Prieuré - Official Website


Counterblast

France Country of Origin: France

1. Debria Seems To Be Bleeding
2. Komodo Lights
3. Fire Falls
4. A Whistler And His Gun
5. Ceremony (The Waiting Waters)
6. Mother Dying
7. The Poet Must Die
8. Cut This Heathen Free
9. War
10. Why Would The Captured Set Free The Flies?
2. Oath Breaker
4. Raven's Flight
5. Ancient Ones
6. Conquest For Nova
7. Mai-cob
8. The Lament Of Longinus
9. Dagon
2. Victimizing Blitzkrieg
3. Evil Has No Boundaries (Slayer Cover)
4. Hellwhore
1. Golem Falls
2. Our Finality
3. A Darker Dawn
4. Slumber
5. 1998
6. Aleksei!
1. Anubis
2. No Mercy
3. Afraid To Die
4. Clearly Insane
5. Cyberdome
6. Take On The World
7. Mother Shipton's Words
8. Unwelcome Guest
9. Life In A Lonely Grave
10. When The Spirit Rules The World
1. Ay Que Por Muy Gran Fremosura
2. Autumnal Pyr
3. Until All Ages Fall
4. L'amour Dont Sui Espris
5. Pools Of A Vernal Paradise
6. Anlace And Heart
7. The Anchoress's Orison
8. In The Absence Of Light
9. Wilweorthunga
10. Des Oge Mais Quer eu Trobar
11. Orphic Rites Of The Mystic
1. Intro
2. Downward Discipline
3. March To Your Death
4. Heap Of Wretchedness
5. Hellkind
6. Vermicular
7. Nailed To Iniquity
8. Level Of Containment
9. Bleed Divine
10. Dead Shall Rise

Review by Krys on February 23, 2004.

Have you ever known a band's name for at least 6-8 years and over that time haven't heard a single song and all you knew was that they play power metal? Welcome to the club. Tad Morose is a perfect example of how genre tags can mislead and impair band's recognition.

Not being a fan of power metal, I don't feel particularly bad about it but on the other hand I always respected and listened to good heavy metal and Tad Morose, at least on "Modus Vivendi", is more a heavy metal act than power metal one. For those like me who have no idea what to expect, Tad Morose is a mix of Judas Priest, Iron Maiden, Iced Earth and even W.A.S.P. All those bands are frequent guests in my CD player and after couple of spins of "Modus Vivendi" I'm sure Tad Morose will join that list. From heavy opener 'Anubis', catchy 'No Mercy', mid paced 'Afraid To Die' to semi acoustic 'Cyberdome' Tad Morose blew me away with its crisp and heavy riffs, finesse solos, catchy choruses and tight song structures. What makes this band even more distinctive are vocals of Urban Breed, think of a mix between Rob Halford and Matthew Barlow (formerly of Iced Earth), he is one of the best vocalist I've ever heard. Outstanding control, range and tone of his voice makes "Modus Vivendi" a pleasure to listen to and with interesting vocal lines and strong choruses guarantees multiple plays with devil horns high in the air.

"Modus Vivendi" is as solid as it gets, and fans of classic heavy metal can pick this up in a heartbeat, for the rest of us I can't see a better place to start. Enjoy one of the forerunners of heavy metal and hope of this genre.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 9
Originality: 6
Overall: 8

Rating: 8 out of 10

   958

Review by Krys on February 23, 2004.

Have you ever known a band's name for at least 6-8 years and over that time haven't heard a single song and all you knew was that they play power metal? Welcome to the club. Tad Morose is a perfect example of how genre tags can mislead and impair band's recognition.

Not being a fan of power metal, I don't feel particularly bad about it but on the other hand I always respected and listened to good heavy metal and Tad Morose, at least on "Modus Vivendi", is more a heavy metal act than power metal one. For those like me who have no idea what to expect, Tad Morose is a mix of Judas Priest, Iron Maiden, Iced Earth and even W.A.S.P. All those bands are frequent guests in my CD player and after couple of spins of "Modus Vivendi" I'm sure Tad Morose will join that list. From heavy opener 'Anubis', catchy 'No Mercy', mid paced 'Afraid To Die' to semi acoustic 'Cyberdome' Tad Morose blew me away with its crisp and heavy riffs, finesse solos, catchy choruses and tight song structures. What makes this band even more distinctive are vocals of Urban Breed, think of a mix between Rob Halford and Matthew Barlow (formerly of Iced Earth), he is one of the best vocalist I've ever heard. Outstanding control, range and tone of his voice makes "Modus Vivendi" a pleasure to listen to and with interesting vocal lines and strong choruses guarantees multiple plays with devil horns high in the air.

