Review by Carl on May 10, 2026.

These dudes must be the nicest guys around, because who else would've been so gracious to summarize everything great about a decade of 90's death metal, and put it out on an album for all to hear?

The awesomely monikered Disfigured Dead deals in a form of death metal that sounds as familiar as it is enjoyable. The band combines mid-tempo stomping heaviness with frenzied savagery in a way that sounds very similar to what Cannibal Corpse did in their final years with Chris Barnes and on those first few albums featuring the Corpsegrinder. That resemblance to the Cannibal ones is also noticeable in both the adequate riffing as well as in the rough, low growling and menacing shrieks that are being employed here. The guitar work is of high standard throughout, going from the already mentioned Cannibal Corpse-like rumblings, all the way to a confident, more intricate Morbid Angel style of playing, with some ripping leads evidencing this. The use of downtuned technical riffing and pinch harmonics brings Disfigured Dead's very 90's style of death metal closer to the end of that particular decade, making me think of more brutal acts like Skinless, Rotting, Waco Jesus, and Regurgitation more than once. Even the atmosphere of the first couple of Nile albums is referenced in the haunting tremelo riffing in tracks like "Deranged Consecration" and "Baneful Barbarity", providing even more variation to what is a pretty banging collection of 90's death metal-isms already. It's probably needless to point out that the execution is on point for the whole duration of the album, with an extra mention for drummer Kyle, handing in a stellar pounding performance throughout. Soundwise, it may not be the most original take on death metal that Disfigured Dead has on offer here, but this is absolutely solid stuff nonetheless.

With the music already being a pretty ripping affair, there's, of course, a fitting production needed, and luckily, that's also been taken care of in an agreeable manner. Personally, I think the sound mix is a tad too slick and could've needed just that bit more grit to it, but honestly, it isn't all that dramatic. There's thankfully been a lot of life kept in the way this album sounds, with all the instrumentation being well balanced out, and the excellent riffing taking a well-deserved centre place, making sure enough power and clarity come roaring out of the speakers to leave a more than convincing impression.

Although I get a damn hard kick out of this album, I don't necessarily agree with everything presented here. I could've done without the audio samples, something I find to be pretty redundant on most releases, and the already mentioned overall sound being just that bit too nice in my opinion. These are, of course, personal gripes, and when seen in the big picture, they aren't even all that worth mentioning, probably. "Relentless" offers up copious amounts of nostalgia, filtered through a respectful contemporary lens, while being presented in a thoroughly professional manner throughout. As it should be!

This is an album for those whose taste in death metal never developed further than the period between 1992 and 2000. I have no doubts that these folks will find a lot to be enthused about in this album, and its predecessor "Visions of Death" as well, so if you are one of those people who just can't put down those old Sinister, Monstrosity, Immolation, and Suffocation albums, this one's something you surely shouldn't pass on.

Rating: 8 out of 10

Review by Anna on September 19, 2011.

"The Third Aeon" is the first full-length by Italian “Epic Doom Metal” band Black Oath. The music is grand, with the keyboards commanding a majestic aura from the start. The guitars are slightly off-tune and there’s a strangely calming, fuzzy feeling emanating from them, however, they sound like they’re coming out of a terrible amplification system that they’re somehow able to get away with it here…. The vocals area a little mellow for my liking. I feel the presence of the music demands something with much more character to lead it. Although the music is not bad at all, as the album progresses, the songs continue to sound like each other, and although I have a penchant for stylistic “monotony”, this gets repetitive in a boring way. I feel this band needs to go on some kind of inspirational vision quest. Perhaps starve themselves, or watch videos of actual torture- something, in which to push the creativity, the art, to a higher, spiritual level. But coming back to earth, and to this “musical” review, or the physical aspect of it, I would say to give this a listen and decide for yourself.

Categorical Rating Breakdown

Musicianship: 7
Atmosphere: 9
Production: 6.5
Originality: 7
Overall: 7.5

Rating:7.4 out of 10