Fellowship - Official Website


The Saberlight Chronicles

United Kingdom Country of Origin: United Kingdom

2. Atlas
3. Glory Days
4. Oak And Ash
5. Hearts Upon The Hill
6. Scars And Shrapnel Wounds
7. The Hours Of Wintertime
8. Glint
9. The Saint Beyond The River
10. Silhouette
11. Still Enough
12. Avalon



Review by Lynxie on June 2, 2022.

The UK based symphonic power metal newcomers Fellowship have been on my radar for quite some time now. Indeed, 'Glint' was and still is an occasional favorite. By this point though, they've had me quite convinced that history goes in circles, especially in the case of power metal. My point is, this wouldn't have sounded out of place under Twilight Force, or, to trace it even more backwards, Rhapsody Of Fire. Even their members' attire gives off that Twilight Force vibe - I'm positive I've seen that costume on that elven assassin guitarist in the said band. Now, I've had my fair share of gimmick bands and, truth to be told, my capacity is at an end. So yeah, I was pretty relieved when I saw they'd used no alter ego on stage.

As far as the debut album goes, The Saberlight Chronicles is pretty solid. Admittedly, I was skeptical at the first track - that opening was as Disney as it can get, and I basically winced every time I hear that pump-up orchestra or those faintly annoying tinkling of bells. Then my opinion improved when it comes to the infectious chorus. Of course, seeing as Fellowship is another band hailing to the Golden Age, most compositing are along the line of their more fluffy and delicate Italian peers with an uncanny resemblance to Twilight Force. I don't really know whether or not that is a point that buggers me, but this LP is certainly growing on me. And they'd kept a strong and steady rhythm section that tickled my fancy, especially on the bridge and chorus in 'Hearts Upon The Hill', not to mention the overall impressive solos with their Freedom Call energy.

Mind, I'm not exactly what you would call a symphonic power metal fan, and Twilight Force's notorious sophomore release did not help to improve my impression of the said genre. But this one is good, this one may even merit an ''Excellent'' by my standards. The guitar sound is not drowned out by the orchestra - my usual complaint when it comes to symphonic stuff- 'Oaks And Ash' even achieved a certain amount of heaviness in the riff. The melodies attained all the flower virtues of the likes of Twilight Force and Majestica and the solos are as flourish and majestic as can be. There's a certain sense of fluency as well, since the hooks and occasional switch of drum patterns manage to draw my attention back everytime it wanders. As to the lyrics, they'd covered topics of unity and joining up to fight (or is it just fight?) and seeking glory... you know, the good ol' cheesy nonsense that is so characteristic of Dragonforce, which do look rather ridiculous on paper, but sounds extremely upbeat and glorious to one's ears. Even the repetitive line of ''And now I'm left fighting on my own'' in 'The Hours of Wintertime' was not as dreary as I'd feared (Aye, 'Reveries' scarred me for life). And I bet they're tons of fun live - I could just hear the crowd bellowing along ''All the scars and shrapnel wounds well they ache with every movement'' or ''For the saints beyond the river I will take another step''. Bonus points to the 9 min 'Avalon' with all its Rhapsody epicness.

Just one small complaint here. Even after my customary three spins I still find Matthew Corry's vocal works lacking a bit of power, a bit of pushing feeling that might've carried the choruses better. So the ballad 'Silhouette' had dragged down the whole dynamic of the album and and ruined the next song for me as well - hardly a surprise since I relied heavily on vocals to make ballads interesting. Still, not even Tommy Johansson was all that impressive back on his debut in Reinxeed, and Matthew may improve yet.

Normally, I prefer heavy/thrash power or the old school power metal that the Germans play so well, so I do judge most symphonic power metal harsher than necessary. By that light I am actually quite impressed with this release. I'll venture to say a new star has arisen in the genre and as long as they don't turn over much Disney, I'll have no reason to complain.

Note to self: I would definitely recommend this to several of my friends seeing as how many Twilight Force or Majestica fanboys and fangirl I'd known.

Highlights: 'Atlas', 'Oak And Ash', 'Scars And Shrapnel Wounds', 'Glint', 'The Saint Beyond The River'

Rating: 8.3 out of 10

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