Welcome to MetalBite's Top 10 albums of the month! December tends to be a quiet month for new releases as most people are typically just catching up on everything they heard that year, but that doesn't mean you should sleep on these albums. In modern times when there is a never-ending deluge of new music, having the chance to take a breather and pay attention to the music you listen to is becoming an increasingly valuable luxury.

Anyways, get your fix of new music. Happy new year, here's to a prosperous and riff-filled 2026.

-Nate

HONORABLE MENTIONS

Cryoxyd - This World We Live In…
Dolorem Records

After 25 years (!!!), this French group has put out their first full-length album. Granted, most of the lineup has been overhauled since the band's inception and there was a long period of inactivity, but nonetheless, it's heartwarming to see this album finally come to fruition. Never give up on your dreams.

Contained within is lean, meaty death metal riffage with a futuristic touch (mostly in the drum work) and throaty rasps that bring John Tardy and Martin Van Drunen to mind. The compositions are concise, and naturally generate atmosphere without forcing it. Though they are late bloomers, this is a well-developed debut that hints at a bright future for the band…ironically, via depicting a desolate, mechanical dystopia.
-Nate

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Sepulchral - Beneath The Shroud
Soulseller Records

This Spanish band makes some truly nasty and satisfying old school death metal. It's riff worship of the "Scream Bloody Gore" variety, with a lot of thrash influences, without going full death/thrash. I like the short but very creative solos (although, being a fan of tech death, I would have taken much more solos) and the subtle and tasteful uses of blast beats. They even slow down sometimes, for a nice death/doom vibe. Vocally, it's a traditional reverb drenched growl that sounds like it's coming from a deep murky cave. We even get a short drum solo near the end. In the end it's nothing new, but just well executed, comfort OSDM to warm your soul.
-Raphael

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Blood Red Throne - Slitskin
Soulseller Records

These guys are the Norwegian Cannibal Corpse - you know exactly what you're getting with every new album and you don't care because it gives exactly what you need. The perfect "bread and butter" listening for any death metal fan. Don't know what to put on? Blood Red Throne will do the trick no matter your current mood.

If I could note any differences between Slitskin and their earlier work, this seems more polished and groovy, but that's a hairsplitting distinction to make. If you like BRT, you'll like this album. Normally I do not champion assembly line consistency this readily and appreciate when a band evolves and experiments, but there are a few notable exceptions where I'd rather the band just keep making solid music and not fix what isn't broken. This is one of them. No bullshit, no frills - just death metal.
-Nate

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Burning Death - Burning Death
Caligari Records

Burning Death, hailing from Braz… no wait, Nashville, Tennessee, play the extreme style of thrash metal, inspired by "teutonic blasphemies, early Slayer, Sabbat (Japan), and South American legions" and it's 30 minutes of punches to the face and it feels good! If you're in the mood for classic blackened death/thrash with a modern production, this ticks all the boxes.
-Raphael

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METALBITE'S TOP 10 ALBUMS OF THE MONTH

 

10: Darvaza - We Are Him
Terratur Possessions

We are him, he is us. The Devil is in all of us, isn't he? Darvaza certainly evoke him with their cold, orthodox black metal. As you can see on the cover, less is more here. No ambient experiments - "We Are Him" is frostbitten and dragging black metal. Don't expect any melodious warmth in the seven songs, this isn't for the Dimmu Borgir/Cradle of Filth crowd - there is only pure hatred and Devil worship. Transilvanian Hunger is a better comparable. Listen to this and uncover your dark side.
-Michael

MetalBite's Rating: 8/10

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9: Rotten Sound - Mass Extinction
Season Of Mist

This is a short, compact and precise grindcore EP by Finnish legends that is musically tight and devastating. With lyrics about the environmental scam that is recycling, to slave labor in rare earth mines used to make batteries and just a very dark outlook of humanity, it's designed to pump you up and thrash your surroundings, basically what grindcore is supposed to do.
-Raphael

