Review by Alex on September 23, 2020.

Can you remember the last time you read the promotional package for a metal album that actually lived up to every word of outlandish hype? I can, but only for very few releases. For Blood Harvest Records it manifested in the form of Cryptic Shift ("Visitations from Encladeus"). Now I can add Transcendence to that list; the death/thrash LA demolition unit on their debut album Towards Obscurities Beyond, stitches every sentence of beefed-up hyperbolic praise into their first full-length following a slew of EPs and a lineup alteration. For a record that has so much transpiring, it somehow all works without negation. Listening to Towards Obscurities Beyond is like staring into the guts of a mechanized portal and being starstruck when analyzing the efficacy of every gear in motion, every electrified piece of wiring and motor concurrently linked in operation.

Being signed to Blood Harvest Records means you must be doing something exceptionally better than many other bands; or something others aren't doing that you make work within metal. Transcendence appears to be doing a bit of both. Seamlessly merging melodic death metal with thrash and 2nd wave black metal in a serpentine rollercoaster of festering aggression and poignancy, the band somehow strike gold in this milked to dried tits mine we call melodic death metal.

'Infernal Resurrection' doesn't hold on to melodicism strongly, but is a beginning; as with each passing moment, the song's path is altered to exhibit diversity within their compositions. At first, it sounded like a mix of 1st wave black and death metal, then without warning, a sudden change takes place that sends it pelting into Swedish death metal territory (minus the hm2 distortion). This song is a unique introduction to the band, it's mostly a riff salad within the lead department that fashionably masks Transcendence's direction. The contrasting vocals that toggle between a Serpenth-esque (Belphegor) snarl and an overpowering death metal growl adds to the appetiser of sorts before the big meals are served.

By the second track, 'Majesty of Chaos' , you still are given a very minimal portrayal of Transcendence's path on Towards Obscurities Beyond that elevates the expectation of something grand lurking beyond the veil. Not to be mistaken, these two preceding songs are very strong considering the level of musicianship showcased that mirrors a seamless assembly of styles ornament to multiple genres within metal. However, they do indicate much better to come. Therefore, by heightening the melodicism in their black and death metal formula overtime, Transcendence manages to keep the listeners buckled-in their seats for the full ride despite not quite knowing where it's all heading.

And for your patience, you are greatly rewarded with a pinnacled piece of melodic death and black metal merged with a second wave black metal twist. 'Drowned Screams of the Departed Souls' it all makes sense now. Following perhaps the best acoustic intro of metal in 2020, like a dopamine blow, your mind rushes, you feel like you've won the lottery during your time spent with this beast of a song. It brings together all assets in an organised fashion; from the gorgeous artwork sculpted, to the magnificent musical masonry on Towards Obscurities Beyond, you get that sense of completion achieved.

The bulk of the work, the labour put-in pays-off, as 'In Silent Procession', bids you farewell with musicianship that is reflective of the overall effort manufactured on the record. What you'd notice here is a more convicted melodic death/thrash metal approach in comparison to the first 4 tracks; that while being one of the stronger melodic entries, still rubs elbows with stern death and black metal elements. Thus said, the final 4 tracks appear to be a nod to traditional/respectable melodic death and black metal the likes of Dissection or Exhumation.

Towards Obscurities Beyond truly shines as a progeny of metal that models itself after competent albums within the genre mostly of the 90s.

Rating: 8.8 out of 10

Review by Chris Pratl on April 21, 2018.

I love it when I discover new bands that make me more excited about heavy metal music, a feat I thought impossible since it’s pretty much my life’s passion. My latest find to my personal arsenal is Israel’s Melechesh, a described ‘black/death/folk’ metal outfit that offers its latest album in The Epigenesis. I familiarized myself with the band by picking up As Jerusalem Burns...Al'Intisar and Emissaries and I think I’ll be following this band more closely in the future.

