Review by Michael on October 24, 2023.

What is the color of rain? Hm, this is a tricky question. At first thought, you might think about the different colors while you see the rainbow when it is raining and the sun is lurking through the clouds. But you could also think about the sound when the rain comes pouring down from the skies. It can be very nice but when I think about the sound of the rain in our gutter it is pretty annoying, especially at night when you want to sleep. And of course you can think of the way the rain is falling – mild drizzle or pouring cats and dogs and sometimes causing terrible deluges. Bram Bruyneel who was responsible for the latest Schavot album cover did a fantastic job here with this cover painting.

With Oceans Above the Dutch guys in The Color Of Rain (featuring Gerhans Meulenbeld (Sad State Of Decay), Floris Velthuis (Asgrauw / Schavot) and Devi Hisgen (Teitan); have created a musical counterpart to this description I just did. On their debut album you will find a lot of devastating soundscapes that if it was rain doesn't make you to leave your house (listen to the heavy dissonant and very repetitive riff attacks in the title track) but also some very nice and relaxing sounds that make you want to dance in the warm summer rain. What makes the album very diverse are the very nested parts which combine very technical and often very dissonant moments with some sections that are easier accessible to the listener because they have a little bit more melodies in it. 'Translucence' is a perfect example for this mixture of stylistic elements. In a split second you have almost balladic structures and then all of a sudden the guys come back with fury and hate and pour a bucket of water over your head with the heaviness. 'Darkness Cloaks The Cradle' almost sounds a little bit like The Gathering with their “Mandylion” breakthrough album at the start only to switch into something absolute insane that sounds like absolute hate and desperation after about one minute. It is a little bit tricky to explain how the whole thing sounds, maybe it is best to describe as a mixture between old Cynic and Deathspell Omega. And this is also the difficult part: is it death or (post) black metal? Maybe The Color Of Rain is something in between. Of course this isn't just because of the really sick guitars with a lot of tremolo picking and the pummeling drums but also because vocalist Devi Hisgen does a really insane, sometimes slight schizophrenic voice performance here. What I can promise you is that you will never ever find more than 20 seconds to calm down a little bit because the album is such much full of energy (negative and positive) so it is a wild hunt from the start to the end. But be warned – don't listen to the album while you have a bad day or while you feel unsettled (or while you write your tax return)

The whole album really isn't an easy listening experience because a lot of parts on it don't let to be explored too easily. It is a little bit like cracking a Brazil nut. It is very hard to open it but once you get to open it you can truly enjoy the content. So enjoy the drizzling rain but don't be surprised if you get totally soaked by some really cold blackish acid rain.

Rating: 8 out of 10 black rainbows

Review by Michael on October 24, 2023.

What is the color of rain? Hm, this is a tricky question. At first thought, you might think about the different colors while you see the rainbow when it is raining and the sun is lurking through the clouds. But you could also think about the sound when the rain comes pouring down from the skies. It can be very nice but when I think about the sound of the rain in our gutter it is pretty annoying, especially at night when you want to sleep. And of course you can think of the way the rain is falling – mild drizzle or pouring cats and dogs and sometimes causing terrible deluges. Bram Bruyneel who was responsible for the latest Schavot album cover did a fantastic job here with this cover painting.

With Oceans Above the Dutch guys in The Color Of Rain (featuring Gerhans Meulenbeld (Sad State Of Decay), Floris Velthuis (Asgrauw / Schavot) and Devi Hisgen (Teitan); have created a musical counterpart to this description I just did. On their debut album you will find a lot of devastating soundscapes that if it was rain doesn't make you to leave your house (listen to the heavy dissonant and very repetitive riff attacks in the title track) but also some very nice and relaxing sounds that make you want to dance in the warm summer rain. What makes the album very diverse are the very nested parts which combine very technical and often very dissonant moments with some sections that are easier accessible to the listener because they have a little bit more melodies in it. 'Translucence' is a perfect example for this mixture of stylistic elements. In a split second you have almost balladic structures and then all of a sudden the guys come back with fury and hate and pour a bucket of water over your head with the heaviness. 'Darkness Cloaks The Cradle' almost sounds a little bit like The Gathering with their “Mandylion” breakthrough album at the start only to switch into something absolute insane that sounds like absolute hate and desperation after about one minute. It is a little bit tricky to explain how the whole thing sounds, maybe it is best to describe as a mixture between old Cynic and Deathspell Omega. And this is also the difficult part: is it death or (post) black metal? Maybe The Color Of Rain is something in between. Of course this isn't just because of the really sick guitars with a lot of tremolo picking and the pummeling drums but also because vocalist Devi Hisgen does a really insane, sometimes slight schizophrenic voice performance here. What I can promise you is that you will never ever find more than 20 seconds to calm down a little bit because the album is such much full of energy (negative and positive) so it is a wild hunt from the start to the end. But be warned – don't listen to the album while you have a bad day or while you feel unsettled (or while you write your tax return)

The whole album really isn't an easy listening experience because a lot of parts on it don't let to be explored too easily. It is a little bit like cracking a Brazil nut. It is very hard to open it but once you get to open it you can truly enjoy the content. So enjoy the drizzling rain but don't be surprised if you get totally soaked by some really cold blackish acid rain.

Rating: 8 out of 10 black rainbows

Review by Michael on October 24, 2023.

