Review by Felix on November 10, 2020.

On the one hand, I do not like very much these fun metal bands. They think their lyrics are jokey, but usually they are just idiotic, stupid and, in the worst case, sexist and imbecile. On the other hand, I have to admit that some of the "serious" outpourings of many metal bands piss me off, too. Just think of the embarrassing poetry of bands such as Manowar or Sabaton. Thus, I appreciate less serious lyrics from time to time. (And to be honest: some songs of the here presented full-length do not dramatize funny topics.) However, it's always a question of the music in which the more or less amusing lyrics are embedded. Gama Bomb's first albums were pretty nice without having the chance to enter the hall of fame of my private collection. But The Terror Tapes is different. Firstly, I was worried because of the album's name. I thought that they would publish some clumsy rehearsal tapes in order to make a quick profit. But the all clear can be given. We are talking about twelve brand new tracks. And the best is yet to come, these infectious thrash metal masterpieces will make your head bang.

Although The Terror Tapes already represents the fourth full-length, the Gama crew has still the charm and the boyish recklessness of newcomers. The musicians give full speed and perform the majority of the songs in a breathtaking velocity. While keeping an eye on catchy choruses ('Terrorscope') and stirring bridges ('We Started the Fire'), they do not neglect the basic principles of thrash metal. But it gets even better. The album delivers more than a handful of highlights. But even if compared with the other killer tracks, two dizzy eruptions stand out. The extremely fast 'Beverly Hills Robocop' shines with stormy riffs and hilarious lyrics. Inter alia, the mentioned robot contributes four lines. Regardless of the fact that he has been killed, he tells us that he wants to "party like it's 1985". Fantastic idea, I want to be a teenager again. Lead vocalist Philly Byrne has also great intentions and wants to murder his boss. Isn't that what we all dream of? But I do not want to waste many words about that. Maybe my boss reads this review in the distant future. So let's focus on the second brilliant tune. 'The Cannibals Are in the Streets - All Flesh Must Be Eaten', also extremely fast performed, does not only score with its conclusive title and the expressive lead vocals. Of course, the raging riffs build once again the backbone, but you should also listen closely to the song's fantastic bridge and its unsurpassable chorus. You will recognize some of the most dynamic guitar lines ever.

Despite the musical hurricane, there is still time for wise advice. "You must take a shit in your trousers or you will never see your family again." Okay, now we know exactly what we have to do - or what we have to avoid. I guess, it depends on your family. My decision remains a secret. But let's go on to the next point, because maybe my wife also reads this review in the distant future.

Two short comical yet thrashy outbursts demonstrate that the buffoons from Northern Ireland are still not afraid to break with the conventions of the genre. However, they are intelligent enough to offer only two of these caricatures of a thrash song. Other tunes like 'Backwards Bible' also possess funny elements. But they do not focus exclusively on tomfoolery so that the album works as a halfway serious output. This is also due to the flawless sound of the full-length. Its transparency and sharpness refine the songs while giving them the last kick. Therefore, Gama Bomb catapulted their music to the highest level. In view of its effervescent liveliness, The Terror Tapes is a quantum leap compared with their previous outputs. I would even go so far as to say that it seems to be their unofficial best of-album. But let's see what the future will bring. If the spirited band is able to preserve its enthusiasm as well as its fine sense of humor, we can hope that more fascinating albums are yet to come.

Rating: 9.5 out of 10

Review by Alex on December 10, 2020.

Sounds precisely like what I had envisioned. The cover art was a major giveaway. Sick stuff coming from South Africa from a band going by the name of The Fallen Prophets. I believe "No End In Sight" is the 4th recording since formation in 2011 and it follows their 2nd full-length album which was put out titled "Relentless Killing Motivation". The best description I can contrive for The Fallen Prophets style of metal would be, brutal/melodic deathcore. You may have your own definitions of their technique but currently that's what it sounds like to me. Big question; do I like it? Yes. Given my history of loathing deathcore one look at the cover art and it could have all gone to shit when it comes to me sitting down to listen to this EP but the musicianship saved it.

What makes it likeable? It's the fact that these guys can riff. Deathcore itself has a disgusting habit of encouraging laziness particularly in the guitar department; Fingers don't appear to move on the fret thus making it an easy target for mediocrity. The difference here is the guitarists know how to move their fingers with regards to touching the fretboard. That's not to say there aren't any chugging or breakdowns to be heard; they are indeed, however; the guitar solos are so good you don't even notice the former. The vocals too have a familiar deathcore edge to them but again they don't get in the way at all, in fact they sound organic and not computerized to fuck. And the drumming is downright killer. Lots of blast beats (yes triggered), fantastic fills and tom+snare combos; also think I heard a few gravity blasts.

They're also quite a few big names that helped out during the creation of "No End In Sight"; such as Kriss Xen of Vulvodynia and Ivan Meathook of Blood Red Throne to list a few. Most brutal death/slam fans are going to eat up tracks like 'Killing the Last Savior', 'No End In Sight' and 'Believe'; all of which lay down menacing licks, drumming and vocals. But of them all, I'd have to say 'Deception' is the best track on the record. Its accelerated climax to black metal is just insane and unexpected. It gives the album an amusing twist and closes it off on a high note. I guess my only complaint is that I wish no guest artists were featured and it was all the work of The Fallen Prophets. Nevertheless, still a good album that you should enjoy if you appreciate this kind of metal.

Rating: 8.4 out of 10

Review by Alex on December 10, 2020.

Sounds precisely like what I had envisioned. The cover art was a major giveaway. Sick stuff coming from South Africa from a band going by the name of The Fallen Prophets. I believe "No End In Sight" is the 4th recording since formation in 2011 and it follows their 2nd full-length album which was put out titled "Relentless Killing Motivation". The best description I can contrive for The Fallen Prophets style of metal would be, brutal/melodic deathcore. You may have your own definitions of their technique but currently that's what it sounds like to me. Big question; do I like it? Yes. Given my history of loathing deathcore one look at the cover art and it could have all gone to shit when it comes to me sitting down to listen to this EP but the musicianship saved it.

What makes it likeable? It's the fact that these guys can riff. Deathcore itself has a disgusting habit of encouraging laziness particularly in the guitar department; Fingers don't appear to move on the fret thus making it an easy target for mediocrity. The difference here is the guitarists know how to move their fingers with regards to touching the fretboard. That's not to say there aren't any chugging or breakdowns to be heard; they are indeed, however; the guitar solos are so good you don't even notice the former. The vocals too have a familiar deathcore edge to them but again they don't get in the way at all, in fact they sound organic and not computerized to fuck. And the drumming is downright killer. Lots of blast beats (yes triggered), fantastic fills and tom+snare combos; also think I heard a few gravity blasts.

They're also quite a few big names that helped out during the creation of "No End In Sight"; such as Kriss Xen of Vulvodynia and Ivan Meathook of Blood Red Throne to list a few. Most brutal death/slam fans are going to eat up tracks like 'Killing the Last Savior', 'No End In Sight' and 'Believe'; all of which lay down menacing licks, drumming and vocals. But of them all, I'd have to say 'Deception' is the best track on the record. Its accelerated climax to black metal is just insane and unexpected. It gives the album an amusing twist and closes it off on a high note. I guess my only complaint is that I wish no guest artists were featured and it was all the work of The Fallen Prophets. Nevertheless, still a good album that you should enjoy if you appreciate this kind of metal.

Rating: 8.4 out of 10