I can certainly hear Middle Eastern elements in Epigenesis, yet the blackened death feel is always a constant, which is always a good thing. The opening track “Ghouls of Nineveh” really floored me with that little succession of power chords that just get your blood pumping and your neck bouncing. I also dig the vocal in that breathy rasp that makes you feel as if you’re in the presence of some spectral force that is breathing death into your ears. I can definitely hear the Middle Eastern flavor spread over the music, more evident in some spots than others, but subtle or not the band takes its roots and ancestral lineage to a brilliant height. “Grand Gathas of Baal Sin” is an unforgiving black metal tread through mires and sand-filled ruins; this song just shreds the entire mood in the room to tiny bloody scraps and keeps hitting you when you’re cowering under your rare vinyl collection. The combination of classic riffs and brutal tremolo picking sweeping over the room is enough to make even the most closed-minded fool sit up and stop crying long enough to realize what they’re hearing is just overpowering.

Keeping right in line with Emissaries this album has some really fast-paced material, and while Emissaries is a great album of technicality and style, Epigenesis seems to step up the pace even more, providing a flourish of heaviness and curt, polished songs that make Nile looks like Nickelback. The production is right in your face throughout, retaining all edginess and chaos in just the right package for total and unbridled consumption. What makes Melechesh so interesting and captivating as a unit is the total slavery to the precision chord structure; this band doesn’t shred blindly, folks, and one listen to a track like “The Magickan and the Drones” lets you know just how attentive they are to detail and creating a riff that stays in your head for hours after. The vocals, the tightness of sound and playing, the cerebral efficiency of the lyrics all make for a fine record. All underground should swallow this one whole!

These guys should be heralded all over the underground, and Epigenesis is just the latest in a strong discography. When a band this solid comes along and destroys you so perfectly, you can’t help but keep going back for more. Israel is definitely on the map!

Rating: 9 out of 10

(Originally written for www.metalpsalter.com)

Review by JD on June 29, 2013.

Seemingly having been named after a character in a populate line of computer games (get it?), Goth Metal Neferion was born from the cold steps of Finland. Coming at you with a variety of styles from Gothic, Thrash to just Traditional Metal it all seemed to be a very good idea. Ya would think, right?

Led by one of the best unknown female vocalists (Maija Saari), the promise of an amazing album was there, yet it sadly waned and faded. The effortless power and deep passion fuelled vocals which soared and captured was not being supported by any of the other members in the band. It seemed that she was the stand-out talent, and not the band. There seems to be a real disconnect here, and a lack of creativity with the musicians here and yet there is hope along one line.

Out of the four songs on the EP/Demo I think 'Argo' really showcases the true and constant talent of Miss Saari’s vocals. The gruffer vocal tries are good, and shows a woman with power much like Arch Enemy’s Angela Gossow has - but lacks the stylistic nuances she needs. With that said, it is the cleaner but still soaring and powerful vocal style that Maija ends up showing the talent that she has. If she could sing like this every single time the possibilities are truly endless for this remarkable young woman.

I am thinking that Miss Saari is the true star of this band, and perhaps should find other musicians that complement and challenge her vocals and not allow her to do the Death Metal styled stuff. As it stands now this is a barely mediocre band that uses their amazing singer in all of the wrong ways. If Neferion had any class, they would let this girl go and just fade away into their averageness.

Categorical Rating Breakdown

Musicianship: 5 (mainly for the vocalist)
Atmosphere: 3
Production: 4
Originality: 4
Overall: 3

Rating: 3.8 out of 10

Review by Krys on March 17, 2007.