What is the color of rain? Hm, this is a tricky question. At first thought, you might think about the different colors while you see the rainbow when it is raining and the sun is lurking through the clouds. But you could also think about the sound when the rain comes pouring down from the skies. It can be very nice but when I think about the sound of the rain in our gutter it is pretty annoying, especially at night when you want to sleep. And of course you can think of the way the rain is falling – mild drizzle or pouring cats and dogs and sometimes causing terrible deluges. Bram Bruyneel who was responsible for the latest Schavot album cover did a fantastic job here with this cover painting.

With Oceans Above the Dutch guys in The Color Of Rain (featuring Gerhans Meulenbeld (Sad State Of Decay), Floris Velthuis (Asgrauw / Schavot) and Devi Hisgen (Teitan); have created a musical counterpart to this description I just did. On their debut album you will find a lot of devastating soundscapes that if it was rain doesn't make you to leave your house (listen to the heavy dissonant and very repetitive riff attacks in the title track) but also some very nice and relaxing sounds that make you want to dance in the warm summer rain. What makes the album very diverse are the very nested parts which combine very technical and often very dissonant moments with some sections that are easier accessible to the listener because they have a little bit more melodies in it. 'Translucence' is a perfect example for this mixture of stylistic elements. In a split second you have almost balladic structures and then all of a sudden the guys come back with fury and hate and pour a bucket of water over your head with the heaviness. 'Darkness Cloaks The Cradle' almost sounds a little bit like The Gathering with their “Mandylion” breakthrough album at the start only to switch into something absolute insane that sounds like absolute hate and desperation after about one minute. It is a little bit tricky to explain how the whole thing sounds, maybe it is best to describe as a mixture between old Cynic and Deathspell Omega. And this is also the difficult part: is it death or (post) black metal? Maybe The Color Of Rain is something in between. Of course this isn't just because of the really sick guitars with a lot of tremolo picking and the pummeling drums but also because vocalist Devi Hisgen does a really insane, sometimes slight schizophrenic voice performance here. What I can promise you is that you will never ever find more than 20 seconds to calm down a little bit because the album is such much full of energy (negative and positive) so it is a wild hunt from the start to the end. But be warned – don't listen to the album while you have a bad day or while you feel unsettled (or while you write your tax return)

The whole album really isn't an easy listening experience because a lot of parts on it don't let to be explored too easily. It is a little bit like cracking a Brazil nut. It is very hard to open it but once you get to open it you can truly enjoy the content. So enjoy the drizzling rain but don't be surprised if you get totally soaked by some really cold blackish acid rain.

Rating: 8 out of 10 black rainbows

Review by Lynxie on August 20, 2022.

Strange how the genre of power metal is prone to produce two sorts of bands these days. Some choose to adapt the more modern, pop music-ish sound and use a mass amount of synth. Yes, I’m talking about bands like Arion and many Finnish melodic power metal bands. Others choose to hearken back to the golden age of the 90s, more focused on the speedy guitars and pounding drums. At the first listen there will be no doubt in which category the Swedish newcomer Evermore falls into. Their fast and thrilling guitars, highly energetic drums, soaring vocals can easily bring one back to the glorious age when bands like Edguy and Stratovarius reigned supreme.

As my review title points out, this is sort of the height of mediocrity you can find in the genre. The riffs are flashy, sounding happy all the way. The choruses are catchy, I find myself almost instinctively bellowing out to “ follow the road and you hear or see no evil” after a few listens. The lyrics, true to its name, talk about the life and death of some sort of king who is a tyrant. You know, the typical fantastical stuff. I actually quite like the vocalist Johan Haraldsson despite finding him a shriller version of Alessandro Conti. His high notes aren’t really impressive, but are solid enough not to get drowned out by the instruments. As usual, group choirs are strewn everywhere and a healthy dose of orchestra and piano is added. The overall style is the fast and melodic power metal you will find in Dreamtale and Dragonforce, though with none of the latter’s flourish solos.

Indeed one will make many connections here. Intro 'Hero's Journey' simply vibes off Dreamtale with its orchestral arrangement, then launches into 'Call Of The Wild' (I hope that name was a coincidence), a track which seems to draw their influences aplenty from Stratovarius. The title track has a riff worthy of 'Freedom Call'. And whoever did the songwriting must have been a huge fan of Edguy, for their influence are very pronounced here. Especially the riff for 'By Death Reborn' - if that wasn’t a Mysteria rip off then I’m deaf. Not that I’m complaining over this point since plenty of other bands do this. And I’m probably not the only one who finds their cover art a darker, more Victorian themed version of The Mad King.
But two complaints I have to make about this release. Its shortness is definitely one. A near 40-minute debut is just too short when it’s filled with solid, if not excellent, stuff. Also, the production is a bit rough. The overall quality is a bit muffled and since I like to listen to my power metal at full volume, I find the guitars slightly fuzzy in solos. Even at full volume the bass are mixed a bit far behind.

Still, as far as debut albums go, Court Of The Tyrant King is a release that will please most fans in the genre. That is, if you are familiar with the most generic sound power metal has to offer. If you already felt bored with those, then this is something you should avoid like the COVID-19.

Highlights: 'Rising Tide', 'By Death Reborn', 'Northern Cross', 'See No Evil'

Rating: 7.8 out of 10