Review by Felix on July 26, 2020.

The split 7” None Shall Escape… is another item of the wealthy discography of Azaghal. Here they cooperate with Sael from France, a band that does not exist anymore. Maybe Sabbath’s Fire Records should not have limited the vinyl on 500 copies. More copies would have been an option to spread the name of Sael far and wide. But be that as it may, here comes copy 356.

Azaghal’s song is a dark, dull and not really horrifying example of blackest metal. It is characterized by machine gun drumming; abysmal guitar leads and lead vocals that seem to be performed by a voracious monster. The lead guitar creates some spooky moments while a wall of sound is droning in the background, tempo shifts are not missing and even a calm part occurs. A black metal album in just one song! A carefully arranged piece with an intensive ending, not totally exciting, but good.

Sael also do not shy away from silent sequences, neither at the beginning nor in the middle of 'Strychnine'. The song suffers slightly from the stark and stiff snare drumming, but generally speaking, the French devils manage their tasks skillfully. Their outburst of misanthropy could be a leftover from an early Norwegian archive. Grimness and bitterness prevail, and the lead vocalist expresses his agony impressively. It is therefore no wonder that Azaghal and Sael have forged somehow pretty similar contributions to this split, both in terms of style and quality. Good to know, A side or B side - you cannot do much wrong.

Do not expect a high-fidelity sound adventure or any elements from other genres than black metal. Do also not hope for rare jewels that make your life significantly better. Nevertheless, both Azaghal and Sael show a solid performance and good music on black vinyl is always a fine thing, right?

Rating: 7.2 out of 10

Review by Felix on October 9, 2023.

Azaghal, in business since 25 years, is one of the most robust bands in terms of Finnish black metal. This is no matter of course, because there is only one guy (Narqarth) who builds the firm backbone of the line-up. His comrades from 2002 have left the band, others came and went and so on. Nevertheless, some great records have been released under the banner of Azaghal; „Omega“, „Nemesis“, many more. I freely admit that „Of Beasts and Vultures“ is no candidate for their top five works, but certainly some of its songs are worth listening.

Slightly questionable is the raw sound. The guitars do not really have an organic touch. They do not sound bad, but one has to get used to it. Anyway, there are no serious deficits and I am happy that the precisely played double bass has the position it deserves. Thus, the carpet is rolled out for great songs and Narqarth and his companions do not hesitate to perform their own material. Too bad that they also could not resist the temptation of adding a Bathory cover. It is impossible to make the songs of „In the Sign of the Black Mark“ better than they are on the original album. But that’s not all – Azaghal’s version of „13 Candles“ is surprisingly weak, lame and powerless. It’s almost a desecration of this classic.

Either way, their self-composed titles show more fury, more courage and more aggression. But apart from these more or less predictable attributes, the band has also integrated virtually experimental elements. The first three songs demonstrate this. „Helwettiläinen“ surprises with a long atmospheric parts with foaming waves. „Welho“ is not only a demonstration of total destruction, but houses very sick singing and a dreamy, drug-imbued segment as well. Finally, „Reign“ delivers avant-garde vocals (and, by the way, fantastic riffing). Brutality is an important ingredient, especially in „Reign“, but it is not the only one. Despite or exactly because of this fact we get high quality stuff from the Finns.

The experimental or at least variable side of Azaghal shimmers through the next song as well. The solid “Kaikki elävä kuihtuu” houses a nearly absurdly mild part. After this track, unfortunately we are entering the problematic zone. It is not only the meaningless intermezzo on the sixth position, although this number already kills the flow of the album. More annoying is that the following tracks cannot compete with the first four songs. They fall victim to their incoherence (“Peto – 666”) or appear half-finished (“Verenjano”). The shortcomings of the output’s second half are the reason why “Of Beasts and Vultures” only sees the rear lights of the most thrilling Azaghal records. Anyway, the album also shows that the line-up from that period did not lack potential. It seems rather as if the band was not able to channel its numerous ideas in a song-friendly manner. A venial sin, but it has an impact on the overall impression.