"Circadian Rhythm" comes 3 years after Thurisaz impressive debut "Scent Of A Dream" and while it might seem like a long time I'll take quality over quantity any day. Band's growth is visible in every aspect of this album, from complexity of compositions through production to artwork and layout everything is taken to the next level. For those unfamiliar with their sound the closest description would be atmospheric black/death with doom and gothic elements thrown in for a good measure. Actually if it wasn't for harsh vocals musically they have more in common with melodic doom than aggressive black or death bands. On tracks like 'Falling', 'Fading Dreams' or 'Past Perfect' clean vocals and song structures remind me more of Opeth and My Dying Bride rather than more aggressive counterparts of this genre. Even when Thurisaz turns it up a notch those faster songs are never too intense yet always accessible, moody and melodic. With "Circadian Rhythm" our Belgian quintet establishes themselves as a force to be reckoned with and don't be surprised if their new album (3 years from now) gets straight 10s all the way from top to bottom on our scale.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Originality: 8
Production: 9
Overall: 8

Rating: 8.4 out of 10

Review by Krys on March 17, 2007.

"Circadian Rhythm" comes 3 years after Thurisaz impressive debut "Scent Of A Dream" and while it might seem like a long time I'll take quality over quantity any day. Band's growth is visible in every aspect of this album, from complexity of compositions through production to artwork and layout everything is taken to the next level. For those unfamiliar with their sound the closest description would be atmospheric black/death with doom and gothic elements thrown in for a good measure. Actually if it wasn't for harsh vocals musically they have more in common with melodic doom than aggressive black or death bands. On tracks like 'Falling', 'Fading Dreams' or 'Past Perfect' clean vocals and song structures remind me more of Opeth and My Dying Bride rather than more aggressive counterparts of this genre. Even when Thurisaz turns it up a notch those faster songs are never too intense yet always accessible, moody and melodic. With "Circadian Rhythm" our Belgian quintet establishes themselves as a force to be reckoned with and don't be surprised if their new album (3 years from now) gets straight 10s all the way from top to bottom on our scale.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Originality: 8
Production: 9
Overall: 8

Rating: 8.4 out of 10

Review by Krys on March 17, 2007.

"Circadian Rhythm" comes 3 years after Thurisaz impressive debut "Scent Of A Dream" and while it might seem like a long time I'll take quality over quantity any day. Band's growth is visible in every aspect of this album, from complexity of compositions through production to artwork and layout everything is taken to the next level. For those unfamiliar with their sound the closest description would be atmospheric black/death with doom and gothic elements thrown in for a good measure. Actually if it wasn't for harsh vocals musically they have more in common with melodic doom than aggressive black or death bands. On tracks like 'Falling', 'Fading Dreams' or 'Past Perfect' clean vocals and song structures remind me more of Opeth and My Dying Bride rather than more aggressive counterparts of this genre. Even when Thurisaz turns it up a notch those faster songs are never too intense yet always accessible, moody and melodic. With "Circadian Rhythm" our Belgian quintet establishes themselves as a force to be reckoned with and don't be surprised if their new album (3 years from now) gets straight 10s all the way from top to bottom on our scale.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Originality: 8
Production: 9
Overall: 8

Rating: 8.4 out of 10

Review by Krys on March 17, 2007.

"Circadian Rhythm" comes 3 years after Thurisaz impressive debut "Scent Of A Dream" and while it might seem like a long time I'll take quality over quantity any day. Band's growth is visible in every aspect of this album, from complexity of compositions through production to artwork and layout everything is taken to the next level. For those unfamiliar with their sound the closest description would be atmospheric black/death with doom and gothic elements thrown in for a good measure. Actually if it wasn't for harsh vocals musically they have more in common with melodic doom than aggressive black or death bands. On tracks like 'Falling', 'Fading Dreams' or 'Past Perfect' clean vocals and song structures remind me more of Opeth and My Dying Bride rather than more aggressive counterparts of this genre. Even when Thurisaz turns it up a notch those faster songs are never too intense yet always accessible, moody and melodic. With "Circadian Rhythm" our Belgian quintet establishes themselves as a force to be reckoned with and don't be surprised if their new album (3 years from now) gets straight 10s all the way from top to bottom on our scale.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Originality: 8
Production: 9
Overall: 8

Rating: 8.4 out of 10