Review by Alex on December 13, 2021.

The last time I reviewed a stoner/groove/sludge metal album, my overall reception of the record was positive to say the least. Thus, in keeping with tradition, if I were to do another review of an album within that category it would have to be as favorable or more favorable than the prior album I reviewed. Mostly death metal and black metal meet my ears but it’s good to take a break every now and again, and what an album to accompany my vacation.

The Black Thunder hail from Poland, and Into The Darkness We All Fall is their 2nd full length album following a demo released back in 2009, two EPs and their 2017 debut full length album Visions In Black. I've yet to hear any of the prior releases but after giving their sophomore album consecutive spins, I'm looking forward to hearing what their back catalog sounds like.

Well, what is the music like? think Pantera but ominous, thunderous and very dark. Mostly guitar driven compositions with huge groovy hooks and addictive power chords. 'Everybody Lies' for a 1st track sums up the album accurately, showcasing the musical intent whilst putting on display punishing, hopeless and malevolent lyrics. Followed up by tracks the likes of 'Self Destruction', 'Pain Inside My Head' and 'The Sun Is Falling Down', you can't help but feel the anguish The Black Thunder broadcasts through their music on Into The Darkness We All Fall.

Even for a 40 + minute album, The Black Thunder are able to easily immerse you into their world of mental and physical torment; part of this has to do with the production that contributes to the clarity with which the instrumentation and vocals are expressed. The mix is very balanced to the point where I'm surprised due to so many albums within the sub-genre having such a one-sided approach whereby mostly the guitars would dominate leaving so little room for the drums and vocals to operate. In contrast however, Into The Darkness We All Fall is very mindful to leave enough space for each aspect to really pop.

The record is very energetic with lots of versatile mid paced sections directed by aggressive guitar hooks and breakdowns. They reinforce the impact behind the lyrics while adding a feeling of victory (which is odd). There are few melancholic moments but the most noticeable arrives in the form of the acoustic interlude, 'Everlasting Search For Inner Peace', it is quite saddening that adds a hazy darkening shade to the record though not ruling out the opening of 'Flowers On My Grave' that is equally if not more depressive.

The vocalist does an excellent job of portraying multiple feelings through his diverse approach that would either reek of anguish or triumph, backed up by the watchful playing of the guitarist, bassist and drummer, the music feels cohesive and focused as any album should.

Into The Darkness We All Fall really does sound like a plunder into nothingness, it’s an evocative and provocative album that takes the listener on an uncomfortable and unforgettable journey, get it on CD through Defense Records.

Rating: 8.5 out of 10

Review by Alex on December 13, 2021.

The last time I reviewed a stoner/groove/sludge metal album, my overall reception of the record was positive to say the least. Thus, in keeping with tradition, if I were to do another review of an album within that category it would have to be as favorable or more favorable than the prior album I reviewed. Mostly death metal and black metal meet my ears but it’s good to take a break every now and again, and what an album to accompany my vacation.

The Black Thunder hail from Poland, and Into The Darkness We All Fall is their 2nd full length album following a demo released back in 2009, two EPs and their 2017 debut full length album Visions In Black. I've yet to hear any of the prior releases but after giving their sophomore album consecutive spins, I'm looking forward to hearing what their back catalog sounds like.

Well, what is the music like? think Pantera but ominous, thunderous and very dark. Mostly guitar driven compositions with huge groovy hooks and addictive power chords. 'Everybody Lies' for a 1st track sums up the album accurately, showcasing the musical intent whilst putting on display punishing, hopeless and malevolent lyrics. Followed up by tracks the likes of 'Self Destruction', 'Pain Inside My Head' and 'The Sun Is Falling Down', you can't help but feel the anguish The Black Thunder broadcasts through their music on Into The Darkness We All Fall.

Even for a 40 + minute album, The Black Thunder are able to easily immerse you into their world of mental and physical torment; part of this has to do with the production that contributes to the clarity with which the instrumentation and vocals are expressed. The mix is very balanced to the point where I'm surprised due to so many albums within the sub-genre having such a one-sided approach whereby mostly the guitars would dominate leaving so little room for the drums and vocals to operate. In contrast however, Into The Darkness We All Fall is very mindful to leave enough space for each aspect to really pop.

The record is very energetic with lots of versatile mid paced sections directed by aggressive guitar hooks and breakdowns. They reinforce the impact behind the lyrics while adding a feeling of victory (which is odd). There are few melancholic moments but the most noticeable arrives in the form of the acoustic interlude, 'Everlasting Search For Inner Peace', it is quite saddening that adds a hazy darkening shade to the record though not ruling out the opening of 'Flowers On My Grave' that is equally if not more depressive.

The vocalist does an excellent job of portraying multiple feelings through his diverse approach that would either reek of anguish or triumph, backed up by the watchful playing of the guitarist, bassist and drummer, the music feels cohesive and focused as any album should.

