Sadistic Butchering - Official Website


Sculptor Of Flesh

United States Country of Origin: United States

1. The End Of The Christian
2. Fallout Infected Flesh
3. Rotting Menstruation Of The Holy Whore
4. Zombie Fetus
5. Blood Grazing Human Sacrifice
6. Sculptor Of Flesh
7. Realm Of Pure Insanity
8. Plague Infested Zombie Warfield


Review by Carl on January 8, 2024.

There's something about brutal death metal bands that come out of Texas. For some reason or other, the artists coming out of that state really manage to give me the impression that all the horrible shit they're on about might actually become reality when you cross them. I don't have a good explanation for it, but for most part, other bands in the style coming from other places don't give me that feeling. And Sadistic Butchering is no exception.

Sole member (on this album at least) John Hull has ties to acts of renown such as Viral Load, Uncleansed and Desecrate the Faith, and you can certainly hear that on this album. The music that is dished out here combines a lot of the usual elements one has come to expect from the brutal death metal genre, with the guttural vocals, slamming slow sections and ravaging blast beat driven velocity being almost mandatory here. But while the music might not bring a lot of new dishes to the brutal death metal potluck, Hull makes his effort stand out through the use of busy, rapid-fire riffing and at times more intricate rhythm patterns used, like in the tracks "Rotting Menstruation of the Holy Whore" and "Blood Grazing Human Sacrifice". The man definitely knows what he's doing here, because this stuff is nearly flawless when it comes to the execution of the music. This something is supplemented by the more than decent programming (and sound!) of the percussion, which contributes a good deal to the aggression and power offered throughout. Put on top of this a production job that is clear, balanced and precise, and all these elements really get the chance to meld together in a sweet package of well performed brutality.

But there's something I'd like to point out, though. While the music does not skimp on the combined aggression and power with a subtle technical edge to it, the composition of the tracks is perhaps something that might require some time to get used to. Allow me to explain: these songs are certainly not bad in any way, but I needed time to really get to the bottom of them. The reason for this is that the components of the tracks consist out of short parts that are put together with a copious amount of breaks, and this makes the tracks pretty 'busy', so to speak. By the time you've gotten into one part, John's already on to the next, and by the time you notice that, the following part is already there. There's a lot happening in a short time. Again, this is no unlistenable jazz metal by any means, but it will take some time to let it all sink in, it did for me. Rest assured, though, when that coin does drop, you'll appreciate the variation and energetic performance even more.

This is an album that delivers power and aggro from the start, so you have that to begin with, but given more time, it will reveal its true strength. Perhaps it is not the most original entry in the TXDM library, it certainly delivers on any expectations a fan of the style might have. It's somewhat of a grower, but given the time, this album will manage to rub that sweet spot in a way beyond acceptable manner.

Rating: 7.5 out of 10

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