MetalBite's Rating: 8/10

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8: Nemorous - What Remains When Hope Has Failed
Bindrune Recordings

The loss (no pun intended) of Wodensthrone was a bitter blow for the UK black metal scene, but the silver lining is the existence of Nemorous, who have risen like a phoenix from the ashes of that much-missed band. With just 2021's self-titled EP to their name so far, their debut album has been gestating for what seems like an age, but the results show that they were right to take their time, and the diligent work that has been poured into an immaculately well-crafted record is palpable. The bleakly-titled What Remains When Hope Has Failed is very much at the atmospheric end of the black metal spectrum, but enough feral intensity is retained to offset the passages of twinkling post-rock prettiness, and maintain the deep connection to the band's roots. While this will no doubt be of interest to fans of Wiegedood, Ellende, and Necronautical, Nemorous's real point of difference is the subtle way in which they weave unconventional synth layers throughout their music. The string and woodwind tones that are used position this some distance from bombastic symphonic metal, recalling instead the way in which Panopticon have integrated traditional folk instruments into their attack, and some of the more unconventional harmonic choices even approach Arcturus territory at points. Not unlike last year's Saor album, Nemorous leave the best song until last, the triumphant chord progression of the title track delivering the kind of transcendental wonder that Vemod specialise in, creating a majestic apex for the album. This is a very good debut, and if Nemorous can harness more regularly the kind of alchemy that they are so clearly capable of, they may yet become a truly spectacular proposition.
-Benjamin

MetalBite's Rating: 8.1/10

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7: Zero State - Shadow Realm
Independent

Hardcore bands cosplaying as OSDM is all the rage these days, but I'm not averse to the trend because you've still gotta have a nasty guitar tone and some sick riffs to keep it legit - they've just maximized the crossover appeal. Zero State has enough simplicity to keep the meatheads moving, but their hearts are clearly set on recreating the vibes of Dismember, Cannibal Corpse, Entombed and early Gatecreeper. Having seen them live, I know it's only a matter of time before they break through to bigger audiences - they have the sound, they have the stage presence, they're doing everything right. It's all about to fall into place. You heard it here first.
-Nate

MetalBite's Rating: 8.1/10

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6: Chaos Over Cosmos - The Hypercosmic Paradox
Independent

Who doesn't like fast, technical guitar work, intense vocals, and a strong cosmic atmosphere? Polish musician extraordinaire, Rafał Bowman asks this question and if the answer is yes, then strapped in for the ride! What a fun album to close out the year, done by a truly talented musician and with the most insane solos you'll ever hear. If you've never heard of Chaos Over Cosmos and you love prog, what are you doing?
-Raphael

MetalBite's Rating: 8.2/10

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5: Sun Of The Suns - Entanglement
Scarlet Records

Oh hey, I thought Fallujah already put out an album this year. Also didn't realize they changed their name and relocated to Italy!

In all seriousness, this should be an easy album to get into for modern prog death fans. Very similar ethereal vibes, and the frequent use of chugs will satiate Rivers of Nihil fanboys. Any deathcore influence is off-kilter and diluted enough that this probably won't appeal to straight-up hardcore kids, but there's still an occasional moment where a mosh pit would be warranted in a live setting.

The beauty of metal, to me, is that for a band the size of Fallujah that's hitting Billboard with their new album, there's at least a dozen bands like Sun Of The Suns that are musically just as good, and you might even prefer them - they just aren't as well-marketed or weren't the first to do it.
-Nate

MetalBite's Rating: 8.3/10

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4: Weft - The Splintered Oar
Bindrune Recordings

