Review by Felix on January 29, 2020.

I confess: my first vinyl was not AC/DC, Kiss or even Black Sabbath. As a child, I had some records with fairy tales or children’s stories about trolls, goblins and all that stuff. Almost 45 years later, I feel like I have gone back in time. Malokarpatan’s third album is also filled to the brim with gnomish stuff. Thank God, they did not forget to integrate some metallic parts as well. Anyway, it is not easy to find access to their sound. Firstly, five songs with a playtime of more than 48 minutes are always a difficult configuration and secondly, the crude mix of folklore, atmospheric sequences and black metal sections is challenging in itself. Finally, we are speaking about a concept album and we know that this does not make things easier. Needless to say, the story is about witches, mysterious supernatural apparitions and further stuff for hobby-esoterics.

Imagine an album which has been recorded exactly in the middle between the outskirts of the North Carpathian forests and a dwarfish parallel universe and maybe than you have an exact picture of the sound of Krupinské Ohne (“The Fires of Krupina”). Even during the metallic parts, there is always a kind of magic in the air and some ghostly shadows surround the listener. Speaking of the typical metal sequences, they are formed by vintage riffing (every now and then, the seventies shimmer through), a few straight and speedy parts and, last but not least, the narrative, dark voice of the lead singer. A lot of reverb on his vocals emphasizes the unreal overall picture. Sometimes I am quite unsure whether or not this is a coherent concept, but even after two previous, more or less very well comparable full lengths, the offering of the Slovakian defenders of quirky metal is still charming. Indeed, I wish they would focus more on their harshest side (which is, by the way, not that harsh…), but I also do not feel the urgent need to skip the other sections. Nevertheless, some unusual parts with equally unusual instruments do not work. The third song, for example, would have been better without the primitive keyboard intermezzo in its center. It sounds like a leftover of early Nocturnus and conveys an outer space feeling. Guess this part was contributed by the main dwarf from the other universe.

Does a band have a soul? If this is the case, Malokarpatan’s one belongs to the pretty melancholic specimen. And it has an almost dreamy facet as well. Maybe this is the reason why the guitar-dominated sections do not really create an evil atmosphere. The pretty blurred guitar tone and the voice rule the sound without reaching the medium degree of common evilness. Okay, the mother tongue of the lead vocalist sounds slightly menacing in my ears (and some ohoho-screams in the closer are truly terrible), but this alone does not form an album which can be described as true black metal. So here we have a traditional work with black ingredients and extraordinary additions. Malokarpatan do not lack ambitions, but we know that it is a very thin line between genius and insanity and my silent hope is that they go one step back, returning to songs which come faster to the point. Krupinské Ohne is still a good album with a robust substance, but the band is in danger to fall victim to their own overproduction of ideas. Or maybe I just cannot forget my infantile socialization. My first vinyls told much less complex stories than Malokarpatan.

Rating: 7.5 out of 10

Review by Felix on January 29, 2020.

I confess: my first vinyl was not AC/DC, Kiss or even Black Sabbath. As a child, I had some records with fairy tales or children’s stories about trolls, goblins and all that stuff. Almost 45 years later, I feel like I have gone back in time. Malokarpatan’s third album is also filled to the brim with gnomish stuff. Thank God, they did not forget to integrate some metallic parts as well. Anyway, it is not easy to find access to their sound. Firstly, five songs with a playtime of more than 48 minutes are always a difficult configuration and secondly, the crude mix of folklore, atmospheric sequences and black metal sections is challenging in itself. Finally, we are speaking about a concept album and we know that this does not make things easier. Needless to say, the story is about witches, mysterious supernatural apparitions and further stuff for hobby-esoterics.

Imagine an album which has been recorded exactly in the middle between the outskirts of the North Carpathian forests and a dwarfish parallel universe and maybe than you have an exact picture of the sound of Krupinské Ohne (“The Fires of Krupina”). Even during the metallic parts, there is always a kind of magic in the air and some ghostly shadows surround the listener. Speaking of the typical metal sequences, they are formed by vintage riffing (every now and then, the seventies shimmer through), a few straight and speedy parts and, last but not least, the narrative, dark voice of the lead singer. A lot of reverb on his vocals emphasizes the unreal overall picture. Sometimes I am quite unsure whether or not this is a coherent concept, but even after two previous, more or less very well comparable full lengths, the offering of the Slovakian defenders of quirky metal is still charming. Indeed, I wish they would focus more on their harshest side (which is, by the way, not that harsh…), but I also do not feel the urgent need to skip the other sections. Nevertheless, some unusual parts with equally unusual instruments do not work. The third song, for example, would have been better without the primitive keyboard intermezzo in its center. It sounds like a leftover of early Nocturnus and conveys an outer space feeling. Guess this part was contributed by the main dwarf from the other universe.

