of steel / To set you free of your chains / And to lead you all / Where horses run free / And the souls of the ancient ones reign" mark the title track's point of culmination. "A Fine Day to Die" does not stand in the shadow of the titanic closer. After a silent intro, the song explodes, and harsh screams accompany brutal guitars. Space-filling leads roll out the carpet for Quorthon's hoarse, cruel and charismatic vocals. Finally, a melodic element is added as well.

It is a drama (but no unique event) that some medias did not understand the greatness of Blood Fire Death. The German Rock Hard spoke of ridiculous solos and hyper-perverse vocals while giving generously seven out of ten points. Okay, they tried to entertain the readers, but come on, stop writing - start your career as clown. I do not find any kind of ridiculous (but a lot of unleashed) solos and a kick in the ass of the mainstream is almost never "hyper-perverse", but a necessary act of resistance. The coarse and devastating production which lacks any form of nuances sets the right frame for such an act. Technical details are for wimps and maybe this was the thing that the joker of the Rock Hard was missing. But despite all these "dramas": the only truly tragic drama is the one I have already mentioned in the first sentence of this review. Quorthon, rest in peace.

Rating: 8.4 out of 10

Review by Allan on April 3, 2002.

Before trailing off from their black metal past, Quorthon/Bathory left this phenomenal album bridging the gap between their last album, “Under The Sign of the Black Mark”, and their next album, “Hammerheart”. “Blood Fire Death” moves its way through eight tracks of glorious Viking/Black metal and is still leaving its effects today.

Finally, Quorthon has decided that he isn’t going to do another album where the material is as fast as possible! It is on this album that Quorthon takes his musical visions and does a little bit of wandering into the Viking side of things. The first opening track, ‘A Fine Day To Die’, is one of the greatest opening songs for an album that I’ve ever witnessed. It tells you what the album is about, and sets the atmosphere for what follows. Almost every song on here has a very epic feel to it, accompanied by Quorthon’s black metal rasp. This definitely may not be what some people want to hear, but it fits the music terribly well. Following behind the black metal rasps are some backing vocals and choir work. This is definitely something that brings the songs credibility up a few notches. Somewhere in the middle of the album, Quorthon decides he isn’t finished with black metal, and leads a fast-paced assault on your eardrums. The tracks are well done, but it feels a little out of place with the amazing opening and closing of the album. Finally, the album closes with one of the greatest tracks that Bathory has ever done. The title track, ‘Blood Fire Death’, has an excellent epic atmosphere and overshadows what is to come on the bands next work of genius, “Hammerheart”.

“Blood Fire Death” is a stand out album for fans of more than just Bathory, but the genre of thrash and black metal. Mandatory listen for anybody to ever claim to like black metal, or anyone interested in the history of metal or Bathory.

Bottom Line: A highlight of Bathory’s career and a highlight for the genre. Groundbreaking and influential to many of today’s metal bands, consider this something you need to check out.

Categorical Rating Breakdown

Originality: 10
Musicianship: 7.5
Atmosphere: 10
Production: 8
Overall: 9.5

Rating: 9 out of 10

Review by Alex on April 30, 2019.

Calyx come storming from the murky thresholds of Spain with their debut Vientos Arcaicos which translates to Archaic Winds which would also hyperbolically describe the material on here. The Spanish metal arena is filled with many great bands spanning all genres, let's add Calyx to the long list. 

Calyx plays a blend of 2nd wave black metal combined with 1st wave black metal sections, thrash metal, some eerie doom sections and panoramic landscapes. It is evident from the very first track off the record “La venganza de las brujas” that is Spanish for “The Revenge of the Witches” that Calyx knows the recipe of adequately blending the portions for an effective outcome. All songs are sung in the Spanish tongue adding a spell of native loyalty being cast over the audio. The material on Vientos Arcaicos is pulsing with contrasting guitar work in ranging from first wave to second wave black metal and even some groove and thrash. Most times starting out as 2nd wave black metal then progressing into somewhat semi-technical drumming that is in-turn shouldered by alternating styles, leaving the listener with a spellbinding sense of satisfaction for majority of the record. 

Vientos Arcaicos could also be very animated at times thanks to the snarls of the front-man never failing to demonstrate and give a true black metal of old feeling. His high registers are evil sounding (like a corrupt witch) for lack of a better description, and the semi-toned growls add a miasmic presence. When you're having fun jamming to songs like “Asedio infernal” or even the self-titled track, it’s amazing how fast time can unnoticeably shoot by. All entries append to something that is trusted to keep the listener nodding, it’s just the result of good compositional direction paying off for Calyx.  

Amazing how the stamina of the vocalist is kept especially when snarling in such a raw nasty way. That's real vocal fatigue for any inexperienced individual and it certainly had to have been a natural trait the way its effortlessly put forth for consumption. Though it’s a long record for my liking, still, the momentum of the songs takes you through with ease and without being exhausted. This could be attributed to the different styles used to create the musical landscapes as heard on the heavy tremolo picking of “La venganza de las” to the fast-paced thrashing of “Asedio Infernal”. Needless to say, but whatever, the guitar work is exceptionally precise when tackling any of the mentioned styles, in so, giving the record an added layer of competency and clarity. And the drumming in moving from thrash metal to black metal and even some groovy sections is clockwork in a (smooth sense of transition). Perhaps a good example would be “La Sima” as it makes clear just how seamless the flow between the genres are operated, hence leading to a solidified piece of craft. Wise musicianship all round, not forgetting the background choirs that appear on “La Sima” and others. They never intrude but offer another layer to the already potent atmosphere of Vientos Arcaicos. This is one of those “out of the blue” gifts that keep on giving, just spend a moment with the title track, then try to convince yourself that's not golden quality. Traditional heavy metal, doom metal (for the song intro), black metal; it’s all there and is homogeneously combined. 

Vientos Arcaicos is essential listening, it deserves to be on the map of 2019’s exceptional releases. Don't let this pass you by, you’ll be doing yourself a great disfavor.

Rating: 8 out of 10