"Modus Vivendi" is as solid as it gets, and fans of classic heavy metal can pick this up in a heartbeat, for the rest of us I can't see a better place to start. Enjoy one of the forerunners of heavy metal and hope of this genre.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 9
Originality: 6
Overall: 8

Rating: 8 out of 10

   958

Review by Carl on February 27, 2023.

The Reckoning is the continuation of the black metal band Infernal Legion, an act that I mostly remember from a not that memorable full length. Next to that, I also have encountered them live once, horribly out of place opening for Extreme Noise Terror. From that show I only remember an Exumer cover and a deafening silence from the audience. For some reason I can't explain, the name change and shift in musical direction some years later wasn't that big of a surprise, really. On their debut as The Reckoning they certainly showed that they had their shit together better, and this album, their second, is a logical continuation of that.

Build on a sturdy foundation of varied death metal with thrash and black metal elements, the band reminds me of acts like Behemoth, Zyklon and Belphegor, with Vader not far off. Blazing death metal with excellent Morbid Angel-tinged riffing and hoarse, shouty vocals, propelled forward by percussion alternating blasting frenzy with thrashing beats and double kick drive. The main focus is primarily on uptempo death metal, but at times the band allows for slower parts to come in. It is in these moments that a twisted sense of melody and atmospheric touches creep in, supplying the music with some well placed variation. Their black metal roots shine through in a subtle manner, and work well with the death and thrash metal riffing they have on offer. And while the music is pretty cool, I'm not that awed by the vocals, which is a matter of personal taste, I'll admit. I would not have minded a gruffer approach there.

Another area that could have used a gruffer approach is the production. The horrible triggered drums ruin quite a lot of the general atmosphere the music has build up. In no way a bad effort by drummer Morbid for sure, but the plastic and terribly clinical sound manages to gut the overall atmosphere of what the band has on offer. Even worse, this clicking and clacking drum mix has the unfortunate side effect to even neuter a lot of the riffs and general sound. It is a production very of its time, but I never cared for it, and here it becomes very clear why. While the music is cool, precise and pretty energetic, it's all too bad that the production sucks out a lot of the atmosphere of this offering. A gruffer, more earthy approach to the overall sound would have benefitted the band in a huge amount, I'm sure.

It's one of those releases that is not bad at all, but because of the details mentioned only seldom makes it off the shelf and into the CD-player.

Rating: 7.5 out of 10

   958

Review by JD on January 19, 2009.

Ah... Belgian metal, some of my favourite albums have come out of this small nation's obsession for heaviness and brutality in music. With that said... Belgian metal is just like a two sided sword. It is either cutting edge good and cuts into you with the slightest beat, or it just dulled and very lifeless music begging for to be put out of its misery. Which will it be for The Reckoning?

First off, this band have been around since 1993 (Originally named Infernal Legion) and they have had two demos, a full album and a mini album under this moniker. From what I remember of them, they were raw and quite brutal Black Metal. Now as they are called The Reckoning (with one LP under the name already) they seemed to have evolved into a tight melodic mixture of Black, Death and Thrash Metal that is leaps and bounds past their original sounds.

Simply put... this outfit (Three regular members, one guest bassist, they have found a new bassist now.) blasts out some of the most furious and demonically angry music. The blast away with great speed, but they show that there is great amounts of melody to go with it. Their riffs can be almost described as being catchy... because they are memorable as they are brutal.

Lyrics are growled out with the acridness of sulphuric acid, honed to a sharp perfection that spews darkness and the grotesque indignance toward pitiful human life. The song lyrics are short, but man they are massively good with what they use. Songs like 'Heap Of Wretchedness' and 'Hellkind' show both utter heaviness and speed that is matched up perfectly with this great sense of pure musicality as well.

