Review by Arek on November 11, 2020.

After several years of playing together and a few local concerts, four maniacs of strong sounds, fun and high-proof drinks followed with some herring decided to embody the repertoire created and played here and there. They embodied it on August 4th this year. The album features 11 pieces of lively grind core tinged with many influences and a large dose of humor.

Speaking of Śledzie Zagłady and grind core, it is as if we wanted to put Napalm Death's work into the same drawer. It is true that Śledzie achievements do not venture into industrial regions, but it's the early grind core activity of the Englishmen that is extremely close to them. It was reflected in the cover of ‘Unchallenged Hate’ from Napalms' second album. However, I must explain right away that this is the only track that maintains the grind core structure as a whole. All the other tracks are quite free play with musical styles from punk rock to black metal with a grind character. In terms of sound, I would place them in Scandinavia between the late Nasum and Rotten Sound.

In Śledzie's work, the lyrics that perfectly fit into this lively music are no less important. Here, however, it is worth adding a warning that playing Śledzie Zagłady's music in front of minors may result in too fast of a linguistic education in the backyard Latin regions. Unfortunately, or maybe for the better the book does not contain lyrics of individual songs, although it would be worth reading them to learn the stories of Onan, Rudy or King Edzio. The very title of Śledzie W Kosmosie indicates that this position should be approached with a grain of salt, preferably twice applied. It will be perfect for events strengthened with the high proof liquids and such. From my own experience, I can add that it is difficult to sit still at their concerts. After just a few sounds the leg taps, the head nods, and then it turns out that you are already jumping in front of the stage.

Ending my arguments, I would like to encourage all metalheads, who do not mind aggressive sounds while dancing, to reach for the debut of Śledzie Zagłady. This somewhat budget digipak, decorated with a cover by Marcin "Kryszpin", can turn out to be quite a useful gadget for both music and general entertainment.

Rating: 7.5 out of 10

Review by Felix on July 5, 2021.

I'm really grateful to bands like Running Wild, Annihilator and Flotsam And Jetsam. On the one hand, they fired some very strong bullets on their early works ("Gods Of Iron", "I Am In Command", "Dreams Of Death" and others). On the other hand, they all released a bunch of crap as their third album and lost their relevance forever from my point of view. My wallet was happy, it saved it about 30 investments. But do Flotsam And Jetsam really belong in the ranks of combos that have become irrelevant "forever"? To my big surprise, Blood In The Water wants to seriously discuss this question once again.

The title track opens the round of pieces standardised to 4 - 5 minutes in length. After all, it does not lack a certain sharpness. The whole thing sounds a bit like Chastain on dope with a Leather on the microphone, who has lost 25% of her vocal charisma during her transformation into a man. The quintet produces bludgeoning somewhere between power and speed metal, the chorus could be a little less melodic and the drums less blunt - but it's still not bad. In any case, a passable beginning for seemingly reanimated veterans that for several decades have been falling back - or rather have to fall back - on material from the first two records for 90% of their live performances.

There is no need to fear that the climax of the record has already been passed with the first piece. The nearly unbelievably fantastic 'Brace For Impact' is carried by both a sharp-edged, classic riff and an intensive chorus. Lo and behold, a tinge of 1988 blows out of the speakers. Fans of Helstar and comparable US warhorses should have fun here as well as with 'Burn The Sky', especially since the songs are performed quickly, bitingly and without any signs of slackness. But after the first quarter, the album goes astray. Instead of brisk tempo, lacklustre melodies dominate more and more. Flotsam And Jetsam want to score with emotionality and unfortunately remain completely colourless. The low point is 'Walls', whose spectacular harmlessness reminds us that it was probably no coincidence that no work in the last 30 years could even come close to No Place For Disgrace. 'Cry For The Dead' with its loud-quiet dynamic offers a bit more drama, but also remains below the possibilities of a half ballad. It's a pity, because the powerfully produced album would also have provided the right technical framework for a crisp ballad.

'Too Many Lives' puts things back into perspective. A somewhat interwoven riffing, strict verses and a chorus that catches the ear even without a fluffed-up melody help the double bass orgy to a place among the best three tracks on the album. Overkill should write such a good number again, it would fit stylistically well to them. In fact, 'Too Many Lives' heralds another strong section of the record, in which the five-piece from Arizona combines some driving, fast rhythms with aggressive guitar work. The dark and fast-paced 'Dragons' would also have cut a fine figure on Destructor's "Forever In Leather", as would the intense 'Re-aggression' with its siren-like, ominous melodic fragment at the beginning of the verses. The overall result is an album that should have been shortened by two songs in the middle, but which nevertheless offers at least half a dozen blockbusters. I admit that I would not have expected more – quite the opposite. But Blood In The Water doesn't only attract sharks, even old metal freaks like me come out of their holes again and give it a chance. If Running Wild and Annihilator now also (almost) find their old strength again, it will be expensive for me.

Rating: 7.3 out of 10