Review by Chris Pratl on December 18, 2017.

For the better part of 30-years the coveted Assault series by Venom has been some of the unholiest of grail records to try and complete. I know it personally took me 20-years to assemble all seven of the original records, a task that took me to the furthest reaches of the planet and saw me disseminate ungodly amounts of money to add them to my collection. Amazingly enough, I've come to find that a few of these releases were, indeed, bootleg editions never authorized by the Newcastle trio, but to a then-14-year old Legion this mattered very little.

These mini-LP's were all released over time between 1985 and 1988, and now all of these years later Dissonance Productions out of the U.K. has seen fit to reissue all of them in a nifty little box set for an equally nifty little price. The set contains all seven of the unholy collections: American Assault, Canadian Assault, French Assault, Japanese Assault, German Assault and Scandinavian Assault, most seeing CD release for the first time (save for Japanese Assault, which was released on the VAP label out of Japan on both CD and vinyl back in the late 80's).

For the absolute Venom enthusiast, of which there are countless numbers, this is a necessary hodge-podge of studio and live tracks, with the occasional interview thrown in for measure. While I had a  feeling that the original sources for this set would be vinyl (and I was right) the charm and value of the set isn't diminished one iota. The box contains seven nice replica cardboard sleeves completely reminiscent of the old album covers; it really does appear that some care was put into the assemblage of the set, albeit devoid of a booklet or any additional info about the individual releases. In this case the content can, quite emphatically, stand all on its own. Upon their original releases, these were EP's that had both live tracks (some taken from the Alive in '85 or Live at Hammersmith videos respectively) and some rare singles and b-sides. If you are the aforementioned lifelong Venom Legion, these tracks and collections will be no surprise to you, but for newer and older arm's-length fans alike this set provides a wondrous trip back to a time when scouring the local record stores for these records was an all-consuming affair. My personal copy of Canadian Assault carries with it a tale of two best friends beating the hell out of each other in the record store over this evil slab of wax way back in 1985. This band had strange effects of some of us...yet I offer no apologies. Venom fans are notoriously sentimental when it comes to their personal collections, and these Assault records managed to elude some of us for years. I eventually found my Japanese Assault vinyl through the age-old “guy that knows a guy that knows another guy” and paid a hefty amount for it. The CD I procured some time after that was a little less of a challenge (a classified ad in the back of an old trade mag called Goldmine), but nevertheless it was exciting to add these coveted treasures to my library. Now the masses at hand can add all of these little Assault gems to their own personal arsenals in one fell swoop.

So, all of my personal reflections aside, is the set actually worth the price of admission? As a fan I say yes, it's a nice addition to the collection. Now, as a reviewer with my reputation on the line? I still offer a cautionary yes, the caution being that, again, the source material is from vinyl. For those of us that find a charm in those pops and clicks between tracks, this is nothing short of wanton nostalgia nipping at our elder heels, and it's a welcome look back. That said, there are some audiophiles out there that want nothing to do with a CD sourced from vinyl, and that's all well and good – it would serve you folks to heed this warning before purchasing the set.

All of this aside, yes, we have another collection of “hits” from Venom to go along with the 100 other compilations lying around out there occupying space, but there is a real sense of treasure attached to this one if you're so inclined to accept such wonderful trivialities into your head. 

Rating: 9 out of 10   

Review by Chris Pratl on December 18, 2017.

For the better part of 30-years the coveted Assault series by Venom has been some of the unholiest of grail records to try and complete. I know it personally took me 20-years to assemble all seven of the original records, a task that took me to the furthest reaches of the planet and saw me disseminate ungodly amounts of money to add them to my collection. Amazingly enough, I've come to find that a few of these releases were, indeed, bootleg editions never authorized by the Newcastle trio, but to a then-14-year old Legion this mattered very little.

These mini-LP's were all released over time between 1985 and 1988, and now all of these years later Dissonance Productions out of the U.K. has seen fit to reissue all of them in a nifty little box set for an equally nifty little price. The set contains all seven of the unholy collections: American Assault, Canadian Assault, French Assault, Japanese Assault, German Assault and Scandinavian Assault, most seeing CD release for the first time (save for Japanese Assault, which was released on the VAP label out of Japan on both CD and vinyl back in the late 80's).

