We're back for the final installment of 2022's Top 10! It's been a hell of a ride. We featured nearly 200 total albums over the course of this list and in the process, discovered several new releases that will be in our regular listening rotations for years. We hope you did as well.

Does anybody even read these things with any sort of regularity? Probably not. I know what you're here for, so I'll just shut up and give it to you. Happy new year or whatever.

-Nate

HONORABLE MENTIONS

Arche - Transitions
Transcending Obscurity Records

Finland knows their way around extremely sad, extremely slow music. Transcending Obscurity has an eye for the diamonds in a sea of metal albums. When you put the two together, you know you're getting something that you'll be able to leave on in the background and then 10 minutes later be completely sucked into the atmosphere.
-Nate

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Ouija - Fathomless Hysteros
Negra Nit Distro

Entertaining old-school black metal with a slightly saturated production that should be enough to appease the die-hards. Full review by Michael here.

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Sathanas - Psalm Satani
Vidar Records

Sathanas from Pittsburgh release their 11th (!) full-length with Psalm Satani - I'm surprised they've been off my radar until now. They play a really melodic and catchy mixture between black and death with some thrash and even slight punkish borrowings. You can find some similarities to the old heroes like Celtic Frost or Slayer with unique twists. The riffing parade in 'Calling Forth The Darkness' is quite rousing and full of finesse, but all eight tracks are performed very well with nary a filler song to be found. Most of the songs are more uptempo, but in 'Blackened By The Antichrist' they flirt with some midpaced rock n/' roll vibes. We couldn't find a link to the release in question, it's super hard to find online for some reason, so here's a link to a song off their 2018 album:
-Michael

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Kossuth - Necronym
Independent

Probably should have come out on The Artisan Era considering it sounds like a long-lost Inferi album (and features Nick Padovani from Equipoise). Perhaps that's why Malcolm didn't bite - maybe it's just too similar? Either way, this still hits all those same boxes and has a ton of different cooks in the kitchen all adding their fast flourishes and technical garnishes.
-Nate

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METALBITE'S TOP 10 ALBUMS OF THE MONTH

 

10: Messora - Burn
Self-released/Independent

This has a really nice blend of different quasi-extreme elements to keep you on your toes, almost like Opeth if they went in a more doom-focused direction and took some of the haunting atmosphere and overtones out of the Akercocke playbook. It manages to get a lot of mileage out of relatively spare and simple elements by carefully layering and pacing them, and man, those clean vocals are rich as fuck. If you're gonna attempt those in extreme metal, you better nail it, and 'Waking' definitely nails it.
-Nate

MetalBite's Rating: 8/10

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9: Dodsengel - Bab Al On
Debemur Morti Productions

You know, as much as I love a lot of modern black metal, I will concede that it's missing that element of danger that surrounded the music in the 90s. There was a certain unhinged creativity to a lot of the formative albums in the first and second wave, and when you mix in all the church burnings and murder it just added to that certain allure that drew a lot of us in as the edgy teenagers we were. I admit we've kind of lost that a bit at this point, 30 years into black metal's history.

The Norwegians were at the centre of black metal's development, and as such, it's fitting that Dodsengel is one of the few bands I've heard that can genuinely carry that torch of danger into modern times. The vocal performance is one of the bigger draws in this regard - back before "black metal vocals" were a thing, mostly characterized by high shrieks and rasps, a lot of groups like Bethlehem, Silencer, Hades, and even Shining had many more grating uncomfortable voices - more sickly moans and groans, pained wailing, less about technique and more about conveying a sense of pure despair and terror. The songs are similarly diverse and unpredictable - the band will lean on a delicate acoustic melody or minimal, noisy passage for minutes at a time to break up the black metal moments, sometimes hanging onto ideas for uncomfortably long, yet it somehow enhances the atmosphere instead of making it boring. The black metal is ferocious and unrestrained, and the range of motion and genuinely unsettling vibes this group is able to conjure make it something that you might struggle to get all the way through, but nonetheless captivates you all the times with its daring approach and ability to tie it all together into a coherent work of art.
-Nate

MetalBite's Rating: 8/10

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8: Veilburner - VLBRNR
Transcending Obscurity Records