Charlie Anderson is a Texas musician that is best known for playing the violin live for Panopticon. He is now finally releasing his first solo material, doing everything from vocals, guitars, bass, violin, synth, piano to percussion and oh boy, what a debut it is! You can hear some similarities with Panopticon, with folk and atmospheric black metal but his composition style is much more progressive, complex song structures, going from extremely aggressive black metal to quiet folk violins, incorporating dissonance and odd rhythm structures. He has such a great voice, harsh piercing shrieks, guttural death growls and soulful cleans. The album ends with the prog epic "Dream Of Oaks" which is a wild ride through americana, prog, black and death metal. Perfect album for the cold winter months.
-Raphael

MetalBite's Rating: 8.3/10

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3: Phantom Corporation - Time And Tide
Supreme Chaos Records

Kicking off with some casual thrash riffs, soon the full inferno unfolds with "Time And Tide". This is the logical step after their furious debut "Fallout" and a heavy punch in the face. The German quintet is offering a relentless mixture of crust, grind, thrash and punk - they know how to grab the listener by the balls. Everything is in place and there are no unnecessary diversions. Vocalist Leif Jensen shouts and screams as if he is possessed by some evil spirits and the riffs are like a chainsaw cutting fresh bones.

"Time And Tide" is crazy brutal shit and might cause you to forget about the screaming orange toddler threatening and terrorizing everybody because he cannot find his little prick in his pampers.
-Michael

MetalBite's Rating: 8.5/10

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2: Fleshvessel - Obstinancy: Sisyphean Dreams Unfolded
I, Voidhanger Records

Something about each of the main band members being credited with half a dozen instruments each and then Gwyn Hoetzer only playing the flute got a chuckle out of me.

Anyways, this is some real off the wall shit. "everything but the kitchen sink" metal. You never know what it's going to throw at you next, but it's not a grating or uncomfortable fabric. Weirdness for its own sake can be tiring, but this has a certain elegance to it that keeps me coming back.
-Nate

MetalBite's Rating: 8.5/10

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1: Lychgate - Precipice
Debemur Morti Productions

In some respects, Lychgate's label have done them a disservice by releasing their fourth album in December, the month typically being taken up by lists naughty, nice, and, of course, best albums of the year. Precipice is good enough to be on all three, an imposing slice of avant-garde death metal that punishes and delights in equal measure, sometimes simultaneously. Lychgate are the sound of death metal had it evolved in the wake of an apocalyptic nuclear meltdown, like the flora and fauna that grew in the shadow of Chernobyl after the humans had abandoned the Soviet hellscape. It's recognisable, but only just. There are reference points: latter-day Gorguts are the most obvious, but there are elements of Ulcerate, Dodecahedron, Morbid Angel and even Prometheus-era Emperor in the dissonant miasma that the band conjure. Lychgate, however, are no one's imitator. Forging their own hellish path, led by Greg Chandler from Esoteric, another group of fearless sonic adventurers, the band can rely on virtuoso instrumental skill, but utilize it only in service of the song. The album reaches twin peaks on the wonderful 'Hive Of Parasites', which moves almost imperceptibly from a jazzy mid-section to a terrifying coda, with interlocking counterpoint melodies weaving their way through each other until the final denouement, and then the penultimate track 'Anagnorisis', a grandiose slab of post-metal, featuring dizzying work on the bass from former To-Mera and Haken maestro Tom MacLean, as well as the catchiest riff on the entire album, as if to prove that Lychgate are capable of dropping into something more conventional if they so wish. This writer simply wishes that every album were as ambitious and impressive as this outstanding release.
-Benjamin

MetalBite's Rating: 8.9/10

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As always, thank you for stopping by. This concludes 2025, and if you ever want to do a deep dive on new metal from this year, you can view all the lists for past months below:

November 2025
October 2025
September 2025
August 2025
July 2025
June 2025
May 2025
April 2025
March 2025
February 2025
January 2025

And, of course, Follow MetalBite on Facebook, Spotify and Instagram so you can be there right when the next Top 10 list drops!