For the absolute Venom enthusiast, of which there are countless numbers, this is a necessary hodge-podge of studio and live tracks, with the occasional interview thrown in for measure. While I had a  feeling that the original sources for this set would be vinyl (and I was right) the charm and value of the set isn't diminished one iota. The box contains seven nice replica cardboard sleeves completely reminiscent of the old album covers; it really does appear that some care was put into the assemblage of the set, albeit devoid of a booklet or any additional info about the individual releases. In this case the content can, quite emphatically, stand all on its own. Upon their original releases, these were EP's that had both live tracks (some taken from the Alive in '85 or Live at Hammersmith videos respectively) and some rare singles and b-sides. If you are the aforementioned lifelong Venom Legion, these tracks and collections will be no surprise to you, but for newer and older arm's-length fans alike this set provides a wondrous trip back to a time when scouring the local record stores for these records was an all-consuming affair. My personal copy of Canadian Assault carries with it a tale of two best friends beating the hell out of each other in the record store over this evil slab of wax way back in 1985. This band had strange effects of some of us...yet I offer no apologies. Venom fans are notoriously sentimental when it comes to their personal collections, and these Assault records managed to elude some of us for years. I eventually found my Japanese Assault vinyl through the age-old “guy that knows a guy that knows another guy” and paid a hefty amount for it. The CD I procured some time after that was a little less of a challenge (a classified ad in the back of an old trade mag called Goldmine), but nevertheless it was exciting to add these coveted treasures to my library. Now the masses at hand can add all of these little Assault gems to their own personal arsenals in one fell swoop.

So, all of my personal reflections aside, is the set actually worth the price of admission? As a fan I say yes, it's a nice addition to the collection. Now, as a reviewer with my reputation on the line? I still offer a cautionary yes, the caution being that, again, the source material is from vinyl. For those of us that find a charm in those pops and clicks between tracks, this is nothing short of wanton nostalgia nipping at our elder heels, and it's a welcome look back. That said, there are some audiophiles out there that want nothing to do with a CD sourced from vinyl, and that's all well and good – it would serve you folks to heed this warning before purchasing the set.

All of this aside, yes, we have another collection of “hits” from Venom to go along with the 100 other compilations lying around out there occupying space, but there is a real sense of treasure attached to this one if you're so inclined to accept such wonderful trivialities into your head. 

Rating: 9 out of 10   

Review by Chris Pratl on December 18, 2017.

For the better part of 30-years the coveted Assault series by Venom has been some of the unholiest of grail records to try and complete. I know it personally took me 20-years to assemble all seven of the original records, a task that took me to the furthest reaches of the planet and saw me disseminate ungodly amounts of money to add them to my collection. Amazingly enough, I've come to find that a few of these releases were, indeed, bootleg editions never authorized by the Newcastle trio, but to a then-14-year old Legion this mattered very little.

These mini-LP's were all released over time between 1985 and 1988, and now all of these years later Dissonance Productions out of the U.K. has seen fit to reissue all of them in a nifty little box set for an equally nifty little price. The set contains all seven of the unholy collections: American Assault, Canadian Assault, French Assault, Japanese Assault, German Assault and Scandinavian Assault, most seeing CD release for the first time (save for Japanese Assault, which was released on the VAP label out of Japan on both CD and vinyl back in the late 80's).

For the absolute Venom enthusiast, of which there are countless numbers, this is a necessary hodge-podge of studio and live tracks, with the occasional interview thrown in for measure. While I had a  feeling that the original sources for this set would be vinyl (and I was right) the charm and value of the set isn't diminished one iota. The box contains seven nice replica cardboard sleeves completely reminiscent of the old album covers; it really does appear that some care was put into the assemblage of the set, albeit devoid of a booklet or any additional info about the individual releases. In this case the content can, quite emphatically, stand all on its own. Upon their original releases, these were EP's that had both live tracks (some taken from the Alive in '85 or Live at Hammersmith videos respectively) and some rare singles and b-sides. If you are the aforementioned lifelong Venom Legion, these tracks and collections will be no surprise to you, but for newer and older arm's-length fans alike this set provides a wondrous trip back to a time when scouring the local record stores for these records was an all-consuming affair. My personal copy of Canadian Assault carries with it a tale of two best friends beating the hell out of each other in the record store over this evil slab of wax way back in 1985. This band had strange effects of some of us...yet I offer no apologies. Venom fans are notoriously sentimental when it comes to their personal collections, and these Assault records managed to elude some of us for years. I eventually found my Japanese Assault vinyl through the age-old “guy that knows a guy that knows another guy” and paid a hefty amount for it. The CD I procured some time after that was a little less of a challenge (a classified ad in the back of an old trade mag called Goldmine), but nevertheless it was exciting to add these coveted treasures to my library. Now the masses at hand can add all of these little Assault gems to their own personal arsenals in one fell swoop.