Into The Darkness We All Fall really does sound like a plunder into nothingness, it’s an evocative and provocative album that takes the listener on an uncomfortable and unforgettable journey, get it on CD through Defense Records.

Rating: 8.5 out of 10

Review by Faithless on October 1, 2022.

Tableau Mort is a relatively new band hailing from England and they preach the art of the most impure and obscure black metal. Every year new pathways and gates to hell are summoned by countless bands from around the globe but just a few manage to actually open those doors to hell and also surprise and engage the listener. In my opinion, Tableau Mort transmits various feelings of occult blasphemy that intensify with each listen, the band delivers memorable and varied passages throughout the whole album.

Visio In Somniis is their second effort and it contains 8 tracks that congregate a great variety of styles within the back metal sub-genre. One of the highlights of this record is how skillfully the musicians gather many influences to create something fresh yet brutal and still sounding extreme. In this album, you can find your typical blast beats, screams, high-pitched vocals, lyrics that deal with the occult and fast-tremolo-picking guitars. All in all, the most cliché elements within the black metal realm. However, other elements refreshed my ears and transported me to another world.

For instance, you can find some eastern melodies in the track 'Idolatry', making it even more obscure, occult and spooky. You are instantly carried away to a more melodic dimension of their music. Few bands take the time to develop melodic ideas focusing only on brutality. This track is one of my favorites because the guitars also take time to build into something more elaborated and intricate. Again, something not very common in the world of black metal. Vocals in this track function both in front of the mix and also in the background, giving you a feeling of witnessing the summoning of Lovecraftian unspeakable horror.

There are other tracks like the self-titled that experiments with female vocals but don't you look for the overused beauty and beast formula. Here you find elements that enrich black metal and elevated the status of the music almost transcending progressive territories but I don't want to use that word. I would say that Tableau Mort uses their musical skills to reference different styles inside the world of extreme metal but with a blackened feeling. The guitar work contains the most traditional riffage for the genre and also some interesting dissonances. The production is clear allowing you to enjoy all the instruments. Don't come here to find caveman black metal, there is some refinement in the execution. In the song 'Hope Ablaze' they include what seems to be a trumpet or saxophone which made the song even more spooky.

In my opinion, the aesthetic of the band has a great impact on their sound. The guys resemble some kind of black metal priests and the overall sound of the record is very occult and mysterious. Matching their aesthetics with the sound of the band is a smart move to transmit the message not only in the record but also in live performances. Most of these guys have roots in Romanian culture and you can feel that influence in the atmosphere transmitted in Visio In Somniis. As I said at the beginning of the review, few bands succeed to engage the listener and fail miserably just copying other bands or other albums. Not the case of Tableau Mort, I think this band has a promising future in the black metal scene, the atmosphere can become even darker in upcoming albums. Recommended if you want to experience a different impression in the black metal scene and enjoy more refined elements that add to the overall atmosphere.

Rating: 8.5 out of 10

Review by adhlactha on May 23, 2022.

British black metal band Tableau Mort has released their sophomore album Visio In Somniis through a local label Cult Of Parthenope in early May. This band established itself a couple of years ago, when their debut album Veil Of Stigma. Book I: Mark Of Delusion shook the murky waters of underground black metal. Nothing life-changing didn’t happen back then, but nonetheless black metal enthusiasts kept in mind these English performers with a big potential.

Everyone is so blasé and world-weary about yet another one black metal name, the scene is overcrowded, and even the most talented musicians face challenges to announce themselves at a decent level. But the digital era also helps a lot of bands in spreading their art. Many of these young bands have brilliant ideas, but struggle with mastering or recording problems; many of them have too traditional and predictable ideas, but with excellent sound quality; but there are some bands that can offer not only fresh ideas and competent realization of them, but also acceptable arrangements, sound quality and mastering. Of course, when you have a solid experience in other metal (or nonmetal) bands, it’s much easier to produce high quality in everything, and musicians from Tableau Mort have enough of the experience to bring their best into this elaborated and cherished extreme metal project.

Visio In Somniis undoubtedly belongs to the ice-cold realm of black metal, but under this thick foundation we can also see some intriguing surprises. Maybe it’s a bit early to glue the word “avant-garde” to this band or simply relocate them to the experimental metal area. But with every new album we can witness a continuing trend of progression and these structural technicalities and multi-layering create an aftertaste of something unique and beyond the traditional. It’s interesting enough to observe how these little changes entwine the purest forms of BM, slowly getting outside its comfort zone without dogmatic stereotypes. And there are also a lot of progressive hints, responsible for general sophistication of the sound and smart muffling of the most primitive parts.