Entered: 1/18/2026 12:39:51 PM

Previous Post Live update from Lemmy Pub, May 13, 2023 Siedlce, Poland	Next Post Live Review - Rhapsody Of Fire, Nightmare, Manigance - Turock, Essen - 03/29/23

Welcome back! After I made a promise this month's list would come earlier, I…took even longer to put to together this month. We're now at the point where May's list should be coming out. In my defense, I lost about two weeks' worth of time because I got an incredible offer to perform live with a band I am a huge fan of mid-April. Bonus points if you can guess who it is - they were by #1 album of the month in an AOTM list from 2022, that's the only hint I'll give.

Anyways, shame me all you want in the comments. Here's some new music to make up for my continued tardiness.

-Nate

HONORABLE MENTIONS

Heretic Plague - Context Is A Stumbling Corpse
Selfmadegod Records

A side-project of sorts from Tom Bradfield, the guitarist/vocalist of Twitch of the Death Nerve. It's got a rumbling low-end but with a grindcore approach to songwriting in that it jumps between jagged low-end riffs that use jarring tempos to create quick push-and-pulls. It turns on a dime from a slam to a tremolo run and there always seems to be another twist coming in the songs. I don't have a ton to say this, it's a cute little thing that sits in a nice midpont between brutal, frantic and fun.
-Nate

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Devangelic - Xul
Willowtip Records

It sounds like a brutal-er Nile. Nile is good. This is good too. Check it out.
-Nate

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Overkill - Scorched
Nuclear Blast Records

Since From The Underground And Below (which in retrospect isn't as shitty as I remember) Overkill is back to putting out killer albums. They've evolved over the years. Focusing more on groovy thrash with a lot of melodic hooks in their modern era. So you know what to expect when a new Overkill album is going to be released, but in a good way. Songs like 'Bag O Bones' or 'Know Her Name' have the typical Overkill trademarks and there's some pleasant surprises for seasoned fans, like 'Wicked Place' with its aggressive gloomy atmosphere or 'Harder They Fall' with its uptempo riffing.
-Michael

Overkill has been around releasing albums for so many years and nothing seems to be stopping them. Although the musical template in every Overkill album for the past ten years has been the same, nonetheless they are still rocking out and I think that Scorched proves the point that they're just as angry as always. Metallica's 72 Seasons was in my opinion "scorched" the same day when the thrash metal world got to hear Overkill's new album. After all these years, they're still mean and green.
-Vlad

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Decipher - Arcane Paths To Resurrection
Transcending Obscurity

Greek black metal is simultaneously underrated and overrated. They've got some of the most known names in the style like Rotting Christ, and you know a Greek BM band when you hear them because the epic melodic sense in the riffing is very distinct. It's not as popular as Sweden, Norway, or even Italy and Poland despite a lot of the formative bands pre-dating the second wave when black metal's tropes were really solidified, and as such Greece kinda has that underdog vibe. Coupled with an easily recognizable sonic identity, it's perfect nerd fodder.

Decipher hold their own in a strong style - anyone who likes the Greek vibe will dig this, and their execution is well-rounded enough to draw in some visitors from the broader black metal. I really like the legato arpeggios, ever so slightly wonky and discordant, that form the meat of 'Lost In Obscurity', and appreciate the way they keep you on your toes while still having a very steady and focused riff attack - varied just enough to keep it interesting while still rigidly adhering to their theme.
-Nate

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Holy Moses - Invisible Queen
Fireflash Records

With Invisible Queen the Queen of Thrash, Sabina Classen, says goodbye to her fans. But she doesn't whisper it gently, instead flipping the bird at everyone with anger. The album is hard to digest because of its bulkiness and dissonant Voivodesque tunes 'Cult Of The Machine'. Still great thrash, just takes some time to settle. but there are also songs that are almost too easy to listen to. 'Alternative Reality' is an example, impressing with some cool guitar solos and a catchy rhythm. 'Visions In Red' is a pretty brutal song, almost death metal in parts, especially with deeper growls from Sabina. In 'Forces Great And Hidden' Sabina showcases her entire vocal range towards the end of a worthy farewell for the great Holy Moses.
-Michale

