Review by criscool623 on March 20, 2021.

Tankard is one of my favourite bands in general. I think that they have a great level as performers, composers, and in my humble opinion, they are way better than Sodom and Destruction; however, several factors impeded that they could reach the fame and appreciation that they deserved to have.

After their debut with Zombie Attack (an album that I did not want to review due to its more punk-oriented sound, as I am not a punk fan and it would have been unfair to judge it as a thrash metal release), the band started to work in a more aggressive sound, and the result was glorious; in fact, this was their first album with a genuine thrash metal sound.

First of all, I have to eulogize the composition of the songs; Tankard abandoned their tendency of writing simple songs with repetitive structures, riffs, and the same drum rhythm throughout the whole song. Here, the songs are more varied in this aspect, as they are more dynamic. We can find changing drums rhythms that make that the songs do not become something monotonous, bridges and interludes that make that every song have something different to offer and a vast variety of riffs, which has a remarkable influence of blues sound; thrash metal is that kind of gender that should overcome because of the originality of their riffs.

The music is savage, raw, it's pure anger, an ode to insanity; Gerre's voice is rougher than in its previous album, marking a clear evolution in his vocal style towards something more aggressive; Frank Thorwarth stands out improvising some bass lines in the album, giving more riches to the music; Oliver Werner is pretty standard playing the drums, but he's consistent and a good support for the band; Andy and Axel are good guitar players and they show off their (kind of limited) skills, offering short, but solid solos (although some licks are very memorable, like the first solos of 'For A Thousand Beers').

As I said before, every song has something different to offer, as the progressive parts of 'Don't Panic', the magic and epicity of 'For A Thousand Beers' (one of the best instrumental metal pieces of all), the aggressiveness of 'Total Addiction' or 'Traitor' and the funny and danceable introduction of the album's title track, you choose your favourite moment of the album.

I have not too much to say about the lyrics, as most of them are hilarious, obscene and beer-related, excepting 'Don't Panic', which is a little more serious, satirizing the war and other evils of the world.

Nonetheless, unfortunately, the album is not perfect, as it sins in something very important: the production. It is true that the music is powerful and full of adrenaline, but sometimes the sound is kind of dirty, and that makes that you don't know what notes the guitar players are playing, and thus, some riffs are unintelligible, as in 'Total Addiction' and 'For A Thousand Beers', but if you just want to listen to some raw music, this won't be a great problem for you.

This is the second strike of a band that is full of personality and style, and I totally recommend it if you want to listen to Tankard in some of the best moments of their career. It is a real shame that the band does not perform more songs from this album live apart from 'Chemical Invasion', but this album will stay in the history as one of the best (and most underrated) german thrash metal albums.

Rating: 9.7 out of 10

Review by Felix on March 20, 2021.

Twelve months after their minimally punk affected debut, Tankard returned with Chemical Invasion, a detonation of pure thrash metal. The compositions showed a higher degree of variety and complexity. In terms of musicianship, the dudes had reached the next tier. The fact that four of the musicians contributed at least one own composition underlined this development.

The excellent artwork presented a vile chemist who manipulated his beer in order to create a strange brew unscrupulously. This utterly unacceptable form of poisoning was too much for the defenders of the German purity law. Tankard raged against this kind of beer pollution and their title track was able to blow up the entire laboratory of the criminal scientist. The beginning of the song picked up the mood of "(Empty) Tankard", but this piece was evolving into a very intense and furious thrash metal grenade. Of course, a pinch of humour was not missing. Nevertheless, the song connected melody, density and speed in a very imposing way. Brutality and refinement were also expertly balanced. In my humble opinion, this ingenious number still belongs to their absolute classics.

