Review by TheOneNeverSeen on February 1, 2023.

When it comes to Bloodbath, most seem to praise "Nightmares Made Flesh" more than anything else. My personal favorite, however, has always been (and will remain) the band's debut. While not being revolutionary in terms of its riffs or vocal style, it's certainly one of the most memorable death metal albums in terms of the sound, and it remains one of my favorite works in the genre.

The opening track, possessing an OK riff and a rather conventional solo instantly plunges at you with an illegally thick guitar tone, which is insanely brutal and remarkable. Unlike some deathcore bands that try to make everything as low-tuned and thick as possible and end up sounding generic and bland, "Resurrection Through Carnage" does a great job at creating a heavy and distinctive guitar sound. The clean drumming, mostly offering casual death metal blast beats fits it perfectly, and so do Åkerfeldt's hoarse vocals. Although I'm not a fan of Opeth and his singing on their most famous songs, here he is merely impeccable. His voice sounds like evil in its purest form. The backing vocals, accompanying Åkerfeldt's infernal singing are also very solid, adding to the album's wicked atmosphere.

As for the riffs, they vary between excellent and fine. Ironically, I'm not a fan of the album's main "hits" ("So You Die" and "Like Fire"), but some of the less famous tracks ("Buried By The Dead", "Trail Of Insects") offer some of the most vicious riffs I have ever heard. Not all songs are mindless terror in your face, "Death Delirium" and "The Soulcollector" have a rather mysterious and even creepy mood as well as awesome breakdowns. The best song is undoubtedly the closing track, "Cry My Name". Besides having a sick riff and the feeling of beholding the world collapse in madness, it is overall very consistent and changes from one epic part to another (the melody following the second repetition of the chorus is as cool as the main riff, for instance).

The lyrics are mostly satisfying, although simple. Some songs are weaker than others in this sense, but what remains consistent throughout the album is how memorable certain lines are. Most songs are chorus-oriented, which means you will most likely want to sing "VERMIN INSIDE YOU, CONTROL YOU, DEVOUR YOU" and "AND FOR ALL ETERNITY YOU WILL CRY MY NAME" along with Mike.

So, this album is a true bloodbath. The malicious guitar sound combined with the inhumane vocals and powerful headbangable riffs (particularly on "Buried by the Dead", "Bathe in Blood" and "Cry My Name") create a brutal, atmospheric sound that I never get tired of coming back to. And, while I enjoy Bloodbath's later works, too, especially "The Fathomless Mastery", nothing can compete with the grinding might of "Resurrection Through Carnage".

Rating: 9 out of 10

Review by Krys on November 7, 2002.

Even though their three-piece “Breeding Death” was probably the most often listened EP by me ever, after a full spin through “Resurrection Through Carnage” only one question entered my mind that should start and end this review indicating my opinion regarding this quartet. Can you guys leave your original bands to make Bloodbath a fully functional band? Nothing against original acts here, I would say it would even be a huge loss to the metal community, but the excellence of this album plus my unconditional love for death metal makes too deadly a combination for my brain cells to appreciate anything else.

This is simply unfair to the rest of death metal world. You play metal for your whole life and end up making a name for yourself and then 4 guys that don’t even perform anything close to death metal in their main bands create a project and simply destroy the competition with their “debut” album. Mike Akerfeldt (Opeth) entertains us with his best performance yet, ever overshadowing anything he did in Opeth in lower section of his vocal department; Anders Nystrom (Katatonia, Diabolical Masquerade) rips through the guitar neck like there’s no tomorrow with riffs that make Chuck Schuldiner proud (smiling up there in death metal heaven). Jonas Renske (Katatonia, October Tide) pounds my gut into convulsions every time he hits the string and backed up by Dan Swano (Edge Of Sanity, Nightingale) on drums they molest my neck muscles with barbarian force. To put it in simple terms “Resurrection Through Carnage” will rip your head off from your corpse, piss on your neck and repeat that sequence with every drum or guitar stroke.