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Putrid Yell - Consuming Aberrationn
Pulverised Records

On their debut full-length, Consuming Aberration, Chile's appallingly-named Putrid Yell offer for the listener's delectation 37 minutes of completely unoriginal death metal. And what a fantastic 37 minutes it is. The band play as if they have heard exactly zero death metal released after Left Hand Path, the guitars sound like an endless series of HM-2 pedals, and the whole foetid mess is delivered at a pitch that never falls below utterly frenzied. It is perhaps a shame that the phrase 'Stockholm Syndrome' has found another use in common English, as there is perhaps little better name for the loyal cadre of bands that continue to fly the flag for everything that Nihilist, Entombed, Carnage, and Dismember created thirty years ago. Dig a tiny bit further into the Grave though, and Putrid Yell's South American heritage is just about discernible amid the buzzsaw riffs and sinister lead melodies, with the filthy thrash of the booming Chilean scene, together with their Brazilian predecessors adding an adrenalized velocity to the Swedish tones. Like many of the best bands in this small subset of death metal, the exhilaration that one can find in Putrid Yell comes from marvelling at the way in which the entire album seems to be careening out of control, on the brink of dissolution at all times, like an out of control minecart in an Indiana Jones action scene, the rhythm section seemingly fighting to keep pace with the guitars, but just about holding things together, even as nuts, bolts and wheels are torn asunder around them. We just about make it to the end in one piece, trailing blood and guts in our wake, and with the sure knowledge that these guys must undoubtedly slay live.
-Benjamin

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Austere - Corrosion Of Hearts
Prophecy Productions

I almost knew this was going to disappoint me a little bit. The previous album by this Aussie duo, To Lay Like Old Ashes, is flagship DSBM release that I consider one of the finest pieces of music the genre has to offer, and it was going to be a tough act to follow even without a 14-year wait slowly building the "will they return" hype.

I'm a little let down by the vocals in particular - their older material had these bloodcurdling shrieks that you'll only find in the most raw and emotive DSBM bands. They were polarizing for the same reasons Dani Filth and Silencer get flak, but I was very firmly on the "I love it" side of that pole. Very, very occasionally we get a trace of that shriek on Corrosion Of Hearts, but they must have realized that screaming your fuckin' ass off using wildly incorrect vocal technique is not sustainable long-term, because a majority of the vocals on this new album are aged, breathy traditional black metal rasps that have about a tenth of the power the old stuff did. They're passable for what they are, and you could suggest they are "mature", but I don't listen to DSBM to feel intelligent and cultured, I listen to it when I masochistically want to go back to a time when I didn't want to be alive anymore and just sit in that empty, hollow vibe for a few minutes. It's nice to get some perspective sometimes.

Weak vocal performance aside, Tim Yatras is still a fantastic drummer: his steady pocket grooves single-handedly make this a passable listen, and the band still has an excellent sense of pacing which helps them to properly develop minimal, long-form songs that keep you paying attention even when they're right in the middle of a big repeat and you can't remember when they begun. The less you compare this more to their earlier work, the more it stands on its own as an album worth listening to. Instead of constantly having to note the parts of the album that recapture the good ol' days to convince myself a reunion album is good (I'm looking at you, thrash bands that reformed and released an album after 2008), I find myself more and more impressed with this when I take it on its own terms. Austere has evolved, and they're not depressive black metal anymore - they've gone into a cocoon for a decade and a half and come out a vibrant, ethereal atmospheric black metal band.
-Nate

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Witte Wieven - Dwaalicht
Babylon Doom Cult Records

Witte Wieven managed to put out an album which is haunting and beautiful at the same time, expressing black metal in a very ambient style. I would say that their music seems heavily inspired by their local dutch folklore, especially that of the white women which represent spirits of deceased wise women that roam freely around nature. That's exactly how I experienced this album, and I think you will too.
-Vlad

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Voidceremony - Threads Of Unknowing
20 Buck Spin

In case you haven't checked this out already (Really??? Come on) I'm going to simply quote the resumes of the members involved that aren't mainman Garrett Johnson. An an aside, that guy seems to have this uncanny ability to pull some of the biggest names in underground extreme metal):

Charlie Koryn, who in addition to lending writing talents to Ascended Dead, Decrepisy and Funebrarum, has also played drums live for Hulder, Skeletal Remains (!!), Incantation (!!!) and Morbid Angel (are you fucking kidding me).

