Ghosts Of Atlantis - Official Website


Unholy Blades Of The Devil

United Kingdom Country of Origin: United Kingdom

2. Old Assholes
3. Next
4. Until Death
5. Spartan
6. Daily Zombies
7. Papierkram
8. Lobotomized
9. Bullshit Theories
1. Malevolent Transcendence
2. Faceless Caverns
4. Monologues Of Reverence
5. Swallowed At Dust
6. Vapors Of Human Sacrifice
7. Unwelcome Illuminated Curiosity
8. Amorphous Bulging Appendages
9. Chalice Made Of Bone
1. Помрут - все хорошими станут
2. Ветер войны
3. Шакалы
4. Меч смерти Клеймор
5. Огонь инквизиции
6. Рассвет
7. Раб тьмы
8. Зимние похороны
9. Outro
10. Untitled
11. Untitled
1. The Third Pillar
2. Halls Of Lemuria
3. False Prophet
4. The Curse Of Man
5. When Tridents Fail
6. Poseidon's Bow
7. Gardens Of Athena
1. Empty Shells Of The Sacrament
2. Temple Of Wickedness
3. Descent Into The Depths Of Unspeakable Evil
4. Satanic Scepter
5. Luciferian Wind Blows From The North
6. Empty Shells Of The Sacrament
7. Temple Of Wickedness
8. Descent Into The Depths Of Unspeakable Evil
9. Satanic Scepter
10. Luciferian Wind Blows From The North


Review by Alex on June 1, 2019.

DarkRise’s Circles of Failure is loaded with political and societal themes with an eye and tongue aimed at the many problems existing within the world from the band's perspective. This is modern death/thrash metal that's marked by a crisp production, one that I'm not quite fond of. However, the music is good and would be a worthy recommendation for fans of this particular genre. 

As mentioned, the musicianship is of a decent standard, lots of blast beats, thrashing, clean riffs and solos, vocals sound, 'ok' and the topics have weight as they are candidly discussed. From the first track "Liar Liar" to the last, "Bullshit Theories", you'll notice that the music is always 'in your face', hence the aggressive drumming and mean vocal tones used to express disdain and dissatisfaction rarely every let-up. Accompanying them is the guitar work that is the highlight for me. Taking nothing away from the other aspects of the music, but it's the riffs that make each song memorable and worth a repeated listen or two depending on your taste. Opening with "Liar, Liar", the riffing makes its presence known in a dominating performance that sounds good enough to touch ground with old school death metal. The leads and solos run all the way down to "Bullshit Theories" which is the best track on Circles of Failure

Though not a fan of modern sounding death metal, I can appreciate what's offered compared to multiple other efforts released by big record labels. It tops a lot of what I’ve encountered from major labels; as stuff generally put out by such usually fall well below my threshold of a decent ranking, while Circles of Failure qualifies as a passable entry from DarkRise. I'm aware the band has material going all the way back to 2001 with this being their 6th full-length output, thus the level of musicianship showcased doesn't come as a surprise to me. 

Once you've heard the first track on Circles of Failure you have a clear idea of what the rest of the music has in store. And even with the riffs being of a high standard, the straightforward approach taken by DarkRise doesn't really help them in the variation department. In addition to that, most songs on here last for more than 4 minutes in so stagnating the music a bit. Around 32 minutes or so would have been ideal but prolonging the experience with 42 minutes of fast paced drumming and riffing washed away the flavor of the album to some extent. 

The standout tracks (for me) would be "Old Assholes", "Lobotomized" and "Bullshit Theories". They are more enjoyable compositions than others on here due to the way they are structured. Circles of Failure is a good record by my judgement and would sit relatively high with someone else who likes this style of metal more than I do.

Rating: 6.5 out of 10

   1.47k

Review by Alex on June 1, 2019.

DarkRise’s Circles of Failure is loaded with political and societal themes with an eye and tongue aimed at the many problems existing within the world from the band's perspective. This is modern death/thrash metal that's marked by a crisp production, one that I'm not quite fond of. However, the music is good and would be a worthy recommendation for fans of this particular genre. 

As mentioned, the musicianship is of a decent standard, lots of blast beats, thrashing, clean riffs and solos, vocals sound, 'ok' and the topics have weight as they are candidly discussed. From the first track "Liar Liar" to the last, "Bullshit Theories", you'll notice that the music is always 'in your face', hence the aggressive drumming and mean vocal tones used to express disdain and dissatisfaction rarely every let-up. Accompanying them is the guitar work that is the highlight for me. Taking nothing away from the other aspects of the music, but it's the riffs that make each song memorable and worth a repeated listen or two depending on your taste. Opening with "Liar, Liar", the riffing makes its presence known in a dominating performance that sounds good enough to touch ground with old school death metal. The leads and solos run all the way down to "Bullshit Theories" which is the best track on Circles of Failure

Though not a fan of modern sounding death metal, I can appreciate what's offered compared to multiple other efforts released by big record labels. It tops a lot of what I’ve encountered from major labels; as stuff generally put out by such usually fall well below my threshold of a decent ranking, while Circles of Failure qualifies as a passable entry from DarkRise. I'm aware the band has material going all the way back to 2001 with this being their 6th full-length output, thus the level of musicianship showcased doesn't come as a surprise to me. 

Once you've heard the first track on Circles of Failure you have a clear idea of what the rest of the music has in store. And even with the riffs being of a high standard, the straightforward approach taken by DarkRise doesn't really help them in the variation department. In addition to that, most songs on here last for more than 4 minutes in so stagnating the music a bit. Around 32 minutes or so would have been ideal but prolonging the experience with 42 minutes of fast paced drumming and riffing washed away the flavor of the album to some extent. 