With the sound of the Swedish death scene from almost a decade ago manicured to perfection in today’s studios, combined with atmosphere of early Death albums, Bloodbath created an ultimate blend of those two worlds know to any metal maniac. Crisp and powerful, stripped to the basics death metal presented in its purest form “Resurrection Through Carnage” will stand for years to come as a genre’s redefining moment and secure a place in books of metal history next to its biggest names. Did I mention intelligent and thoughtful lyrics? Consider it as a textbook example of putting thought into lyrics.

Bottom Line: You tend to forget you girlfriend/wife’s birthday date? That’s understandable, but if you miss November 12th release date of this masterpiece carnage will be your only resurrection.

Categorical Rating Breakdown

Musicianship: 10
Atmosphere: 10
Production: 10
Originality: 10
Overall: 10

Rating: 10 out of 10

Review by Death8699 on October 31, 2019.

A slight change from the norm -- not in song titles or lyrical concepts, but a more "approachable" onslaught of metal due to the fact that Cannibal Corpse comes up with more listenable guitar orchestrations. A catchier infliction of domineering riff writing and leads, in the brief a memorable diseased warpath embodying thickness in distortion. Songs don't sound as repetitious of say Torture or older material -- a more solid approach of animation among the eardrum infestation. I say through and through, the writing style is heavy and virtuous, with less intense tempo infiltration, but still technical in terms of the riffs. I can't say that I fully enjoyed the "whammy" wah in their lead outputs -- I would say that is why I took some points off in a worthier scoring. If the band would have the leads taken out, then I might've been more generous in my rating.

Not to digress, but Corpsegrinder doesn't really sound any different in past discoveries in his vocal outbursts, he sounds the same. In my contention, his throat feeds well along the guitars and I would conclude that they wouldn't sound as brutal if he was taken out of the lineup -- though I do think that Barnes was better for the band, though we won't rehash ourselves from our earlier discoveries in musical form such as on Butchered At Birth and Tomb of the Mutilated. These were MY favorites and they've become a different band since he left then Fisher came in. For YOU guitar maniacs the sound of the band is as if they're once again here tuning to B-flat using a lot of heavy gauge strings with more heavy palm muted slays -- the technicality we shall revisit and say it is apparent once again with a "fresh" use in thickness extremities.

When we speak of the overall recording quality, its mastery is apparent. It exists here that the music is palatable, but in Cannibal Corpse's history I can't with full honesty say that this is their best work to date. I say it is solid no doubt -- their songs here flow rampant and the music is what makes the album admirable minus those leaks in weak lead guitar aspects. In ingenuity, O’Brien and Barrett come up with some interesting thickness, chunky, heavy, and explosive manifestations. To say this is a solid release is still the question -- would I be fair to say that this is deserving of a "greatness" or unfathomed ingenuity, I would say that it's a "B", a solid one if that.

We being listeners of metal know that this band have and will never depart from their concepts in lyrical domination, but I would be unfair to say that this one is unworthy of mention. The music does own the realm in its uncompromising heaviness as well as hefty drum episodes. A still same lineup as in past releases, just not really older releases therefore mentioned and covered. In proximity, this one musically is remaining to be heavy, dominant and ear deafening malevolence. It hits home with me, the riffs i.e. musical orchestration is summoning heaviness and would be prominent if as the leads technicality were more brightening or wholly omitted then the band would have a greater rating than what was given to it. A high "B" is still without a doubt, but Cannibal Corpse should focus more so on just the rhythms.

Concluding here as we've discovered death metal sheer precision, a definite boon to your collection, will not bore you as did (I found to be the case) older releases, just not the 2nd and 3rd albums -- those I deem as gems. They're definitely well over the styles in the early days with guitars that a much thicker and heavier distorted, whereas the early releases combined death metal vocals with a more thrashy guitar style. Definitely check out YouTube first to see if it's suitable to your palate, but I would say that followers of the band definitely will be more than satisfied with this one. Watch for catchy riff writing in both tremolo paths and technical onslaughts. Get this, it shall not disappoint or fall below your expectations -- it's notable and catchy, believe me in this entirety, the quality and ingenuity are well intact!

