Review by Adam on May 27, 2001.

Mere words cannot describe how pleased I am with this disc. The atmosphere, production, and quality of the music and sound are top notch. Plus its over an hour in length! If there is one thing to love about Opeth, it is the fact that you always get your moneys worth. The band, once again, delivers nothing short of pure musical genious with a flawless production quality along with their own unique style.

In the past Opeth have tried to stick as many different vibes into one song as possible and while they still have very complex and diverse compositions, you can actually hear some refrains and repetitions of riffs in songs which is a nice touch to the overall feel of the record. You have more or less "songs" here, and each of the eight tracks, one being an instrumental, have that same power and determination to either brutalize or soothe or even both in the same track.

With songs like Harvest, which is a completly acoustic track, you see the band going for a normal verse and chorus structure but still keeping their own fresh style intact. For the most part, this is a continuation of where the band was going with Still Life and My Arms Your Hearse where the evil deathlike vocals do a constant balancing act with the more developed clean vocals. The harmonies pulled off on this cd are excellent and the leads which open tracks such as The Drapery Falls are eerily beautiful and atmospheric.

Opeth have outdone themselves yet again. Just when you think they could not think of anything else as powerful as what they had previously done, they set out to prove you wrong with a release like this. This cd is brilliant! What else can I say? If you are an Opeth fan, you should already have this, but for all you skeptics out there this is a great way to discover, firsthand, their complete and utter brilliance!

Bottom Line: In one word, Blackwater Park is Epic. It is everything a cd should be. I highly recommend any metal fan or fan of music period to pick up this cd!

Rating: 10 out of 10

Review by Adam M on June 24, 2025.

This is a stellar album that has all the right elements to improve on the original album and be a highly successful album in its own right.  It is more ambitious and goes through a number of twists and turns in an interesting fashion.  The subdued elements contrast with the heavier ones in an interesting manner.  The band would never achieve this balance again in the future to quite the ambitious state they do here.

The musicianship is excellent with guitars that are forceful and powerful at times and subtle and effective at others.  This is a dynamic album and the variety found really makes it shine.  Akerfeldt’s vocals are harsh at times and other subtle to make for a nicely changing experience. 

If there is a flaw to be found it is in how this is still not the heaviest album in the band’s catalogue and lacks a bit of bite.  It would be upped by My Arms, Your Hearse and Still Life in the future in the power stakes and remains still a bit under-produced by the bands standards. 

Overall, this is a great and seminal album in the Opeth canon and one you simply need to hear.  It is revolutionary with its use of dynamics and one that is ingrained in the history of metal forever.  Fans of Orchid will be pleasantly surprised by the step up in terms of dynamics and use of heavy and light tones at different times.

Rating: 8.4/10

Review by Jack on June 30, 2001.

Many questions arose after Opeth’s second release “Morningrise”, commonly following the same thread of: “How in fuck’s name did they release a second completely spellbinding and epic adventure in progressive death/doom/black/goth metal?” There is of course no true answer, probably the best assumption to make is: “It’s Opeth, expect the best and you get the best.”

“Morningrise” 5 songs, 66 minutes of CD spinning fun. Equating to approximately 13 minutes a song. 'Black Rose Immortal', completely tips the scales in conventional song length, clocking in at 20 minutes and 14 seconds. Some may be frightened of this overly lengthy song structures that Opeth employees. Rest assured though, that not one song is in the least bit tiresome or boring. In drawing comparisons between “Orchid”, “Morningrise” features longer songs and fewer of them. Whereas “Orchid” was complete with 2 interludes, “Morningrise” did away with these short passages in favour of longer and perhaps (dare I say?) more epic compositions. Responsible for these tunes are the same team that was present on “Orchid”; Mikael Åkerfeldt, Peter Lindgren, Johan DeFarfalla and Anders Nordin.

Production values are once again high for Opeth, the album being engineered by Dan Swanö.
Opeth have gone for a noticeably more subdued and less heavy sound quality in “Morningrise”, indicative of this is the resplendent acoustic track in ‘To Bid You Farewell’, one of my highlights of the album. The album still retains the trademark Opethian sound, with staying a little more on the lighter side of metal, than what “Orchid” accomplished.

I’m going to try not to blow smoke up Opeth’s ass when describing the music of “Morningrise”, but this will remain an extremely difficult task, as I view this as one of metal’s finest releases, ever. Lyrically Opeth speak in a rather decadent, flowery poetic language that I haven’t been in contact with for a number of years. Fantasy and naturalistic elements are the norm throughout an Opeth track. “Lullaby of the crescent moon took you. Mesmerized, its kaleidoscopic face.” Courtesy of ‘Black Rose Immortal’. One of the major-drawing facets (of the many) is Opeth’s ability to complete encompass the listener within their world, to spellbind you and transport you to a different realm. This ability is sorely lacking in 99% of today’s music.
The music of “Morningrise” contains a far greater proportion of clean vocals and acoustic passages than what was present in their last outing. These more ‘accessible’ parts really help break up, what otherwise might be a stagnant, monotonous record. It is difficult to pick the best tracks from this disc (again with any of Opeth’s releases). ‘Black Rose Immortal’, however, probably gets my thumbs up, if just for the sheer diversity present throughout it’s 20 minutes. Harsh death vocals, thunderous guitar riffs one second. Transpiring a second later are melodious clean vocals entwined with lovely acoustic passages. Timeless and unbeatable.

Bottom Line: One of the best debuts ever in extreme metal circles has been easily followed up by Opeth. “Morningrise” is Opeth’s finest opus in their 5-album history. Brilliant and essential.

Rating: 10 out of 10