Visio In Somniis doesn’t lack melodies, quite the opposite; the songs sometimes are soaked in an audible harmonic melodiousness, familiar to mdm movement. But considering all the discorded elements and ragged technical structures, those melodic reprieves are quickly cornered into the background. It’s quite a competition, when soft and melodic parts are opposed by dissonant and chaotic; it’s amazing how these severe Englishmen have managed to combine pure traditionalists with unorthodox and eccentric ideas. We can also rely on something DSBMish right here ('Blood Echoes' and 'Their Throats Are Open Graves'), but the level of desperation isn’t through the roof, rather giving way to melancholic and sad flows (but without gothic sweetness). The title track 'Visio In Somniis' also has some references to alternative metal music, with modern and straightforward touches.

'Idolatry' and 'Their Throats Are Open Graves' confidently lead to oriental and world music, thanks to guest musician Berrada Med Akram and his mesmerizing violin and fiddle. The female voice of Janina Kiessling also invites us to middle-eastern domain with her ritualistic and ethnic chanting. However, Laura Delogu brightened 'Candle In The Darkness' with a more classical singing manner, carrying away all the messy avant-garde and disharmonic patterns. But their permanent singer James Andrews also didn’t fall off the turnip truck, using his vocal cords and steadily expressing his feelings – from chanting and occult technique to howling and desperate screaming. Keyboards sometimes create mournful and slightly symphonic background, as well as froufrou solemnity. The pace of the album also varies and doesn’t follow strict rules, sometimes switching to an abnormal pace, but sometimes slowing off to an ambient tranquility. The strangest thing on this album belongs to guitar solos, so old school that it seems like the glamorous and hairy singer will jump out starting to sing in falsetto. Yeah, probably in those we can hear some traces of their fondness for good old hard n’ heavy (but actually who doesn’t like classical metal?).

Despite following black metal rules regarding their lyrics, choosing the religious motives, Tableau Mort don’t stick only to historical references, but also dig into more philosophical and creative topics of self-development. The same can be applied to their artwork, full of religious and historical clichés, but also with symbolic and mythological glimpses. Tableau Mort are inexorably gaining the confidence on the black metal scene, and although their flirtations with experimental side aren’t quite profound yet (not at the level of DeathSpell Omega or Blut Aus Nord), we can see even with their second record, that they are definitely moving forward towards this labyrinthine and unexplored territory.

Rating: 9 out of 10

Review by Alex on December 13, 2021.

The last time I reviewed a stoner/groove/sludge metal album, my overall reception of the record was positive to say the least. Thus, in keeping with tradition, if I were to do another review of an album within that category it would have to be as favorable or more favorable than the prior album I reviewed. Mostly death metal and black metal meet my ears but it’s good to take a break every now and again, and what an album to accompany my vacation.

The Black Thunder hail from Poland, and Into The Darkness We All Fall is their 2nd full length album following a demo released back in 2009, two EPs and their 2017 debut full length album Visions In Black. I've yet to hear any of the prior releases but after giving their sophomore album consecutive spins, I'm looking forward to hearing what their back catalog sounds like.

Well, what is the music like? think Pantera but ominous, thunderous and very dark. Mostly guitar driven compositions with huge groovy hooks and addictive power chords. 'Everybody Lies' for a 1st track sums up the album accurately, showcasing the musical intent whilst putting on display punishing, hopeless and malevolent lyrics. Followed up by tracks the likes of 'Self Destruction', 'Pain Inside My Head' and 'The Sun Is Falling Down', you can't help but feel the anguish The Black Thunder broadcasts through their music on Into The Darkness We All Fall.

Even for a 40 + minute album, The Black Thunder are able to easily immerse you into their world of mental and physical torment; part of this has to do with the production that contributes to the clarity with which the instrumentation and vocals are expressed. The mix is very balanced to the point where I'm surprised due to so many albums within the sub-genre having such a one-sided approach whereby mostly the guitars would dominate leaving so little room for the drums and vocals to operate. In contrast however, Into The Darkness We All Fall is very mindful to leave enough space for each aspect to really pop.

The record is very energetic with lots of versatile mid paced sections directed by aggressive guitar hooks and breakdowns. They reinforce the impact behind the lyrics while adding a feeling of victory (which is odd). There are few melancholic moments but the most noticeable arrives in the form of the acoustic interlude, 'Everlasting Search For Inner Peace', it is quite saddening that adds a hazy darkening shade to the record though not ruling out the opening of 'Flowers On My Grave' that is equally if not more depressive.

The vocalist does an excellent job of portraying multiple feelings through his diverse approach that would either reek of anguish or triumph, backed up by the watchful playing of the guitarist, bassist and drummer, the music feels cohesive and focused as any album should.

Into The Darkness We All Fall really does sound like a plunder into nothingness, it’s an evocative and provocative album that takes the listener on an uncomfortable and unforgettable journey, get it on CD through Defense Records.

Rating: 8.5 out of 10