The standout tracks (for me) would be "Old Assholes", "Lobotomized" and "Bullshit Theories". They are more enjoyable compositions than others on here due to the way they are structured. Circles of Failure is a good record by my judgement and would sit relatively high with someone else who likes this style of metal more than I do.

Rating: 6.5 out of 10

   1.47k

Review by Alex on June 1, 2019.

DarkRise’s Circles of Failure is loaded with political and societal themes with an eye and tongue aimed at the many problems existing within the world from the band's perspective. This is modern death/thrash metal that's marked by a crisp production, one that I'm not quite fond of. However, the music is good and would be a worthy recommendation for fans of this particular genre. 

As mentioned, the musicianship is of a decent standard, lots of blast beats, thrashing, clean riffs and solos, vocals sound, 'ok' and the topics have weight as they are candidly discussed. From the first track "Liar Liar" to the last, "Bullshit Theories", you'll notice that the music is always 'in your face', hence the aggressive drumming and mean vocal tones used to express disdain and dissatisfaction rarely every let-up. Accompanying them is the guitar work that is the highlight for me. Taking nothing away from the other aspects of the music, but it's the riffs that make each song memorable and worth a repeated listen or two depending on your taste. Opening with "Liar, Liar", the riffing makes its presence known in a dominating performance that sounds good enough to touch ground with old school death metal. The leads and solos run all the way down to "Bullshit Theories" which is the best track on Circles of Failure

Though not a fan of modern sounding death metal, I can appreciate what's offered compared to multiple other efforts released by big record labels. It tops a lot of what I’ve encountered from major labels; as stuff generally put out by such usually fall well below my threshold of a decent ranking, while Circles of Failure qualifies as a passable entry from DarkRise. I'm aware the band has material going all the way back to 2001 with this being their 6th full-length output, thus the level of musicianship showcased doesn't come as a surprise to me. 

Once you've heard the first track on Circles of Failure you have a clear idea of what the rest of the music has in store. And even with the riffs being of a high standard, the straightforward approach taken by DarkRise doesn't really help them in the variation department. In addition to that, most songs on here last for more than 4 minutes in so stagnating the music a bit. Around 32 minutes or so would have been ideal but prolonging the experience with 42 minutes of fast paced drumming and riffing washed away the flavor of the album to some extent. 

The standout tracks (for me) would be "Old Assholes", "Lobotomized" and "Bullshit Theories". They are more enjoyable compositions than others on here due to the way they are structured. Circles of Failure is a good record by my judgement and would sit relatively high with someone else who likes this style of metal more than I do.

Rating: 6.5 out of 10

   1.47k

Review by Adam M on April 1, 2021.

Ghosts Of Atlantis bring an innovative symphonic style to the table. While similar to the likes of Dimmu Borgir and Cradle of Filth, this band is decidedly less black metal than those. What we have here is a more traditional symphonic style that perhaps has a more death metal influence. It would not be incorrect to compare the band to the likes of Septic Flesh, as this band emits a similar flavour.

The outfit is clean enough sounding and displays a great diversity in their sound. Songs are vibrant and full of energy and showcase a new band coming into its own. One could also compare the band to Fleshgod Apocalypse, though they are less vicious. Regardless, a very full of lie approach leads to a relatively upbeat style. The vocals alternate between harsh and clean types, but normally stick to the harsh style. The interspersion of keyboards adds a nice touch to the guitars and the whole thing sounds very colourful. A more progressive approach might give Ghosts Of Atlantis even more success, but they are certainly bombastic enough. Like Septic Flesh it takes some time to adjust to the music, but it is quite accessible regardless. The band straddles the line between death and black metal, but tends more towards the former.

The amount of dynamics present means that the album is always able to maintain your interest, though an even greater use of these would lead to a more interesting listening. While not the most exceptional symphonic metal album, enough is on offer here to be very interesting on most points. With even more refinement the band could be a force to be reckoned with. As it stands, Ghosts Of Atlantis have a hit with their debut that should appeal to a wide variety of symphonic metal fans around the globe.

Rating: 7.4 out of 10

   1.47k

Review by Adam M on April 1, 2021.

Ghosts Of Atlantis bring an innovative symphonic style to the table. While similar to the likes of Dimmu Borgir and Cradle of Filth, this band is decidedly less black metal than those. What we have here is a more traditional symphonic style that perhaps has a more death metal influence. It would not be incorrect to compare the band to the likes of Septic Flesh, as this band emits a similar flavour.

The outfit is clean enough sounding and displays a great diversity in their sound. Songs are vibrant and full of energy and showcase a new band coming into its own. One could also compare the band to Fleshgod Apocalypse, though they are less vicious. Regardless, a very full of lie approach leads to a relatively upbeat style. The vocals alternate between harsh and clean types, but normally stick to the harsh style. The interspersion of keyboards adds a nice touch to the guitars and the whole thing sounds very colourful. A more progressive approach might give Ghosts Of Atlantis even more success, but they are certainly bombastic enough. Like Septic Flesh it takes some time to adjust to the music, but it is quite accessible regardless. The band straddles the line between death and black metal, but tends more towards the former.

The amount of dynamics present means that the album is always able to maintain your interest, though an even greater use of these would lead to a more interesting listening. While not the most exceptional symphonic metal album, enough is on offer here to be very interesting on most points. With even more refinement the band could be a force to be reckoned with. As it stands, Ghosts Of Atlantis have a hit with their debut that should appeal to a wide variety of symphonic metal fans around the globe.

Rating: 7.4 out of 10

   1.47k