Review by JD on January 14, 2015.

Greece is fast becoming a very interesting place for the development of metal, especially in the last couple of years. Bands like Nightfall and Rotting Christ are some of the brilliant metallic minds of the whole Mediterranean scene but now stoner/doom metal Speedblow has made their intentions clear for the top of this scenes ladder.

Combining lead heavy doom with some thrash and traditional elements into their music, Speedblow comes at you full-force. The band seem to jump from genre to genre without much thought to it, but look closely and hear what they are doing - its fucking brilliant as it all fit together to become the living embodiment of metal under the guise of Speedblow.

I love every last second of this album, as each song seemed to flow into all of the others so effortlessly. I especially love the songs like the powerhouse riffage of 'Starting to Heal' and the low crushing slow 'Mountains of Doom'. The other songs are pretty amazing in their own rights (that is the reason why I have not stopped playing the CD for a week) but these two tracks I wrote here are just plain and simply fuckin’ awesome.

I am so glad Speedblow’s album had been released last year because it can take the top spot on my year end top ten list. It is good, fantastic, monumental, epic, gigantically powerful…er… you get the idea. Bottom line, this is one amazing album from a band that has not really been heard of here in North America but as I write this, I hope you all will take notice.

Rating: 10 out of 10

Review by JD on January 14, 2015.

Greece is fast becoming a very interesting place for the development of metal, especially in the last couple of years. Bands like Nightfall and Rotting Christ are some of the brilliant metallic minds of the whole Mediterranean scene but now stoner/doom metal Speedblow has made their intentions clear for the top of this scenes ladder.

Combining lead heavy doom with some thrash and traditional elements into their music, Speedblow comes at you full-force. The band seem to jump from genre to genre without much thought to it, but look closely and hear what they are doing - its fucking brilliant as it all fit together to become the living embodiment of metal under the guise of Speedblow.

I love every last second of this album, as each song seemed to flow into all of the others so effortlessly. I especially love the songs like the powerhouse riffage of 'Starting to Heal' and the low crushing slow 'Mountains of Doom'. The other songs are pretty amazing in their own rights (that is the reason why I have not stopped playing the CD for a week) but these two tracks I wrote here are just plain and simply fuckin’ awesome.

I am so glad Speedblow’s album had been released last year because it can take the top spot on my year end top ten list. It is good, fantastic, monumental, epic, gigantically powerful…er… you get the idea. Bottom line, this is one amazing album from a band that has not really been heard of here in North America but as I write this, I hope you all will take notice.

Rating: 10 out of 10

Review by Adam M on April 12, 2026.

This is an interesting album that has a bit more of an early black metal feel to it than some of their other albums. It has a very esoteric vibe to it that is characteristic of their early albums. There are some songs that feature staccato like riffing. There is also a very raw feeling to the songs compared to later albums, although the tracks are still dynamic. There is a number of instances where tremolo type picking is utilized.

The musicianship is pretty good for a band at this stage of their career. They seem to be tight, with solid guitar playing and singing that properly complements the songs. The entire affair is nicely produced and is highly atmospheric and interesting. It is still not as progressive as later albums, but shows them starting to experiment in interesting fashions.

The problem with the album lies in how it is not as interesting as Axioma Ethica Odini or some of their other later albums. It sort of glides by without the same amount of impact as their best works. It is still rather enjoyable and nicely performed music with a keen ear for dynamics and thoughtfulness.

All In all, this was a great album. The first song is very good and there are others that are also enjoyable to be found otherwise. The music is crisp and intense and features some of the band’s best performances. It is also a musically rich album, with great production and solid instrumental aspects.

Rating: 7.3/10

Review by Allan on May 28, 2002.

“Mardraum: Beyond the Within” is quite a step to make in one album. As the band claims, it’s a new era for them. I’d have to agree. “Blodhemn” showed the band playing in a rage, while “Mardraum” encompasses the elements that the band has shown before. Emotion, depth, epicness... it’s all here, and there is more. “Mardraum” is a textured and accomplishing album for the band and it is a perfect way for the band to state their new direction.

The album opens up with 'Større Enn Tid- Tyngre Enn Natt'. What better piece to open the album that this – one of the best songs Enslaved have ever written. It holds all the elements of this album in one song, but that’s not to say that just one track does the album justice. Every note on this album was written with a purpose, and it serves that purpose. The psychedelic influences really start to come out here in each song. While the band slightly hinted at them in the past, it is here that they actually come to life. Atmosphere is of the utmost importance in this record, and I can safely say it’s continuous and precise. It’s got a dark, epic feel to it the entire way throughout. The emotion on this record just bleeds through the music, and not just sections, but the entire album. All ideas on this album are unique and creative. From the production to the musicianship to the songs themselves, it’s completely unscathed.

The performance of each individual is above and beyond. Singer and bass player Grutle Kjellson does an excellent job. His vocal styles range from black rasp to death metal growl to epic clean vocals. He performs these all most excellently, and my favorite would be the clean ones. To date, these vocals are the best ever. They are so full of life and feeling. Guitarists Ivar Bjørnson and R. Kronheim are most excellent. Their work together is on a whole new level. They’re definitely one of the best guitar duos ever. Their abstract ideas work on a variety of different levels. Lastly, drummer Dirge Rep is no exception. He’s a truly underrated drummer full of great ideas and the talent to back it up. Enslaved act as a functioning whole when it comes to themselves as musicians, and this album shows it the best so far.

What makes Enslaved great is that they aren’t here to play typical music. It’s about exploration and pushing the boundaries, for themselves. At this point in time, “Mardraum” has to be the highest achievement for the band. Their atypical approach to song structure, composition, and sound is something that should be appreciated in today’s scene.

Bottom Line: It’s a safe gamble that fans of the bands previous work will find something to enjoy in this album, but if they don’t I can’t say I’m surprised. It’s a new direction for the band, and some people just won’t be up for the journey.

Categorical Rating Breakdown

Originality: 10
Musicianship: 10
Atmosphere: 10
Production: 10
Overall: 10

Rating: 10 out of 10