Does a band have a soul? If this is the case, Malokarpatan’s one belongs to the pretty melancholic specimen. And it has an almost dreamy facet as well. Maybe this is the reason why the guitar-dominated sections do not really create an evil atmosphere. The pretty blurred guitar tone and the voice rule the sound without reaching the medium degree of common evilness. Okay, the mother tongue of the lead vocalist sounds slightly menacing in my ears (and some ohoho-screams in the closer are truly terrible), but this alone does not form an album which can be described as true black metal. So here we have a traditional work with black ingredients and extraordinary additions. Malokarpatan do not lack ambitions, but we know that it is a very thin line between genius and insanity and my silent hope is that they go one step back, returning to songs which come faster to the point. Krupinské Ohne is still a good album with a robust substance, but the band is in danger to fall victim to their own overproduction of ideas. Or maybe I just cannot forget my infantile socialization. My first vinyls told much less complex stories than Malokarpatan.

Rating: 7.5 out of 10

Review by Felix on January 29, 2020.

I confess: my first vinyl was not AC/DC, Kiss or even Black Sabbath. As a child, I had some records with fairy tales or children’s stories about trolls, goblins and all that stuff. Almost 45 years later, I feel like I have gone back in time. Malokarpatan’s third album is also filled to the brim with gnomish stuff. Thank God, they did not forget to integrate some metallic parts as well. Anyway, it is not easy to find access to their sound. Firstly, five songs with a playtime of more than 48 minutes are always a difficult configuration and secondly, the crude mix of folklore, atmospheric sequences and black metal sections is challenging in itself. Finally, we are speaking about a concept album and we know that this does not make things easier. Needless to say, the story is about witches, mysterious supernatural apparitions and further stuff for hobby-esoterics.

Imagine an album which has been recorded exactly in the middle between the outskirts of the North Carpathian forests and a dwarfish parallel universe and maybe than you have an exact picture of the sound of Krupinské Ohne (“The Fires of Krupina”). Even during the metallic parts, there is always a kind of magic in the air and some ghostly shadows surround the listener. Speaking of the typical metal sequences, they are formed by vintage riffing (every now and then, the seventies shimmer through), a few straight and speedy parts and, last but not least, the narrative, dark voice of the lead singer. A lot of reverb on his vocals emphasizes the unreal overall picture. Sometimes I am quite unsure whether or not this is a coherent concept, but even after two previous, more or less very well comparable full lengths, the offering of the Slovakian defenders of quirky metal is still charming. Indeed, I wish they would focus more on their harshest side (which is, by the way, not that harsh…), but I also do not feel the urgent need to skip the other sections. Nevertheless, some unusual parts with equally unusual instruments do not work. The third song, for example, would have been better without the primitive keyboard intermezzo in its center. It sounds like a leftover of early Nocturnus and conveys an outer space feeling. Guess this part was contributed by the main dwarf from the other universe.

Does a band have a soul? If this is the case, Malokarpatan’s one belongs to the pretty melancholic specimen. And it has an almost dreamy facet as well. Maybe this is the reason why the guitar-dominated sections do not really create an evil atmosphere. The pretty blurred guitar tone and the voice rule the sound without reaching the medium degree of common evilness. Okay, the mother tongue of the lead vocalist sounds slightly menacing in my ears (and some ohoho-screams in the closer are truly terrible), but this alone does not form an album which can be described as true black metal. So here we have a traditional work with black ingredients and extraordinary additions. Malokarpatan do not lack ambitions, but we know that it is a very thin line between genius and insanity and my silent hope is that they go one step back, returning to songs which come faster to the point. Krupinské Ohne is still a good album with a robust substance, but the band is in danger to fall victim to their own overproduction of ideas. Or maybe I just cannot forget my infantile socialization. My first vinyls told much less complex stories than Malokarpatan.

Rating: 7.5 out of 10

Review by Adam M on June 27, 2017.

This new Iced Earth has all of the heroic trappings one would expect.  The riffing is glorious and makes one become very positively motivated.  In fact, there is a very upbeat tone to the music here.  The riffs are still utilized in a staccato fashion a lot of the time.  This makes for a thrashy sound that is very epic in nature.  The riffs are larger than life and push forward the band’s vision. 

Right from the first track Great Heathen Army things are built up and the largely heroic nature of the songs comes forth.  This is built upon in other tracks like Raven Wing, which is a very subtle and addictive track.  The entirety of the album is very pleasant to listen to and this comes forth with the riffs that have a nice sheen to them.  It comes as no surprise that this album is influenced by the classic heyday of thrash with older Metallica and the like having a huge influence.  There is a very classical heritage to the songs and they take with them that spark that was built up in the past.  Still, Iced Earth is able to put their own flair into the songs and there is a distinctive touch to the songs that is very nice to behold.  The songs are certainly epic in a way that only Iced Earth is capable of portraying.  This viewpoint is a very good reason to rush out and pick up this disc.  The reasons against it are pretty light.  The music here has a tone that is still similar to their early albums which are slightly superior to Incorruptible.  So, while the music harkens back to their past, it doesn’t completely overtake it either. 

Still, the very grand nature of these tracks is hard to ignore and worth of your inspection. 

Rating: 7.7 out of 10