Review by JD on April 8, 2011.

Folk Metal. That alone gets non-metalheads doing a double take. I have seen that, and soon, that person becomes interested in it, as well as metal in general. It is this odd paring that has most metal mad people buzzing lately - I am one of them. This is one of the more stranger offspring of the metal... but it is one that has more than what meets the eye.

England spawned Northern Oak is truly a ‘new renaissance’ for the developing Folk Metal sub-genre. With musicians that are some of the best right now, coupled with strong songs and a impeccable eye for detail this band shows that metal, can and is a true and vibrant art form. Combining the soaring and haunting strings and piano with brutal and devastatingly heavy guitar and insanely coarse and unyielding vocals - they come at you like a pack of wild jackals.

Songs like the 70's prog influenced groove of 'Sun God’s Wrath' to the metallic and dark pounding Doom Metal feel of 'Arbor Low' to the ethereal strains of 'Death In The Marshes' shows a band that is versatile, powerful and yet - are still metal.

Like this style or not, it is hard to ignore talent. Northern Oak seems to strike a chord and really brings artistic flair to every thing that is heavy and grinding. They may not be a commercial sort of thing but with their album aptly named "Monuments" - they just seem to be better than most
of the metal floating out there. They are a ‘monument’ to being both talented and wickedly heavy.

Grab a flagon of ale and listen to this album until the keg is done - it goes perfectly together.

Categorical Rating Breakdown

Musicianship:10
Atmosphere: 9
Production: 7.5
Originality: 8.5
Overall: 8.5

Rating: 9.6 out of 10

Review by Tobias on April 16, 2001.

Metal veterans Savatage are back with yet another thematic album addition to their powerful twenty year history. Savatage have always been story-tellers, and they were perhaps the very first to bring in the epic and operatic feel to metal albums. I’m prefacing the review with this because when it comes to the concept work of Savatage, you really need to take the whole package into consideration.

With the likes of Hall of the Mountain King and Wake of Magellan behind their belts, Savatage certainly needed something with a slightly different edge to it. That isn’t to say that the music has changed, though. The story behind Poets & Madmen is perhaps the most disturbing and interesting of all to date. It follows three guys with nothing better to do, who break into an abandoned asylum to discover a disturbing story of a Pulitzer prize winning photographer gone mad and have a bit of a surreal experience.

The problem that I find with the story telling of Savatage, particularly on Poets & Madmen, is that you can’t figure out what the story is by reading the lyrics; they’re just way too cryptic and ambiguous to effectively weave a story together. Of course, I had a pre-release promo CD to review without the official sleeve that might include the story, but I had to go to Savatage.com to read the short story that the album was based on. After doing this, listening to the album suddenly became a much more interesting experience.

So to take the music aside from the story and judge it separately I think is somewhat unfair to the work of art that Savatage are delivering. However, I still feel the loss of Criss Oliva in the guitar work. Somehow it just seems a little bland compared to the intensity and flair that he’d added to the albums before his unfortunate departure from this earth.

That aside, this album still has a lot of interesting and entertaining listening to offer. Savatage’s ever present trademark sound like metalized classical music is almost brainfood on tracks like Morphine Child and Surrender.

Bottom Line: Fun story telling from the concept metal vets, but still lacking much of the excitement and edginess that the late Criss Oliva brought to the band on albums like Mountain King and Gutter Ballet.

Rating: 7 of 10