This duo pumps out music at an alarmingly fast pace considering the layers and level of complexity involved, always going deeper into their vacuum of swirling, dissonant death metal with lots of black metal vibes that's never afraid to explore unusual ideas. It seems like something completely new if you're unfamiliar with the band, but for those of us that have been here for a couple albums, this is just another refinement and sculpting of what is now growing into a signature style. Before, it was a lot easier to make comparisons to bands such as Akercocke or even Dodheimsgard, but the more you listen to this, the more it becomes apparent that Veilburner has their own identity in an already rare and enigmatic subgenre.
-Nate

MetalBite's Rating: 8.1/10

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7: Woods Of Desolation - The Falling Tide
Season Of Mist

Torn Beyond Reason basically has GOAT status in DSBM circles now, so any new album by this Aussie duo comes with its share of excitement and hype, but the follow-up album had less impactful riffs and a weaker vocal performance because they didn't have the hair-raising shrieks of TimYatras (the guy from Austere), so expectations are tempered as a result. This even moreso the case when you realize Yatras performed drums on that album, too, and a lot of the appeal of Torn Beyond Reason was in how his steady pocket grooves kept the songs constantly moving…once I saw that mainman D. had recruited Drudkh's drummer to lay down the rhythm on this new album, though, I got hyped again.

The Falling Tide isn't an attempt to recapture the glory of the first album - if anything, it's a second attempt at the botched sophomore, revisintg ideas and motifs that were present on that one but giving them a facelift and augmenting the delivery. Time is a valuable thing, and it appears Woods Of Desolation spent the seven years between this and As The Stars wisely - the vocals have a similar cadence as they did when they weren't good, but the production meshes them into the music a lot better. The riffing is more active, driving and exuberant, which helps a great deal. I sometimes felt like they hung onto sadguy vibes for too long before, in order to keep that unflinching atmosphere. This still maintains that, but the cascades into syrupy tremolo and drumming with a lot of good ol' fashioned rock beats in it help to elevate The Falling Tide and bring back the power that the band seemed to be drifting away from.
-Nate

MetalBite's Rating: 8.3/10

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6: Krvna - For Thine Is The Kingdom Of The Flesh
Third Eye Temple / Ancient Dead Productions

Krvna's second album For Thine Is The Kingdom Of The Flesh is a remarkably quick follow-up to their 2021 debut, although this impressively grandiose work of black metal art is remarkable for more than simply the speed of its release. Not quite symphonic, Krvna's band of epic black metal still builds an opulent edifice from standard instrumentation, with layers of guitars and vocals reaching out in all directions, filling the sonic space with tendrils of fire and ice. Despite the band's Australian heritage, this is undeniably the sound of Scandinavia, with baroque tremolo melodies connecting walls of minor chord blasting that recalls Taake, Dawn and the excellent The Mist From The Mountains album that so enthused this particular listener during the early months of 2022. At their best, Krvna are nothing short of mesmerising, as on the trance-inducing coda of the terrific 'The Flaming Hordes Of Basarab', which provides some insight into what early Burzum might sound like with a gleaming modern production, a production which adds clarity and heft, without sacrificing the immersive quality of the simple, melodic lines. Sure, the vocals exist primarily for texture and could add a little more character, and there is space for some more unconventional arrangements to reduce the reliance on slightly formulaic structures, but regardless, what we have here is extremely strong for such a relatively new band, and given the obviously technical ability demonstrated by some spell-binding lead sections, Krvna are only likely to improve in the six months it will likely take them to release album number three.
-Benjamin

MetalBite's Rating: 8.2/10

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5: Imha Tarikat - Hearts Unchained - At War With A Passionless World
Lupus Lounge / Prophecy Productions

