Review by Alex on September 5, 2020.

Vermisst's first fuller length record, Zmierzch Stalowej Ciemności, sits somewhere between raw, ambient and synth-driven black metal. Their style is predominantly synth driven but if you removed the keyboards you'd end up with a fairly unpolished, abrasive form of black metal. Quite a few Polish bands have been clinging to the dungeon synth inspired form of black metal that has been garnering some amount of praise by supporters that miss the old and austere sound of the era, hence Vermisst may find much appreciation from this group. Zmierzch Stalowej Ciemności possesses that old dimming candle, moonlit beauty, but also seems to pay homage to the exclusively raw conduct of the mid-90s.

Zmierzch Stalowej Ciemności has relatively lengthy tracks with most clocking in at around 5 minutes or more. However, this record really flies by quickly which seems to be result of the fluent incorporation of the keyboard synth, trance-like pacing and the crafty songwriting. Together they play on the listeners sense of time as you're rarely ever distracted from the sublime gaze in effect. 'Zmierzch Stalowej Ciemności' sets the foundation for the rest of tracks to follow (that utilize keyboards), it has a strong sense of rhythmic direction and the vocals take advantage of that with supporting emotion to fortify it's content. Most tracks follow this example with stern commitment to outdo, thus a very melancholic powerhouse is birthed in the form of 'W Pozagrobowej Przestrzeni' that bundles the serene tempo and milieu of the music with the violent and raging vocal wails.

Following the blissful ambient piece 'Det Skjulte', we are greeted by a contrast, a shift in tonality that sees Vermisst focus on a more primal side of black metal the likes of early Darkthrone. The synth is stripped away entirely, and a less decorated hand is put to work. I would have preferred consistency with regards to the instrumentation, thus keeping the keyboards an active element as it would have given the album a greater composite felling. Either way, the songs are plausible due to how effectively they are able to convey a somewhat semi lo-fi raw black metal temperature. 'Frozen Flames of Misanthropy' through to the final track 'Zimowa Aura Krwawych Cieni' displays a rather competent rendition of early raw black metal that I think most enthusiasts of the subgenre will enjoy. The peaking macaw-esque vocals add an inhuman property to the music whilst the sharp riffing and palpating drumming creates a showy weaving of opposing frequencies. The artwork is very good and the production on both raw and synth ends are commendable. Hence, Zmierzch Stalowej Ciemności is a solid record that captures a certain magic of early 90s black metal under one starlit sky.

Rating: 8.2 out of 10

Review by Alex on September 5, 2020.

Vermisst's first fuller length record, Zmierzch Stalowej Ciemności, sits somewhere between raw, ambient and synth-driven black metal. Their style is predominantly synth driven but if you removed the keyboards you'd end up with a fairly unpolished, abrasive form of black metal. Quite a few Polish bands have been clinging to the dungeon synth inspired form of black metal that has been garnering some amount of praise by supporters that miss the old and austere sound of the era, hence Vermisst may find much appreciation from this group. Zmierzch Stalowej Ciemności possesses that old dimming candle, moonlit beauty, but also seems to pay homage to the exclusively raw conduct of the mid-90s.

Zmierzch Stalowej Ciemności has relatively lengthy tracks with most clocking in at around 5 minutes or more. However, this record really flies by quickly which seems to be result of the fluent incorporation of the keyboard synth, trance-like pacing and the crafty songwriting. Together they play on the listeners sense of time as you're rarely ever distracted from the sublime gaze in effect. 'Zmierzch Stalowej Ciemności' sets the foundation for the rest of tracks to follow (that utilize keyboards), it has a strong sense of rhythmic direction and the vocals take advantage of that with supporting emotion to fortify it's content. Most tracks follow this example with stern commitment to outdo, thus a very melancholic powerhouse is birthed in the form of 'W Pozagrobowej Przestrzeni' that bundles the serene tempo and milieu of the music with the violent and raging vocal wails.

Following the blissful ambient piece 'Det Skjulte', we are greeted by a contrast, a shift in tonality that sees Vermisst focus on a more primal side of black metal the likes of early Darkthrone. The synth is stripped away entirely, and a less decorated hand is put to work. I would have preferred consistency with regards to the instrumentation, thus keeping the keyboards an active element as it would have given the album a greater composite felling. Either way, the songs are plausible due to how effectively they are able to convey a somewhat semi lo-fi raw black metal temperature. 'Frozen Flames of Misanthropy' through to the final track 'Zimowa Aura Krwawych Cieni' displays a rather competent rendition of early raw black metal that I think most enthusiasts of the subgenre will enjoy. The peaking macaw-esque vocals add an inhuman property to the music whilst the sharp riffing and palpating drumming creates a showy weaving of opposing frequencies. The artwork is very good and the production on both raw and synth ends are commendable. Hence, Zmierzch Stalowej Ciemności is a solid record that captures a certain magic of early 90s black metal under one starlit sky.

Rating: 8.2 out of 10

Review by JD on April 7, 2010.

US Power Metal with the purity of some strong and clean female vocals, with strong backing vocals that are growled out like a caged animal, with musicians that know what the hell they are doing.... and all for world domination?? Yep, In Virtue has gotten my attention, and almost as if they have grabbed my short hairs.

Taking lessons from Power Metal gods like Overkill, old Metallica and others of that ilk, while never settling to one pigeon-hole or another - In Virtue seemed to have mould it all into their own, add the clean/growl vocals of the amazing Ms C and the vocally-vicious Trey Xavier that seemed to really accent every heavy and raw guitar stroke and drum blast that the rest of the band can give.

Songs such as the incredible 'Paralyzed' show a band on the very brink of being one of those band that will stand above the rest, then 'Foresworn'rumbles out of the speakers and sets that statement in stone. Great songs, great writing and amazing musicians... yep, they got it all. The only downer is that the recording could have been better... but that is minuscule in comparison to the talents that In Virtue has.

I really hope to hear the next step in this band development - because this is exactly why I have been a musician/writer and metal head for so long. I have a virtue, and it is In Virtue! I will press play again and adjust the volume to the max...Ahhhh!! metallic heaven in the making.

Categorical Rating Breakdown　

Musicianship: 8.5
Atmosphere: 8.5
Production: 7
Originality: 8
Overall: 8.5

Rating: 8.1 out of 10