Review by Michael on February 14, 2026.

Hieron is a relatively new band from Saxony, from where since the 90s there have always come some quite remarkable black metal bands. Sometimes these bands have a slightly questionable background when it comes to their Weltanschauung, but because I stumbled over the band in one of the biggest German online mags, I guess there is nothing to complain about the guys.

And so it is musically, also. Kicking off with an opulent Hellraiser-like intro the guys soon deliver some badass old-school black metal on their debut album "From The Temple To The Grave". When I read something about the old Emperor and Satyricon that makes me curious about the band, but I actually cannot find too many similarities to these bands. Nevertheless they are deeply rooted in the 90s, but closer to Mayhem, Gorgoroth and all of them that didn't use any keyboards or cared too much about melodic parts. At least this counts for the first three songs.

Hieron (which means "shelter" in Greek by the way) combine a nice mixture of many styles, in some songs they even tend to move more into black-death (for example "Reverance Lost") and sometimes even quite close to war metal. So all this isn't the easiest listening record but once you get into it, you will like it if you prefer some rough and brutal black metal stuff without too many changes in the first songs.

Here and there you have some Easter eggs that offer some innuendos to some big ones in the scene (the intro in "Forever Scorned" should be well-known for everybody) and with that song the band starts to be more diverse on the album.

From there they incorporate some more catchy parts into the songs and also the vocals start to be a little bit more varied (and remind me a lot of the first Nastrond album, if anyone remembers this gem). Still it stays that grim black metal but with a more modern touch peppered with a lot of tremolo picks like in "Unholy Immolation" but also incorporating German influences like Darkened Nocturn Slaughtercult or Sarkrista and Finnish black metal like Sargeist or Horna. The title track is the best example for this, here you can clearly hear all these influences I just mentioned. Also this is the most diverse track on the album with many breaks and the melodies they obviously have saved for that track.

The production is well executed, "From The Temple To The Grave" sounds quite dynamic, not too cold and also not muffled. The instruments are clearly recognizable and also the vocals are recorded with a very good sound quality.

Altogether Hierons debut has become a very solid album with a few issues to instantly fall in love with (I guess hate is the better term for black metal though), but it still is much better than many releases that are spawned every month.

Rating: 8 out of 10

Review by Felix on April 28, 2021.

Welcome to another EP that combines a few new songs with extra stuff that nobody really needs. No question, 'Flame Of Malignancy' originally released on the comeback Mater Of All Evil (from 2000) kills effectively, but the live version doesn't uncover any new facets of the track. The arrangement of the Dead Kennedys' classic also leaves me rather cold, but I credit it with two plus points. Firstly (I confess ruefully), I didn't know the original and due to its snotty originality, I like that much better than Necrodeath's elaboration. Above all, I appreciate the fact that Jerry Brown, as a member of the Democratic Party, is accused of fascist ideas.... Biafra, you great poet and thinker! F**king fascists everywhere! Secondly, I admire Flegias' consistency in unexceptionally chanting something like "överalles" instead of "über alles". But who am I to make jokes about this? His German certainly still sounds much better than my Italian.

The three new pieces are another sign of life from the already not lazy Italians, but not much more. Despite some faster sections, the opener 'Inferno' seems relatively sluggish. Fortunately, Necrodeath do not become unfaithful to themselves. They continue to play sharp-edged thrash, enriched with the one or other twisted guitar tone, percussive elements and a slightly haunted atmosphere. The powerful, aggressive and agile 'Petrify' leaves the most vital impression. Finally, 'Succubus Rising' moves in the same direction.

In general there are two things you can blindly rely on with Necrodeath. On the one hand, the dudes always find the right balance between rage and melody, and on the other hand, there is nothing to complain about in the sound. The studio tracks burst out of the speakers in a razor-sharp manner. Precision is a constant factor in the Italians' cosmos, both playfully and sonically. Thus, everything remains more or less within the predictable framework, also with regard to the presentation of the digipak EP with an eight-page booklet. A good, but not essential release from the house of my favourite Italians.

Rating: 7.3 out of 10