Phil Tougas, who has played with Christian Muenzner in Eternity's End and is arguably the most skilled and prolific guitarist in Canada today with nearly a dozen projects ranging from old-school Finnish-style death metal, funeral doom, neoclassical tech death and disembowelment worship with extra solos.

Damon Good, who is simply put the most underrated bassist in extreme metal. His style immediately jumps out at you - layered, technical but with a real appreciation for melody and restraint - and it shows in every project he's in, which includes heavy hitters like Stargazer, Cauldron Black Ram and Mournful Congregation. When a bassist stands out in his prog-death metal band AND his atmospheric funeral doom band, you know that's good.

…in case you're more familiar with sports than you are with extreme metal (lol why are you here), this is basically the equivalent of Jordan, Lebron and Kobe, all in their prime, playing on the same team. Like it's unfair how stacked this band is.

Despite being a supergroup in every sense of the word, too, this has none of that feel - that's the beauty of having the guitarist who isn't in 10 other bands pulling the strings. He's molded the incredible talents of his hired guns to fit his very specific vision. Wandering bass lines and a prominent presence, riffs that make you wonder how the fuck they even thought them up, let alone be able to play them on a guitar, and a sense of novelty and artistic expansion that holds over from the debut. Every metal media outlet worth their salt has already covered this, and there's a reason. It's fuckin good!
-Nate

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METALBITE'S TOP 10 ALBUMS OF THE MONTH

 

10: Dawn Of Ouroboros - Velvet Incandescence
Prosthetic Records

This has a mix of different musical elements, many related to black metal and some more adjacent to it - perhaps along the lines of modern Enslaved or Ne Obliviscaris with some more modern post-black influence. I first caught wind of their name when they were touring with Tomarum, another band I actively follow, and I can see why, because their approach is remarkably similar - larger than life atmo-black with a myriad of influence and loads of theme shifts woven into massive songs with grandiose emotional climaxes.

It's easy to be critical of it if you're just in the mood for a quick fix, as I find the album has the kind of vibe you really have to settle into and you only really start locking in by the third track. Once it does click, it gets really fun, and each riff seems to have something that makes it engaging. Two things about this album really stand out: the drumwork, which manages to fit so many different textures and grooves into a smoothly integrated song, and the vocals, which range from strained mid rasps, shrieks and hollow lows to angelic and powerful clean singing that is featured at perfect times. I thought they had a guest vocalist come in but it turns out Chelsea Murphy does the cleans and the harsh vocals? Impressive.
-Nate

MetalBite's Rating: 8.3/10

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9: Infecting The Swarm - Pulsing Coalescence
Lacerated Enemy Records

Can you tell I've been on a brutal death kick lately? For whatever reason, my appetite for constant blastbeats and palm-muted riffs that never go past the 5th fret is more…ravenous than usual, let's say. It's often hard to find bands in this niche that really stand out and can hold your attention for more than a few minutes without getting boring, but Infecting the Swarm seem to have stumbled upon the right mix of elements to make a memorable album. There are two main reasons for this:

1) it's German, and as such has a healthy amount of Defeated Sanity influence which is NEVER a bad thing
2) Robin Stone is the session drummer

That last point should be enough to really get you going - I could spend endless waking hours just scrolling Stone's little video clips of him blasting away in that tiny little storage container. This kind of speedy brutal death is the perfect venue for his to really showcase his chops and the sense of danceability this guy brings to an oppressively heavy atmosphere. The guitarwork and that sickly, gurgly low are enough to keep you coming back, and then getting one of the best session drummers in the game right now just seals this as a must-hear for brutal death metal fans.
-Nate

MetalBite's Rating: 8.4/10

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8: Descent Into Maelstrom - Dei Consentes
Club Inferno Ent.

