Review by Greg on June 21, 2023.

If there's one country which never was in dire need for killer thrash bands, Canada would surely compete for that position. Luckily for all of us, five guys from British Columbia didn't care and took the entire world by storm in 2017, coming more or less out of nowhere. The album in question was Terrifier's Weapons of Thrash Destruction, which unfortunately never got a sequel so far. What might be less known is, the lads had already a full-length under their belt, dating back to their early days as the unimaginatively named Skull Hammer. The fact that they even cared about re-issuing it under their new moniker might imply that this Destroyers of the Faith will offer a good dose of serious business as well...

Unsurprisingly, if one is accustomed to what the band sounded like on their sophomore, here we basically get Terrifier-lite. Kyle "holy shit I haven't played a blast beat in one full minute" Sheppard wasn't among the ranks yet, and vocalist Chase Thibodeau isn't as hysterical in his delivery. Axemen extraordinaire Brent Gallant and Rene Wilkinson are already in top form though, so guitar solos are, once again, the eye-catching (and grin-inducing) feature. Now, Weapons of Thrash Destruction's constant quest for extremity somehow made up for the not exceptionally innovative songwriting, even if reducing it to 'the mediocre thrash album with out of this world solos' is admittedly an injustice. Destroyers of the Faith is definitely cut from the same cloth, even if the band appears an iota more restrained in their performances, offering the compositions a decent amount of room to breathe. Already the opener isn't just a predictable spiritual predecessor to 'Re-Animator', 'The Valkyrie' being a more measured gallop (please applaud this ingenious pun) for a good while before the minute-long solo in the middle steps up the game.

When the call for high-octane thrash metal arrives, indeed, Jerome Brewer is no slouch either behind the skins. 'Hammer Fist' and especially the friendly 'Scum Ridden Filth' are more conventional Terrifier material, the latter even surprising with a great melodic(!) intro, though the real gem of Destroyers of the Faith comes at its very end, with the killer title-track which would give any song of the sophomore a run for its money. As you may have grasped now, though, the album is unexpectedly varied, with 'The Age of Steel' exemplifying all its facets in 7 glorious minutes (the extended central lead section may as well be their finest ever), and there's even a very Exmortus-esque proper instrumental in 'Of Victory and Valour'. From a compositional point of view, it almost seems that this was the actual second album.

So, even if, at first glance, it may look like Destroyers of the Faith was rendered virtually obsolete by the time Weapons of Thrash Destruction came out, and that's partly true, there are actually several aspects of this debut I prefer, like the more frequent excursions into slower territories, the occasional melodic playing, or even its sound, not nearly as compressed and overproduced as its successor. In any case, the more digestible vocal delivery and less extreme drumming, as well as the always stellar leadwork, make it an effort worth listening for every fellow thrasher out there.

In a way, it will moderately quench the thirst for more Terrifier for a while. Now what about a new album?

Rating: 8.1 out of 10

Review by Alex on January 3, 2020.

Crawling in from the cold corners of Ontario, Canada are Purveyors of Sonic Doom with their double EP Entombed Black Earth and Eyeless Void. Their approach is very stripped down and minimalist utilizing mostly mundane methods or characteristics of doom metal and rarely strays off the pathway taken. ‘Eyeless Void’ could not have been more candid for an 8 minute instrumental track; it’s one tempo, one rhythm, pretty much the template for 'Rot Covered Gold’ (the second track featured on their Eyeless Void EP. 'Flayed One' echoes most of what was done on the prior tracks, keeping the chugging guitar as a defining contributor to the rhythm and pattern of the songs. Though there are some diversions in musical tempo, slight riff deviations and influence meets the ear on the upbeat punky segments of 'Flayed One' , the nonchalant feeling persists. Apart from the Hellhammer cover 'Third of the Storms' there’s nothing eventful taking place on Eyeless Void. However, I think some would find favoritism in the strpped-down, near-husky approach; I did to some degree but the songs could have been better written with less predictability.

Entombed Black Earth however, I found to be enjoyable granted Purveyors of Sonic Doom take chances and dig themselves from the pit of monotony they found themselves in with Eyeless Void. ‘Seafarer’s Lament’ and instrumental title-track ‘Entombed Black Earth’ do more than just play into the hands of standardized raw doom metal. On these occasions the music is given a lift composition-wise, more variations and impactful guitar leads are representative of a haunting atmosphere. Seemingly Purveyors of Sonic Doom are better off in the mid tempo areas of the doom metal as the tunes are bouncy to say. The momentum built is maintained on 'Astral-Witch' and sees the band stepping out of the safe zone to outdo and craft a lasting impression through the repairs implemented to the outlook of the music. The vocals add a layer of dread through the gasped style in which they’re delivered and the raw production helps to drive the effect. Entombed Black Earth is decent enough for a second spin to catch up on anything you may have missed however I think the layout of the band's craft shows room for improvement. 

Rating: 6.9 out of 10