The Reckoning are a force that is hard to ignore, yet they do not establish anything close to new here for the Black Metal world ... but they do create amazing metal that suits them. All of what is on the album seems points out the fact that they are evolving into a great band all on their own... and that is more than enough for me to enjoy them.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 8
Production: 8
Originality: 8
Overall: 8

Rating: 8 out of 10

   958

Review by Carl on February 27, 2023.

The Reckoning is the continuation of the black metal band Infernal Legion, an act that I mostly remember from a not that memorable full length. Next to that, I also have encountered them live once, horribly out of place opening for Extreme Noise Terror. From that show I only remember an Exumer cover and a deafening silence from the audience. For some reason I can't explain, the name change and shift in musical direction some years later wasn't that big of a surprise, really. On their debut as The Reckoning they certainly showed that they had their shit together better, and this album, their second, is a logical continuation of that.

Build on a sturdy foundation of varied death metal with thrash and black metal elements, the band reminds me of acts like Behemoth, Zyklon and Belphegor, with Vader not far off. Blazing death metal with excellent Morbid Angel-tinged riffing and hoarse, shouty vocals, propelled forward by percussion alternating blasting frenzy with thrashing beats and double kick drive. The main focus is primarily on uptempo death metal, but at times the band allows for slower parts to come in. It is in these moments that a twisted sense of melody and atmospheric touches creep in, supplying the music with some well placed variation. Their black metal roots shine through in a subtle manner, and work well with the death and thrash metal riffing they have on offer. And while the music is pretty cool, I'm not that awed by the vocals, which is a matter of personal taste, I'll admit. I would not have minded a gruffer approach there.

Another area that could have used a gruffer approach is the production. The horrible triggered drums ruin quite a lot of the general atmosphere the music has build up. In no way a bad effort by drummer Morbid for sure, but the plastic and terribly clinical sound manages to gut the overall atmosphere of what the band has on offer. Even worse, this clicking and clacking drum mix has the unfortunate side effect to even neuter a lot of the riffs and general sound. It is a production very of its time, but I never cared for it, and here it becomes very clear why. While the music is cool, precise and pretty energetic, it's all too bad that the production sucks out a lot of the atmosphere of this offering. A gruffer, more earthy approach to the overall sound would have benefitted the band in a huge amount, I'm sure.

It's one of those releases that is not bad at all, but because of the details mentioned only seldom makes it off the shelf and into the CD-player.

Rating: 7.5 out of 10

   958

Review by JD on January 19, 2009.

Ah... Belgian metal, some of my favourite albums have come out of this small nation's obsession for heaviness and brutality in music. With that said... Belgian metal is just like a two sided sword. It is either cutting edge good and cuts into you with the slightest beat, or it just dulled and very lifeless music begging for to be put out of its misery. Which will it be for The Reckoning?

First off, this band have been around since 1993 (Originally named Infernal Legion) and they have had two demos, a full album and a mini album under this moniker. From what I remember of them, they were raw and quite brutal Black Metal. Now as they are called The Reckoning (with one LP under the name already) they seemed to have evolved into a tight melodic mixture of Black, Death and Thrash Metal that is leaps and bounds past their original sounds.

Simply put... this outfit (Three regular members, one guest bassist, they have found a new bassist now.) blasts out some of the most furious and demonically angry music. The blast away with great speed, but they show that there is great amounts of melody to go with it. Their riffs can be almost described as being catchy... because they are memorable as they are brutal.

Lyrics are growled out with the acridness of sulphuric acid, honed to a sharp perfection that spews darkness and the grotesque indignance toward pitiful human life. The song lyrics are short, but man they are massively good with what they use. Songs like 'Heap Of Wretchedness' and 'Hellkind' show both utter heaviness and speed that is matched up perfectly with this great sense of pure musicality as well.

The Reckoning are a force that is hard to ignore, yet they do not establish anything close to new here for the Black Metal world ... but they do create amazing metal that suits them. All of what is on the album seems points out the fact that they are evolving into a great band all on their own... and that is more than enough for me to enjoy them.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 8
Production: 8
Originality: 8
Overall: 8

Rating: 8 out of 10

   958