Descent Into Maestrom claim to play 'Dodecaphonic Metal', apparently based on a classical technique popularised by Schoenberg, in which musical notation is approached in a different way from conventional scales, meaning that their music cannot be said to operate in any particular key. This may or may not be true, this particular listener possessing not the requisite theoretical knowledge to confirm, although the melodies that the band use certainly sound unusual enough to suggest that the tag might have a little more to it than the gimmick that it initially appears. What is abundantly true, however, is that the Italians offer a mind-bendingly off-kilter approach to progressive death metal, which is at least as entertaining as it is baffling, and as such, is a required listen for anyone drawn to the more technical side of the genre. Lightning flurries of finger-tapped legato runs sit comfortably alongside warp-speed blasts of angular death metal, while a synthetic sounding bass frequently adopts an almost-overpowering counterpoint that gives the band a truly oddball edge, as if Spheres-era Pestilence were asked to approximate a death-grind version of Krallice, without ever hearing either that band, or indeed any death-grind. Across such a dizzying album, unsurprisingly not everything sticks, but the elements that do are magnificent, and intriguing enough to keep the listener attempting to decrypt its many charms.
-Benjamin

MetalBite's Rating: 8.4/10

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7: Elvenking - Reader Of The Runes - Rapture
AFM Records

As someone who is completely unfamiliar with Elvenking and their status within the music industry, I actually decided to give this album a chance and see what will happen. Luckily, I did not regret my decision, not by a longshot. The album was an epic venture from start to finish which expressed such epic and melodic elements. I wouldn't go too far to call this album a masterpiece, but it is definitely a worthy listen.
-Vlad

MetalBite's Rating: 8.4/10

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6: Enforced - War Remains
Century Media Records

Enforced are back with their third full-length album and this one is a real brutal ass-kicking killer. On War Remains there are so many Slayer references you almost wonder if they're trying to be the officially sanctioned follow-up. As an example check 'Hanged By My Hand'. Vocalist Will Wagstaff sounds rougher than Tom, but it gives them their own dirty, hardcorish vibe. The death metal influences are abundant as well - if you want to listen to the best of modern thrashl, look no further than Enforced!
-Michael

MetalBite's Rating: 8.5/10

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5: Thysia - Islands In Cosmic Darkness
Chaos Records

Something is stirring in the nation of Italy at the moment. While they have, outside of a few notable outliers, been known primarily for its contribution to power metal, Thysia continue the strong contribution of their compatriots Descent Into Maelstrom this month, albeit with a totally different sound. Messa were one of 2022's biggest successes, and their drummer Rocco Toaldo is clearly a man of discerning taste, lending his percussive skills to this superb black metal debut, hot on the heels of his main band's magical Close last year. Thysia play a satisfyingly organic-sounding brand of black metal, operating primarily at a riffy mid-tempo clatter, rather than the hyperactive velocities that one often associates with the sub-genre. There is a grime-encrusted, rock 'n' roll edge to much of their composition, which roots the band in an almost classic metal setting, and they plough a furrow not dissimilar to Carpathian Forest, Khold, and even a tinge of Necrophobic, their abrasive and roiling clangour brought together by Mrak's cavernous Nocturno Culto-style rasp. It is frequently a sign of good sequencing, together with a deep faith in a band's material when the final track is the jewel in a record's crown, and that is absolutely the case here, the title track adding woozy Celtic Frost doom to the mix to powerful effect. Thysia may be playing a brand of black metal that is a little too far removed from current trends to make a huge impact, but it doesn't for a moment lessen the quality of an authentically diabolical work of black magic.
-Benjamin

