Review by Nathan GDL on November 19, 2021.

AAFCC is one of my favorite bands of all time. I gave their album Try Not to Destroy Everything You Love a 10/10. It's one of my favorite black metal albums ever actually and this is a band I've been following religiously since Lost. I really really appreciate and stan the hybrid blackgaze and post punk goth whatever mix that they do. True, they have yet to top TNTDEYL, and every subsequent release has felt ever more lacking in the things that I love the aforementioned for. The clusterphobic and spastic bright and warm sonic soundscapes have since been pushed further and further away for a more streamlined sound, and ultimately, the band has severely suffered as a result.

With the new signing to Prosthetic I was a little worried. I remember reading that they thought this was their best release yet, so I had high hopes. They released a few teaser tracks, which were abysmal, save 'Water's Edge', which was tolerable and good in some places. I decided to wait until release to make any final decisions, as any sane person would, and holy hell, I'm disappointed.

Starting things off, we have 'I Became You', which is to date the most uninspiring opener the band has ever done. AAFCC often has super good and energetic opening tracks, 'Autum Again', 'Past Tense', 'The Long Goodbye' etc. They a feel like openers and they're often the best tracks on the album. Unfortunately, the opener feels anything but here, and is almost indistinguishable from the other snoozefests here. Each track bleeds into the next, aimlessly going nowhere. A melody would be introduced, it'll play behind some sterile post punk drums, and suddenly, if it's one of the few good tracks on the album, like 'Water's Edge', the title track, or 'Distance', it'll introduce some aspect of layering and substance, reminding me of earlier and objectively better works.

The main issue is the band is rehashing the same trite formula with every release since The Long Goodbye. This one is the worst offender with it's sparse and very uninspiring melodies, directionless songwriting and almost, dare I say, amateur level production. The vocals are the same on every single release and offer nothing of value anymore, the songs feel half assed and thrown together. It's like I'm listening to a bad cover band.

I understand that AAFCC is a mid-paced blackgaze band, so blasts, and slow parts don't happen really that often, but my god, give me some variety. You'd think after 4 albums, a band would grow tired of literally writing songs that are actually indistinguishable from the next. The song 'Distance' on this album, the closer, is the only song that I'd see myself listening to again, the melodies are emotional, and they have purpose, and it feels like a closer. Lastly, the production hear is as thin as it gets, which makes every experience that much less striking

All in all, I'm severely disappointed in this band. The lack of direction, ambition, and innovation bit then on the ass hard on this album, and it's something I was quietly fearing since The Long Goodbye. Avoid.

Rating: 3 out of 10

Review by Felix on January 1, 2023.

I'm not particularly well versed in punk, but when I stumbled across Acidez, my enthusiasm for them told me to order two albums straight away. So now “Welcome to the 3D Era” is spinning on my turntable and it’s pure joy, musically and visually (red-blue vinyl). But at first, let’s take a look whether these punks are really authentic. They hate the police (“El día que la policía muera”), at least until they are threatened by a horde of homicidal fascists, they are mega-sceptical in terms of technology whose only purpose is obviously to kill mankind (songs 2 – 5 and “Amenaza nuclear”) and of course they do not accept authorities (“Rompiendo cadenas”, “Outlaw warrior”). So far, so good, so necessary. But why do they see a “Futuro decadente”? Is this the luxury edition of “No hay futuro”? However, details aside, I see no lack of authenticity.

“Welcome to the 3D Era” stands with both feet on the filthy, urban ground of punk and the more I listen to the album, the more I like it. There are plenty of positive attributes the musical content deserves. It is energetic, straight, fast, furious, dynamic, homogeneous and (punk, dudes!) naturally reduced to the essentials. Even guitar solos are rather a sign of undesirable adiposis than a stylistic ingrediant they want to use. Okay, “Maquínas de guerra” houses a solo and it shines with a fantastic, almost overly opulent section (from 2:40 to 2:49!). But in general, the dominant components are the constant pace of the drums, the sharp riffs (one per song is more or less enough) and the raw voice of Tupa. He has this snotty charisma that a punk singer needs and given this, it does not matter that he delivers a one-tone-performance. We are not in the opera here! And when I want to hear varied singing, I let my sweet girlfriend drag me into the Christmas cantatas of J. S. Bach (once a year…).

But let’s stick to “Welcome to the 3D Era”. As mentioned above, I enjoy the homogenous album. A very homogeneous one. I would not be surprised if they cross the verse of song A with the verse of song B on stage and probably nobody would recognize this. Yes, the single songs do not boast with an overdose of individuality, but the compositional formula simply works. From this follows, that there is no need to change it and everybody who knows the value of a song like “Don’t Pay the Poll Tax” will enjoy this album. Acidez revitalize Exploited’s refreshing beat in a superb manner. This approach results in a lot of thrilling pieces like “Amaneza nuclear”, "Futuro decadente" or the aforementioned “Maquínas de guerra”. Only minor details could have been done better. For example, the background vocals do not really enrich the songs. But I guess I’ll just get a big “f**k off” from the Mexicans – it is surely not punk-like to moan about bagatelles. Moreover, beer drinkers survivors don’t ask for permission. Thus, let’s see the big picture: “Welcome to the 3D Era” is a properly produced album that does not lack attitude and musical class. Even an ordinary metalhead like me is able to realize this.

Rating: 7.9 out of 10