Generally speaking, sheer fury characterized the majority of the songs. Straightforward outbursts like 'Farewell To A Slut' or 'Total Addiction' proved that Tankard had nothing lost of the juvenile spontaneity of their debut. Gerre's charismatic shouting as well as the powerful guitars and the thunderous rhythm section displayed an enormous joy of making music. As if that wasn't enough, Tankard also impressed with an almost progressive tendency. The monumental instrumental at the end of the A side surprised with a very unusual approach without appearing lightweight or inappropriate. 'Traitor', a further overlong song, proved their ability to write a thrilling piece of eight minutes length one more time. The song killed any kind of weariness in a matter of seconds because of its intensive and unstoppable riffing. Well accentuated background shouts increased the dynamism and the pressure of the song, while the high speed guitars performed rabid yet slightly technical solos one by one. The exact opposite of these bombastic songs was called 'Puke', an unswervingly hammering miniature track. As short as its title, it passed by in less than a minute while destroying everything that stood in its way. Fortunately, the mind-blowing mix of the album set all songs in the right light, irrespective of their individual configurations.

The lyrics expressed Tankard's weakness for beer and alcohol in general in several ways. But apart from that nonsensical poetry, the band also showed its political awareness ('Don't Panic'). Despite first appearances, this text did not come as a surprise, because 'Maniac Forces', already released on their debut, had also been slightly political. Well, we all know the omniscient eloquence of drunken people... Anyway, the lunatic chemist, probably a distant relative of Destruction's mad butcher, was grinning insidiously and I remember that I had pinned a poster with this artwork to the wall during the time of my military service. I cannot say that the motif pleased my first sergeant. But I guess my inoffensive action was better than starting another world war.

Rating: 9 out of 10

Review by Wiley on May 19, 2009.

I should preface this review with a warning: If you do not possess an open mind, do not bother. Sure I could add exceptions, but those without the open mindedness to take in this CD are not worthy of partaking in the journey.

Dol Theeta hails from Greece with their particular brand of experimental music worlds. Begining with sampling explaining light hypnosis with backwards tracking of whispering creating a ghostly portal to flow through. From the second track on you are treated to some simply stunning synthscapes, and were that all I probably would be reviewing this elsewhere. Through patience one finds themselves floating in and out amongst frequencies and vibrations, only to be pummeled by guitar, vocal, and drum treatments abound. This guitar is carried with a moderate mix,and one would expect a very industrial take, this would not be a bad assumption, except for the guitars do not land flat without character. Bends and harmonics add personality to the rythms, and the leads are well thought out and executed. The vocals on the other hand are a completely different matter. Operatic soprano Kortessa really outdoes her role, with full harmonies left and right. Very soothing and well done, this is one of the few times I think they fit more as an instrument than plain vocals.

To completely dispel what may also be lurking in your mind at this point of the drums, becuz the drums are so organic and on point.
The drums move very naturally and alive with groove and hook to provide another bit of diversion from the synths that JUST DONT STOP........When a track ends, I am left anxious as to what could possibly be next. Thus would be the point here, with a universe that continues to expand on and on. If one were to have to try to compare this to anyone I am afraid the closest I could come in genre bending would be Arcturus' last album, or some of the later Ulver material. If I start doing that though, I would have to recommend also to fans of Coil, and early Current 93. So lets not go there and move on to the issues at hand.

I am simply amazed at how full this disc sounds, this is so well composed for the movements in which they wish to travel. Dol Theeta truly are doing unique things, blurring the lines between many genre's too vast to name, and doing so extremely tastefully. It would probably also be wise to point out their attention to quality and detail, as so many bands get bogged down with such details and lose focus of the vision originally sighted. Even their artwork suggests a good bit of thought as to what to use, and what a wonderful visual representation in vivid color adourning not only my promo sleeve here - but well secured artwork as well printed on the CD - what use of space!!!!!!!!! I do so wish them as they continue on their journey treading some new otherworldly paths with their next release.

To leave you without giving a suggested manner of listening would be a sin. Dim the lights, prepare a calming relaxing concoction and grab your nicestm headphones. Lie back on your couch, close your eyes and get drowned.........

Categorical Rating Breakdown

Musicianship: 7.5
Atmosphere:9.0
Production: 7.5
Originality: 10
Overall: 8.0

Rating: 8.4 out of 10