As the swirling and scabrous riff that populates a significant proportion of 'Radical Righteousness' begin to wrap their barbed wire fingers around the listener's throat, it becomes apparent that Imha Tarikat's third album is going to be something quite special. The German's are sophisticated without being especially avant-garde or progressive, and expertly balance solemn and bleak cascades of mid-tempo minor key tremolo with hints of melodic ambition in the same way in which Schammasch, Cobalt and Funeral Mist have all successfully done in recent years. At times, as crystalline leads push their way through muscular, but austere torrents of buzzing riffs, all underpinned by a thunderous drum barrage which makes liberal use of booming tom fills, Imha Tarikat recall Agalloch and Solstafir at their most aggressive. Indeed, the melancholic nature of their sound is almost as likely to jerk a tear as it is to stir the raging warrior within, leaving the listener crying into his Manowar cut-off while contemplating an assault on the weak-willed masses. Kerem Yilmaz's strident bark and spoken word incantations, reminiscent of Mgla's M, also sets the band apart, lending an urban and almost martial feel to the band's otherwise expansive sound that anchors them in modern reality, as opposed to the more nostalgic yearning of many of their transcendence-seeking peers. Together with the gloomy nature of many tracks, this injects a hint of post-punk aesthetic, distancing the band from black metal orthodoxy without losing anything in comparison to more traditional-sounding bands. Hearts Unchained is a compelling album, which positions Imha Tarikat alongside the best that the genre has to offer in 2022, and one which will surely propel them to greater heights in the coming years.
-Benjamin

MetalBite's Rating: 8.4/10

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4: Xenomorph - Nihilistic Rustbelt Black Metal Demo II
Independent

Hailing from Ohio, USA the one-man project Xenomorph has re-released its demo from '21 and unleashes some alien creatures upon mankind. What you can find here is harsh, savage and relentless sound on the listener that lets you feel quite uncomfortable and full of anger. The sound is very minimalistic, but is not so at the expense of quality. 'Punition Qui Fait Mal' (the fourth one is a cover version) is a highlight because of its tightness and catchy melodic parts. It reminds me of older Ad Hominem or Mysticum stuff. The cover version 'Possessed (By Satan)' is taken from the second Gorgoroth album which still is a classic, a well-done cover that underscores this album is worth listening to.
-Michael

MetalBite's Rating: 8.5/10

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3: Stabbing - Extirpated Mortal Process
Comatose Music

My love affair with this band is short, powerful and violent. I had never heard of them until the end of 2021, when I did an in-depth Interview with Mustafa Gürcalioğlu for No Clean Singing and he recommended them as one of the best new bands he was into at the time. I checked out their EP, Ravenous Psychotic Onslaught, and proceeded to play the shit out of it until every riff from each of the four tracks on that 10-minute banger was embedded in my memory. Absolutely disgusting stuff that has the same groove and overwhelming intensity as material from early Disgorge, Deeds of Flesh, or perhaps the first Decrepit Birth album - true classic brutal death metal, baby!

Had I heard that EP when it came out, it would have made my Top 20 Albums of 2021 no problem - probably would have cracked the top 10, even. But, since I was a bit late to the game, I instead had to listen to that in eager anticipation for this release which you see now. Credit where it's due, this Texas group did a fantastic job of building hype for this throughout the year, capped off with a tour supporting Decrepit Birth and Pathology with a couple of notable festival appearances sprinkled in there. When 'Razor Wire Strangulation' finally premiered, I was near ready to buy the album then and there.

Sure enough, this fulfills all expectations. I wasn't expecting Ranvenous Psychotic Onslaught plus an additional four tracks, so the fact that they've fleshed out their arrangements and have more than one motif per track isn't a jarring surprise/disappointment to me - quite the contrary, it's exactly what I wanted to hear. They've still got their obscenely punishing sense of groove. This is the perfect time for this style of BDM to make a resurgence because the production capabilities we have now can really underscore that low-end gut punch, whereas if you listen to a lot of the classics from the late 90s and early 00s there's a ton more kinks - sometimes the vocals are way too loud, sometimes the drums drown out the finer nuances, but Extirpated Mortal Process has an incredibly balanced yet thick sound job that makes everything hit harder. Hats off to Insidious Soundlab for their work on this one. Looking at their production credits, they've worked with literally all of the brutal death bands, and it shows - they know how to get the most out of this sound.
-Nate

MetalBite's Rating: 9.1/10

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2: Hammers Of Misfortune - Overtaker
Self-Released/Independent

