Review by Lynxie on July 19, 2022.

So far this year, I had not been exactly satisfied with the power metal releases coming out of the Swedish scene. Sabaton was verily traumatic, being the ultimate insult to the genre they are. Hammerfall was acceptable. Veonity was enjoyable enough, but unfortunately still more of a miss than hit for me. I'll leave Freaks And Clowns out of this discussion since they work on a slightly different style then the aforementioned bands. Well, my dissatisfaction ends here - Palantír's latest release not only kept up the reputation they had established on their debut, but also reached that level of greatness by my standards. Yes, this is the pure blooded EUPM that I had been looking for this year. Honestly, this might just stay on the top of my AotY list. My only complaint is the length - the 40 minutes had simply flew by.

What more should I ask for? The guitar works are fast and melodic, yet the verses on 'Astral Prison' also got that slightly darker and rougher tone to it. The rhythms are punchy enough but not nearing the more AOR-tinged side of power metal. The solos are the unlimate shredfest and the drums kicked on with energy not quite unlike that of Dan Zimmerman. Now, the keyboard here actually got a stronger role than their debut, giving them more of a Stratovarius-ish sound rather than the Rhapsody Of Fire tendency they used to have. More on that later. I had, of course, always enjoyed Marcus S. Olkerud's vocal works - he's a pleasant mix of Michael Kiske on the higher notes and Fabio Lione on the lower ranges, with a bit of Timo Koltipelto thrown in for good measure. The lyrics this time still touches upon various subjects, though I definitely recall several sci-fi themed song, namely 'Astral Prison' and 'Transcesion'.

Personally, I find that the recruitment of the keyboard wizard Johannes Frykholm was one of their crucial steps towards greatness. Mind you, I'm not always on the best terms with keyboards. However, Frykholm's performances here are truly outstanding whereas their former keyboardist Joel Sjöqvist was merely serviceable. The orchestra adds perfectly to the dynamic of the riffs, often in remembrance of melodic power metal gods like Freedom Call and Power Quest. Occasional synth works on songs like 'Where I Belong' brings out the best of Stratovarius. Also, the more neoclassical number 'Queen Of The Moon' falls nothing short of Derdian. So to speak, they had fully utilized their keyboard this time. I especially enjoyed the solo in 'Astral Prison' and the guitar - keyboard duel on 'TheasBet Within'.

In brief, if you like keyboard, if you enjoyed Stratovarius and Rhapsody Of Fire at the peak of their career, then Palantír's Chasing A Dream is a record you can't miss. As an afterthought, that cover is beautiful, no?

Highlights: 'Chasing A Dream', 'Queen Of The Moon', 'Astral Prison', 'Transcension', 'Read The Signs'

Rating: 9.8 out of 10

Review by Lynxie on July 19, 2022.

So far this year, I had not been exactly satisfied with the power metal releases coming out of the Swedish scene. Sabaton was verily traumatic, being the ultimate insult to the genre they are. Hammerfall was acceptable. Veonity was enjoyable enough, but unfortunately still more of a miss than hit for me. I'll leave Freaks And Clowns out of this discussion since they work on a slightly different style then the aforementioned bands. Well, my dissatisfaction ends here - Palantír's latest release not only kept up the reputation they had established on their debut, but also reached that level of greatness by my standards. Yes, this is the pure blooded EUPM that I had been looking for this year. Honestly, this might just stay on the top of my AotY list. My only complaint is the length - the 40 minutes had simply flew by.

What more should I ask for? The guitar works are fast and melodic, yet the verses on 'Astral Prison' also got that slightly darker and rougher tone to it. The rhythms are punchy enough but not nearing the more AOR-tinged side of power metal. The solos are the unlimate shredfest and the drums kicked on with energy not quite unlike that of Dan Zimmerman. Now, the keyboard here actually got a stronger role than their debut, giving them more of a Stratovarius-ish sound rather than the Rhapsody Of Fire tendency they used to have. More on that later. I had, of course, always enjoyed Marcus S. Olkerud's vocal works - he's a pleasant mix of Michael Kiske on the higher notes and Fabio Lione on the lower ranges, with a bit of Timo Koltipelto thrown in for good measure. The lyrics this time still touches upon various subjects, though I definitely recall several sci-fi themed song, namely 'Astral Prison' and 'Transcesion'.