So, all of my personal reflections aside, is the set actually worth the price of admission? As a fan I say yes, it's a nice addition to the collection. Now, as a reviewer with my reputation on the line? I still offer a cautionary yes, the caution being that, again, the source material is from vinyl. For those of us that find a charm in those pops and clicks between tracks, this is nothing short of wanton nostalgia nipping at our elder heels, and it's a welcome look back. That said, there are some audiophiles out there that want nothing to do with a CD sourced from vinyl, and that's all well and good – it would serve you folks to heed this warning before purchasing the set.

All of this aside, yes, we have another collection of “hits” from Venom to go along with the 100 other compilations lying around out there occupying space, but there is a real sense of treasure attached to this one if you're so inclined to accept such wonderful trivialities into your head. 

Rating: 9 out of 10   

Review by Felix on May 25, 2019.

Approximately a million years ago, I was still young and even the band leader of W.A.S.P. - I have decided to avoid his ridiculous pseudonym in this review - was in an almost juvenile state. However, the difference between him and me is explained quickly. He recorded a pretty solid album called The Last Command while I was totally unproductive and just hanging around. So, let's speak about his actions.

Following hot on the heels of the successful debut, the record company seemed to think that there was not much time to capitalize the music of W.A.S.P. On the one hand, this was comprehensible, because the ten songs of the here reviewed work offered nothing that had not been offered a thousand times before. But since the Big Bang from which our earth emerged fifteen billion years ago, the interface of hard rock and heavy metal has never been the breeding ground for musical pioneers. Other qualities are required, for example a snotty attitude, a certain nonchalance and, of course, a sufficient musical substance. Back in 1985, W.A.S.P. met all criteria with their I-don't-give-a-you-know-what-I-want-to-say attitude. Hard to believe, but The Last Command does not blatantly suffer from an overdose of stereotypes, even though each and every song title is soaked with clichés. "Cries in the Night", "Running Wild in the Streets", "Sex Drive... come on, already this selection shows that the line-up did not consist of highly talented men of letters. 

However, the record reflects the band's joy of playing and spreads authentic vibrations. Better still, even a pretty calm track like "Widowmaker" does not fall victim to commercial ballad patterns. It creates a fairly dark mood and surprises with a certain individuality. More or less the same goes for "Cries in the Night", another song with a very melodic touch, but without the schmaltz that the-man-with-the-name-I-do-not-write-this-time loved to integrate on later works. Moreover, the comparatively aggressive "Ballcrusher" also leaves its footprint. The memorable chorus makes it easy to keep this track in mind. Is it an original number? No. Is it a good number? Yes, because it sounds lively, clearly defined and successfully reduced to the essentials. I don't think that real classics celebrate their get together on The Last Command, but it is an album that still makes fun from time to time. Needless to say, that I am speaking of a pretty dirty fun, but the more or less impulsive riffing of tracks such as "Fistful of Diamonds" are not interested in a sterile atmosphere and that's a good thing. Spontaneity, a feature that W.A.S.P. totally lost after their first three albums, plays a good role and conveys a kind of outlaw feeling.

The album sounds like a W.A.S.P. album should sound, and I really do not know anything else to write about the production. Instead, let's finish this review with some words about the opener and maybe most prominent number of this output. "Wild Child" is based upon solid verses and a catchy chorus, but its lyrics win every award for vapid banality. "I'm a wild child, come and love me, I want youououou" - hard to endure. Furthermore, the instrumental part of the number sounds pretty uncoordinated. I guess the band leader with the funny pseudonym stumbled through the recording studio, fell over some rattles, tambourines and keyboards and an obviously drunken sound engineer decided to release this mishmash of cheap effects. At the end, it doesn't matter. The album is what it wants to be, a solid package of vigorous hard rock / heavy metal and it holds some really fine guitar lines, for example in the title track. And I want to be young again.

Rating: 7.4 out of 10