MetalBite's Rating: 8.5/10

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4: Smoulder - Violent Creed Of Vengeance
Cruz Del Sur

Canadian epic heavy/doom metal band Smoulder and their second full-length album Violent Creed Of Vengeance really surprised me once I got the chance to hear it, especially since the album featured two legends that shaped the world of fantasy and heavy metal music, Michael Moorcock and Michael Whelan. The album should be described as nothing more than a heavy, catchy, epic and enjoyable listening experience, especially if you're actively following the New Wave of Traditional Heavy Metal and all the bands that constantly pop up.
-Vlad

MetalBite's Rating: 8.6/10

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3: Sintage - Paralyzing Chains
High Roller Records

Sintage from Germany gave us a loud and heavy masterpiece of a debut album called Paralyzing Chains, which can be described as both a love letter and time travel to the 80's. So many wild and powerful songs on this one, especially the first track 'Midnight Evil' which crawled under my skin the second I heard it for the first time. One shouldn't stop there, because even though the first track promises so much, the rest of the album also managed to deliver the action which is full of wild and dangerous rock 'n' roll. I highly suggest that you check this one out because it is a banger!
-Vlad

MetalBite's Rating: 8.7/10

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2: Molested Divinity - The Primordial
New Standard Elite

I'm in a bit of a love affair with Turkish bands lately: Gore Dimension, Devoured Elyisum and anything Mustafa Gürcalioğlu's in all hit that specific area of my brain that makes me wanna DROP some fuckin HAMMERS. It mostly seems to have to do with the signature mid-heavy guitar tone that cuts you more like a lightsaber than a chainsaw - the prickle of the guitar tone isn't there the same way it would be for something like, i dunno, Dismember - but it's so big and powerful it goes through you like you're butter. It's…smooth. Smooth and heavy as balls.

Molested Divinity is the next addition to my growing harem of Turkish death metal, as you might have guessed. Their key characteristic is the unrelenting, snaking guitarwork that throws 20 5-second grooves at you per song without a single moment that lets up. Atmospheric diversions? Carefully layered transitions? Fuck all that shit, just blast more. Is the blast you're using getting tired? Do a quick fill and then blast a different way! There isn't a problem on this album that more blastbeats doesn't solve. The rare time this does go below 240 BPM, the sheer amount of buildup in the 10 minutes beforehand makes it the most monumental slam you've ever heard.

Though on initial listens The Primordial can sound like a convoluted mess, after a few more spins to let it sink in it…still sounds like a convoluted mess, but it's always a beautiful mess that you enjoy every second of. You don't fully understand what's going on, but everything is so overwhelming you just have to see where the next moment takes you. It's that rare combination where savage and feral expression meets intellectual, intricate composition - you wanna bang your head as much as you want to carefully dissect each riff and make note of if they re-use it in a song (I'm still trying to figure out if any parts repeat). There's just enough structure to make it something you want to come back to, and just enough "wtf is going on" to make you curious enough to re-start it from the beginning. It's amazing how fast half an hour passes by when this is on.
-Nate

MetalBite's Rating: 8.8/10

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1: Dødheimsgard - Black Medium Current
Peaceville Records

Honestly, has anything else been said over the past few weeks about this album other than the fact that it's weird and great at the same time? Dødheimsgard is without a doubt one of the most unique, experimental and avant-garde black metal bands out there, and their new album Black Medium Current just proves the point that they know how to take their music to the next level. There are so many psychedelic, avant-garde and even industrial moments on this album that are mesmerizing to behold, which is exactly what you'd expect from a one in a lifetime band such as Dødheimsgard. People that keep saying how Tool is the most unusual, psychedelic, avant-garde and weird band, should probably check out DHG and see the real definition of the words weird and avant-garde.
-Vlad

MetalBite's Rating: 9/10

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March 2023

February 2023

January 2023

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Entered: 6/2/2023 11:17:17 AM

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