Personally, I find that the recruitment of the keyboard wizard Johannes Frykholm was one of their crucial steps towards greatness. Mind you, I'm not always on the best terms with keyboards. However, Frykholm's performances here are truly outstanding whereas their former keyboardist Joel Sjöqvist was merely serviceable. The orchestra adds perfectly to the dynamic of the riffs, often in remembrance of melodic power metal gods like Freedom Call and Power Quest. Occasional synth works on songs like 'Where I Belong' brings out the best of Stratovarius. Also, the more neoclassical number 'Queen Of The Moon' falls nothing short of Derdian. So to speak, they had fully utilized their keyboard this time. I especially enjoyed the solo in 'Astral Prison' and the guitar - keyboard duel on 'TheasBet Within'.

In brief, if you like keyboard, if you enjoyed Stratovarius and Rhapsody Of Fire at the peak of their career, then Palantír's Chasing A Dream is a record you can't miss. As an afterthought, that cover is beautiful, no?

Highlights: 'Chasing A Dream', 'Queen Of The Moon', 'Astral Prison', 'Transcension', 'Read The Signs'

Rating: 9.8 out of 10

Review by Michael on June 4, 2001.

This band are insane! They are fast, technical, talented, heavy... calm down Michael, just breathe..., ok. Metal world, I think we have a new winner. Right away after putting this CD into your stereo you realise these guys are exactly what the metal doctor ordered. !!! BUT BE WARNED!!! Severe neck pain may occur upon listening to this CD!!!! I’ve heard many people comparing early Soilwork to At The Gates and Arch Enemy, but I don’t think these comparisons do Soilwork justice. Sure these bands may share a loose-genre, but you can instantly see there is something very different about this band. Be it the surprising maturity for a young band on a debut album, or the obvious potential shown (as fans will know, their newer albums ‘The Chainheart Machine’ and ‘A Predator’s Portrait’ are just out of this world!) from start to finish this album is a piece of art. The musicianship is wonderful, ranging from killer, technical guitar riffs through ‘the feeling’ inducing chorus’ and finishing with solo’s that make you fall to your knees and thank the world for the invention of the electric guitar. The production is excellent compared with many bands debut albums. These boys from Sweden were not going to make any mistakes with this one, so they did what any smart band would... headed right to Studio Fredman and the man himself Fredrik Nordstrom (In Flames, Arch Enemy, The Haunted... pretty much if it's from Sweden and kicks ass, Fred did it). Everything is in its place, the guitars are full of bottom end with just the right amount of distortion, the drums are clean and accurate and the vocals sit perfectly. One thing that I really like about this recording is the synth work care of (the now ex-member) Carlos. It are very subtle, but provides a great ambience to the whole thing. Now, Peter Wichers, I officially salute you. The guitar lines are fantastic, full of enthusiasm, full of power and with just the right amount of added HBB (Head-Bang-a-Bility). The extended bridge/breakdown in the middle of ‘Razorlives’ is just beautiful on my ears. I feel like crying every time I hear it!!!!!!! Vocally, this album is also fantastic. The lyrics are good, Speed’s voice is faultless and the timing is fantastic. One thing I really love about Speed’s vocals is his ability to know when they are needed. He doesn’t push the envelope trying to fit a thousand words into each verse, rather he moves with the music, always pulling out just at the right moment to make the entire package perfect.

Favourite track(s)? Obviously ‘Razorlives’ and the brilliant title-track ‘Steelbath Suicide’.

Bottom Line: Unless you are mentally retarded, you should already be in the process of getting this CD!!

Rating: 10 out of 10