Rating: 6.7 out of 10

Review by Felix on October 9, 2023.

Azaghal, in business since 25 years, is one of the most robust bands in terms of Finnish black metal. This is no matter of course, because there is only one guy (Narqarth) who builds the firm backbone of the line-up. His comrades from 2002 have left the band, others came and went and so on. Nevertheless, some great records have been released under the banner of Azaghal; „Omega“, „Nemesis“, many more. I freely admit that „Of Beasts and Vultures“ is no candidate for their top five works, but certainly some of its songs are worth listening.

Slightly questionable is the raw sound. The guitars do not really have an organic touch. They do not sound bad, but one has to get used to it. Anyway, there are no serious deficits and I am happy that the precisely played double bass has the position it deserves. Thus, the carpet is rolled out for great songs and Narqarth and his companions do not hesitate to perform their own material. Too bad that they also could not resist the temptation of adding a Bathory cover. It is impossible to make the songs of „In the Sign of the Black Mark“ better than they are on the original album. But that’s not all – Azaghal’s version of „13 Candles“ is surprisingly weak, lame and powerless. It’s almost a desecration of this classic.

Either way, their self-composed titles show more fury, more courage and more aggression. But apart from these more or less predictable attributes, the band has also integrated virtually experimental elements. The first three songs demonstrate this. „Helwettiläinen“ surprises with a long atmospheric parts with foaming waves. „Welho“ is not only a demonstration of total destruction, but houses very sick singing and a dreamy, drug-imbued segment as well. Finally, „Reign“ delivers avant-garde vocals (and, by the way, fantastic riffing). Brutality is an important ingredient, especially in „Reign“, but it is not the only one. Despite or exactly because of this fact we get high quality stuff from the Finns.

The experimental or at least variable side of Azaghal shimmers through the next song as well. The solid “Kaikki elävä kuihtuu” houses a nearly absurdly mild part. After this track, unfortunately we are entering the problematic zone. It is not only the meaningless intermezzo on the sixth position, although this number already kills the flow of the album. More annoying is that the following tracks cannot compete with the first four songs. They fall victim to their incoherence (“Peto – 666”) or appear half-finished (“Verenjano”). The shortcomings of the output’s second half are the reason why “Of Beasts and Vultures” only sees the rear lights of the most thrilling Azaghal records. Anyway, the album also shows that the line-up from that period did not lack potential. It seems rather as if the band was not able to channel its numerous ideas in a song-friendly manner. A venial sin, but it has an impact on the overall impression.

Rating: 6.7 out of 10

Review by Felix on July 26, 2020.

The split 7” None Shall Escape… is another item of the wealthy discography of Azaghal. Here they cooperate with Sael from France, a band that does not exist anymore. Maybe Sabbath’s Fire Records should not have limited the vinyl on 500 copies. More copies would have been an option to spread the name of Sael far and wide. But be that as it may, here comes copy 356.

Azaghal’s songs is a dark, dull and not really horrifying example of blackest metal. It is characterized by machine gun drumming; abysmal guitar leads and lead vocals that seem to be performed by a voracious monster. The lead guitar creates some spooky moments while a wall of sound is droning in the background, tempo shifts are not missing and even a calm part occurs. A black metal album in just one song! A carefully arranged piece with an intensive ending, not totally exciting, but good.

Sael also do not shy away from silent sequences, neither at the beginning nor in the middle of 'Strychnine'. The song suffers slightly from the stark and stiff snare drumming, but generally speaking, the French devils manage their tasks skillfully. Their outburst of misanthropy could be a leftover from an early Norwegian archive. Grimness and bitterness prevail, and the lead vocalist expresses his agony impressively. It is therefore no wonder that Azaghal and Sael have forged somehow pretty similar contributions to this split, both in terms of style and quality. Good to know, A side or B side - you cannot do much wrong.

Do not expect a high-fidelity sound adventure or any elements from other genres than black metal. Do also not hope for rare jewels that make your life significantly better. Nevertheless, both Azaghal and Sael show a solid performance and good music on black vinyl is always a fine thing, right?

Rating: 7.2 out of 10