Few months ago Alcoholic Vortex has released "Space Traumas – Part II: Attack of the Yarells," the second chapter in the intergalactic saga the Brasilia-based band has been developing in the thrash metal universe. The album has already been featured in specialized media outlets and profiles this semester, both in Brazil and abroad, solidifying the band as one of the most creative names in the new generation of Brazilian metal. In this conversation, bassist and vocalist Victor "Chuck" Rascal discusses the creative process, the underground scene, and plans for the next chapter of the space saga. Enjoy!

Marcelo Vieira

"Space Traumas – Part II: Attack of the Yarells" is finally out! How has the response been from listeners, the press, and the scene overall in these early days?

It's been very positive, both nationally and internationally, even appearing on some specialized profiles as one of the best releases of the semester.

The band has built a cosmic narrative connecting this new album to the first one. Where did the idea to tell this intergalactic saga within the thrash metal universe come from? Are you a sci-fi fan, or did it come about spontaneously?

Actually, the story will unfold in at least three chapters. The idea came from some dreams I had, which inspired me, along with my curiosity about space and physics themes.

For those unfamiliar with the story, who is Warren Jackson, and what can we expect from him in this sequel?

Warren Jackson is a passionate headbanger whose life has always been intertwined with Heavy Metal, through good times and bad. One day, while attending a routine event, he is abducted by aliens, which kicks off this saga.

Musically, the album maintains the weight and aggression of the first release, but what did you aim to evolve or explore differently in this second chapter?

We tried to add more atmospheres, harmonies, vocals, and make it a bit darker, because it's about invasion and domination. We wanted to convey the struggle and the intensity of the moment.

Is there any song on the album you consider particularly special or that was especially challenging in the studio?

I think every track was equally challenging because many ideas emerged directly in the studio. The synergy between the band and the production team made this possible, and I believe that was a real differentiator.

Speaking of the studio, the album was recorded between October and November 2024 at Studio Hangar 408, with the band directly involved in the production. How was that process? Do you prefer having that creative control, or do you ever miss working with an external producer?

It was a true partnership. Hangar 408 isn't just a studio—it's part of the band. Nilson and Arthur contributed crucial ideas and touches, and the band was heavily involved in every aspect. It became a fantastic team effort, and we're really proud of the result.

The album's artwork, created by Márcio Aranha, complements the band's space concept. Did you actively participate in the visual development, or did you give the artist full creative freedom?

Márcio is also part of this team. I just give him a little thread of an idea, and he adds his own touch. His imagination brings a special sauce to the work, giving life to things that previously only existed in my mind.

Brasília has been known for its rock scene since the 1980s, but metal—especially thrash—doesn't always get as much attention. How do you see the scene for bands like Alcoholic Vortex in the city and in Brazil overall?

I think thrash definitely stands out—just look at bands like Violator, Evil Corpse, NW77, Axion, Transtorno Nuclear, and many more. I could go on all day. I see these bands carving out their space in the national underground scene, just like bands I've seen in other regions: North, Northeast, Southeast, and South. It's a very promising scene, with increasingly powerful riffs, which, in the end, is what really counts!

The band seems to be in an intense creative phase. Can we already think about the future? Is there a "Part III" planned, or are other ideas brewing?

Part III is already about 75% composed. I like to think the band is showcasing its creative power and maturity. I really like the direction things are taking, and it's fascinating to look back and see this growth from the very beginning.

Finally, what can never be missing from an Alcoholic Vortex member's "survival kit" before a show or recording session?

I'd say: a cold beer, imagination, and riffs… Yeaaaah!