Review by Alex on December 22, 2020.

Something special happens when traditional death metal and grindcore merge; can't put it into words but for brevity let's say the results and final outcome are just incredible. Finland are no newcomers to death metal, heck they pretty much are the head honchos for old school death/doom so I would have expected no less in quality from the band in discussion today and more so the album they just shat-out from the bowels of the region. Anthropophagy is Sadistic Drive's first full length album following a compilation put out in 2019. 'Nasty shit' as someone I know had described the material when asked their thoughts after referencing Anthropophagy. Spot on description of the music waiting to blemish your white shirt and matching pants; Anthropophagy sounds like human waste running through and pouring out of your local underground sewer-system. Sick, ugly, just yuck........

I'll keep this one as short as I can to avoid puking on myself. Anthropophagy offers 10 grotesque pieces stinking with the canker of years old decay and from the time the first stick is thrown unto the drum kit and the first riff pours and the first vocal note is belched, the message arrives with sound clarity that Sadistic Drive have every intention of not just living up to their band name but offering music that is reminiscent of the death/grind scene around 89-91. First menacing piece comes in the form of a track called 'Serial Cleaner' following its opening spoken sample; and indeed 'one by one' it got us all. Falling over like a nerd for the hottest looking (disease riddled) chick in the class that has been fucked more than the american taxpayer by every guy and his granddad, this tune has got the curves, the tits, ass and hole death/grind possessed at the dawning of its era. Guitar licks that smear the slush, vocals that sound as though someone is regurgitating soup spoilt for a week and drumming that sounds like some sicco is splashing around jovially in liquefied defecation. This track brings the ugliness of the era and it only gets better as time progresses.

'Internal Putrefaction' and 'Acid Vomit', two more twisted yet delicious death/grind tracks, short and to the point as they should be. No filler, just serious, hitman-style work conducted on the listener. Lots of groovy transitions, mid-paced to high-octane, uptempo blast beats and riffing both memorable and craze inducing. The vocals are dynamic to a degree whereby a sort of snarl would be used in connection with a deep guttural and mid-ranged yell. Some parts on the album are also very sporadic mainly in the faster grindcore moments such as on 'Worm Eaten Abomination' (in which you also get a bit of death/doom) and 'Disease Ridden Pervert' that features my favorite drum section on the album nearing its end after that sinister bit of laughter.

Because the tracks are so short you're kept at the height of interest provided there's always something there happening that is different. Heading down to 'Ferox (Victim of Anthropophagous Tribe)' and 'Body Part Puzzle' it becomes hard to not want to play Anthropophagy again due to so much being tossed at you within this short 27 minute span. Plus those two songs exploit the momentum of previous highlights that in turn manage to bring the album to a worthy conclusion. Probably heard Anthropophagy more than 10 times in a single stretch and still finding new stuff there every time. One of 2020's hidden gems; or in this case, hidden germs.

Rating: 8.7 out of 10

Review by Alex on May 5, 2019.

Goatpenis with Depleted Ammunition takes on the same militaristic way of producing war-metal. What I like and then very thing that sets this unit apart from other bands is their use of rhythm occasionally to paint the atmosphere of war before and after. With every release sounding more comprehensive than the prior, Goatpenis demonstrates to the listener that they can indeed make something such as war-metal take on new shades as an addition to its proudly worn features. Like a decorated war-veteran, Goatpenis lives up to the task of delivering a victorious blow to the base of the enemy territories. Their musical tactics never fall short of satisfactory, all through the blasting-away and tremolo-picking melodies, the fatiguing pulse of high intensity war-metal stands its ground firmly like an elite soldier amidst the threat of seismic-blast. From naming the songs after military grade weaponry, to including short samples from movies, Goatpenis glorifies the hostile nature of either being a part of an infantry platoon or a soldier behind a manned piece of devastating military machinery. 

The war-head sounds the bells of disaster and Goatpenis begin their mission with “FROG - 7 Missiles”, a power-shell packed with commanding vocals, the barbaric guitar attack commonly heard on their albums and artillery filled with demolishing blast-beats. As being one of the longer songs on Depleted Ammunition, there's quite a bit supplied in terms of melody, groove and the traditional detonation of the snare drum. The following 3 tracks are fairly standard offerings by Goatpenis’ level, they're short and quick to the punch in the lead-up to “MGM-29 Sergeant”. Again, these titles are totally sick; I researched the MGM-29 and its listed as “short range, surface-to-surface missile” that weighs 5 tons and can be fired between the ranges of 75-84 miles; scary stuff. I can imagine the military rolling out such weaponry with this playing in the background; the leading guitar builds that tension of watching something of such a catastrophic scale occupy the spotlight in war. The musicianship here takes a more rhythmic yet aggressive chance in tonality; blast beats and ripping guitar riffs snatch the center stage of this crushing march. 

Depleted Ammunition is primarily guitar driven, though the drumming has its moments as on “MGM-5 Corporal”, “Potentially Weaponizable CLGG” and “Combustion Light Gas Gun CLGG”. The makeup of the drumming on those tracks are as fiery as you would imagine judging by the titles. They’re low in the mix hence the dominating guitars but are played loud enough and competently to have a reverberating impact. There’s just enough bass to be heard, with the guitars handling its duties in a dignified fashion, and the vocals blasting out chunky growls and commands, it's understandable why the bass is somewhat low in the mix, like a soldier providing ammo support for his unit. 

Goatpenis is one of the more conscious bands residing under the war-metal banner. I say this due to the musicians being able to bolster a violent tempo regardless of the slightly groovy segments existing on their recordings. Many bands go for the traditional full-blown turbulence, which is fine by me, but that added touch of rhythmic direction works to the strength of Goatpenis. Such can be heard on the final track “Combustion Light Gas Gun CLGG”, which is by far the most rhythm driven track to be heard on Depleted Ammunition. It’s such a great extension to the music that I don't mind it at all, it never gives off a weak impression.

Definitely some stellar stuff on Depleted Ammunition, can’t go wrong with Goatpenis, they’ve been firing the tanks since 1992; no question of experience there. 

Rating: 7.7 out of 10