Rating: 8.5 out of 10

Review by Yener on May 25, 2019.

It's that time for another Corpse album. I won’t mess about at all and just have to get this off my chest – this album is mighty. It’s one beast of an album, full of everything and anything you could ever want from Cannibal Corpse.

For starters, I’m glad that the band chose to work with a different producer. Not that there was anything wrong with the Rutan albums, but it’s just good to change things up a bit sometimes. It’s a bit of a gamble, sure, but if it works the payoff can be huge, just like it is here – and just like it was on Kill. I wish more bands would take this approach, such as Nile, rather than just working with the same producer over and over again. You never know who’s going to bring out the best in you.

“High Velocity Impact Spatter” – just the title is enough to get you going, and shit, does the track ever deliver. One of the most crushing opening tracks in Corpse history. You’ll immediately notice that the guitars sound thicker than ever, the bass is nice and audible, the drums are exactly the way they are supposed to be, and Corpsegrinder sounds fucking amazing. His vocals are nice and loud in the mix without washing everything else out.

Perhaps the best thing about this album is that it has something for every Corpse fan. The lighting fast tracks, the mid-tempo, groovy tracks, and the downright dirty, evil tracks. It’s easy to hear things from their entire discography here. I've talked with a bunch of Corpse fans about this album, and everyone seems to have their own favorite set of songs – yet they are mostly different. Which just shows to prove that this album caters to a lot of different Corpse styles, which is great.

The band, being the seasoned pros that they are, perform flawlessly on this record. That’s to be expected, and it would really surprise me if the technical ability wasn't up there with the best. What did surprise me though was the energy rushing through this album, something I felt their previous record Torture lacked. But here, it’s all over the place, and it’s absolutely relentless, and great to hear the band so determined.

Another great thing on this album is that we have more contributions from Pat. Criminally under rated, Pat is an amazing guitar player. Not just technically, but he’s a fantastic song writer as well, so hearing more of his stuff on this album is a real treat. I wish Rob could get in there a bit more as well, as I have always loved his writing style in Solstice and Malevolent Creation. That said though, this is the best Cannibal Corpse line up there ever was and will be, and here the guys are in top form.

For me, it’s hard to pick my favorites, but I would say that the strongest songs on the album are “High Velocity Impact Spatter”, “Sadistic Embodiment”, A Skeletal Domain”, “Headlong Into Carnage”, “Icepick Lobotomy” and “Hallowed Bodies.” I realize that that’s basically half the album right there, but Corpse really have cut the fat off of this one and just thrown that sucker on the grill. And the end result is just pure death metal badassery. Go get this.

Rating: 8.4 out of 10

Review by Adam M on December 17, 2014.

Cannibal Corpse has now been on a pretty good album streak with their last two full-length Torture and A Skeletal Domain. They see the band employing aggression in an intelligent manner to craft visceral, yet compelling death metal songs.

The songs definitely have a gore aspect that likens them to bands like Exhumed, who have more in common with Carcass than this band otherwise. The violence is played out well in the bands riffs that pay homage to those greats, but with a vibe that is all their own. The guitars are razor-sharp and the drumming provides a perfect backbone to the madness. Cannibal Corpse is fairly well-versed musically, but it’s how much the band enjoys playing their songs that makes them so enjoyable. There is a large dose of passion in the songs that eclipses what most death metal bands incorporate. The song-writing is solid and tight, but there isn’t anything overly innovative on this disc. It’s straightforward overall, but has enough nuances to be far more interesting than something like Six Feet Under. There is a far more driven nature to the music of this band that wants to craft a punishing platter of metal for the audience. See Icepick Lobotomy for the type of motivation this band has to craft a weighty piece of music. There is not much innovation here, but it’s hard to fault music that is this consistently well-crafted.

Quality oozing from one track to the next is something that seems to be difficult to achieve for some other death metal bands. A Skeletal Domain is eminently enjoyable on repeated listens. Most people know what they’re in for with this band, so enjoyment of the album is related to previous exposure along with interest in the band musically.

Rating: 8 out of 10