Review by Alex on November 19, 2020.

The Portuguese black/death metal terrain continues to grow in power and dominance within metal and Kommando Baphomet's first album is testament to the might of the region's black/death/war musical philosophy. It's easy to see why the monster that is Godz ov War Productions has expressed interest in the extremity from the geographic location. There's something utterly vile about Portugal's black metal that makes them cherished and prized within the lower regions of the craft. Take one listen to Blood Gospel of Satanic Inquisition and you'd begin to hear the distinct sound and feeling it emits in comparison to countless other records part of the sub-genre.

The necessary conditions of war/black/death are met on Kommando Baphomet's debut; however, there is something else lingering beyond the flesh; a contagious specimen that corrupts and moves the recognizable format to a thing still adorned but to greater heights. 'Blood Bible' as though not being a sinister enough track peaks with tempestuous riffing and drumming that in addition, is transported to something far more ominous via it's title. Some of the track names are downright malevolent which is boosted by the blackening lyrical tongues of Vulturius and N.

There's a hopeless overcast Kommando Baphomet brings into effect using only the guitars which is quite impressive when taking into account its only 2 individuals, one Vulturius (drums/vocals) and another N (guitars/vocals). Utilizing a mixture of meaty guitar leads and sharp shredding solos to match with the animalistic and cavernous vocals, tracks such as 'Impious Black Death Order of the Kommando Baphomet', 'Caos Devarador' and my favorite, 'Irongoat Coronat', manifest a sempiternal, gaseous aura of militant occultism and pessimism.

What's really special here comes back to the fact that Kommando Baphomet is an entity that is under the authority of only 2 specimens; yet Blood Gospel of Satanic Inquisition sounds like a fucking army, or better, an inquisition of 200 strong. That's no easy feat to achieve by any standard, however some of this would have to be as a direct result of Vulturius' accumulated experience in reputable bands such as Irae and Decayed. Only now having the companionship of N., hence the music takes on an amplified sonic eruption. As a dark unit, the duo have succeeded in evoking an iniquitous plane while exercising their black/death/war metal demons. And if you think Blood Gospel of Satanic Inquisition is incredible, then grab their 2nd full length album also put out through Godz Ov war Productions titled, Under the Deathsign; want to talk about a leap in black/death/war metal destruction. "Nailed to the Gun"!

Rating: 8 out of 10

Review by Fernando on May 7, 2023.

An unholy Finnish and American alliance, Veriluola, is a blackened death metal band that spawned seemingly out of nowhere with a crushing demo back in 2020, and have now unleashed their full length album through Nameless Grave Records.

Since there’s not much on the band I’ll be brief. The mastermind seems to be the Finnish musician known as Santeri, who handles guitars and bass, and the band had a change of vocalists between the release of the demo and the making of this record. The new vocalist and second guitarist is multi-instrumentalist Malus, from the projects Disheaded and Apokatastasis. Now for the actual important part. Veriluola play blackened death metal, and their particular style is very much indebted to the early 90’s, particularly Hellenic black metal and Mortuary Drape. The sound the band crafted for themselves is very melodic but very crushing and relentless. If there can be any comparison, it would be if Archgoat played in the style of the aforementioned Mortuary Drape, without losing any of their trademarked grit.

On a more specific level, the riffs are the main highlight, both Santeri and Malus do an excellent job of playing fast, slow and midpace riffs, complemented by some equally good solo work and a knack for groove to keep each song interesting. Malus’s vocals are also a highlight, they’re appropriately demonic and unrelenting, his deep gurgling growls and screeches add that little extra death metal brutality that’s reminiscent of early black and death metal, but without sounding like some soulless pastiche of much better growls from the past. The bass work, also courtesy of Santeri, is excellent, it’s very deep and contrasts well with the downtuned guitars. And finally the drumming, it’s also good, though the band didn’t credit a drummer in the promos, however, I can at least appreciate that they’re real drums, which is always a plus.

In terms of musical chops and skill the band has all their bases covered, and in practice as a unit they truly shine. And this is odd because at least for the time being, this is still a studio project, so to see them play music that would feel at home on a stage is commendable. Furthermore, while the band do very well playing fast, their true strength is when they slow down. The track ‘Enthralled By The Blaze’ is one of the highlights in that sense, it’s a slow track but it’s also heavy, melancholic and despondent, near the end a sinister organ plays and it feels natural, and more impressively, it doesn’t feel like the band added a doom metalish track just for the hell of it, the song is in line with the rest of the album and works as an excellent midpoint break before returning to pure savagery with the longest track ‘Impish Insurrection’, which is also one of the highlights and display all of the band’s strengths flawlessly. And the album closes in an appropriately sinister note as well with ‘Eternal Knights’, so all in all, a perfectly paced and well executed package that will check all the boxes any fan of extreme metal would want, while also adding something that’s modern and forward thinking while being rooted in the old school.

The final aspect to note is the band’s production, it's actually a very well produced record. The sound is polished but not to the point of sounding plastic, and it’s actually to the band’s advantage because the music presented here wouldn’t sound as striking as it is if it had the usual raw and gritty production of most black metal. So all in all, the band clearly know what they’re doing and know exactly what their music needs, and how they want to sound, and the final product speaks for itself.

Overall, Veriluola succeeded in making a kickass record that’s also out of time, in the sense that their music is unapologetically vintage, yet with a modern shine that also puts it above any other revivalist or copycat out there. Highly recommended to any fan of black, death or just extreme heavy music.

Best tracks: ‘Anguished Soul Collective’, ‘Enthralled By The Blaze’, ‘Impish Insurrection’, ‘Eternal Knights’

Rating: 9 out of 10