The mere mention of John Cobbett's name is enough to trigger undivided attention and unwavering devotion for this particular listener, and so the release of a new Hammers Of Misfortune album is cause for celebration, even before the play button is depressed. Not originally intended to be a Hammers album, Overtaker was planned as a side-project, until Cobbett made the decision to simply integrate the thrashing velocity of his new output with the progressive trad metal of his most vaunted band, and insodoing, he has created something truly singular. The majority of the elements of the band that released 2016's Dead Revolution are still in place, from the Deep Purple synths to the florid and acrobatic guitar leads, but the delivery is now accelerated to Slayer-like tempos. Overtaker is initially utterly bewildering, with so much happening in hyper-motion, and it takes the ears some time to adjust to what it is hearing. However, not unlike the way in which the eyes, with a little effort, are able to focus on individual elements of the passing landscape while sitting as a passenger on a high-speed train, one is gradually able to find a connection to the thrashing blitzkrieg before it finally recedes into the distance, and so begin to comprehend the rather spectacular results of Cobbett's experimentation. The best comparison would be to imagine latter-day Sigh playing Sabbat (UK), shorn of the classical and jazz excursions that the former are so fond of, and with repeated plays, this becomes a bewitching combination. The new Hammers sound is not completely without victims – the soulful, soaring clean vocals that added such richness to recent efforts have essentially disappeared – but when everything comes together as it does on the spellbinding 'Don't Follow The Lights', it is hard not to conclude that Cobbett and friends have not chanced upon a new path for the band that must be followed come what may. Overtaker will probably be an album disliked by some for its bizarre and disorienting melange of progressive sounds and brutal attack, but that is precisely what makes it such an extraordinary achievement for the rest of us.
-Benjamin

MetalBite's Rating: 9.2/10

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1: Misþyrming – Með Hamri
Norma Evangelium Diaboli

The Icelandic black metal masters are back with their third album. If you're not familiar with this band, go check out their first two full-lengths immediately, and if you're looking for any further context on this group, Fernando and Michael's reviews here should give you all the info you need to want to check this out.

MetalBite's Rating: 9.5/10

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And there you have it Hopefully 2023 will bring more writers, more reviews, and making these lists even more of an all-encompassing resource for what's what in new metal albums. . Here's all the past year's lists below. Stay greasy!

November 2022

October 2022

September 2022

August 2022

July 2022

June 2022

May 2022

April 2022

March 2022

February 2022

January 2022

And, of course, Follow MetalBite on Facebook and Instagram so you can be there right when the next Top 10 list drops!

Entered: 1/10/2023 5:34:45 PM

Previous Post Live Review - Death To All, Cerebral Invasion - Bochum, Zeche - 06/11/22	Next Post MB on Spotify - May summary

Welcome back to MetalBite's Top 10 albums of the month. We're in the peak of release season and tons of great stuff is coming out in all genres across the board. It's a great time to be alive if you're a music fan, and a terrible time to be alive if you're a music fan's wallet. Let's give you some more reasons to drain your bank account!

-Nate

HONORABLE MENTIONS

Hypermass - Empyrean
Self-released/Independent

It's not often something in the progressive metal sphere makes this listener's list of picks for the month in preference to the latest emanations from the black and death metal underground, but when the huge riffs and gleaming melodies of Hypermass's debut Empyrean caught the ear and refused to budge, it became impossible to deny the quality of a release that belies the Norwegians relative lack of previous metallic pedigree. Not a million miles away from the kind of thing Devin Townsend used to put out immediately following his exit from the peerless Strapping Young Lad, with a dash of the djent-adjacent juddering heft of latter-day Gojira, all wrapped up in conventional song structures, Hypermass's appeal is potentially broad, stretching from fans of the arena-bothering likes of Architects to tech-death fans with a soft spot for classic melodeath. Empyrean is somewhat front-loaded, its scintillating initial impact dulling a little as it becomes apparent that the band have developed something of a formula, but if they are able to build on their strengths, and break new ground next time round, they just might build the kind of fanbase enjoyed by the bands that have clearly inspired them.
-Benjamin

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Entrails - An Eternal Time Of Decay
Hammerheart Records

Seventh album from that band that sounds like old Entombed, and to everyone's surprise, they sound like old Entombed. Full review from Michael here.

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Khold - Svartsyn
Soulseller Records

Veteran second-string black metallers making another groovy, midpaced album. If a newer band attempted this kind of sound it would almost certainly suck, but because these are professionals who have been working together for 20+ years, they can get away with writing music as straightforward as this. The frequent Darkthrone-isms and lack of raw talent on display in Svartsyn is made up for through the chemistry between the band members and the charisma in their delivery. Gard's vocals on their own would not sound very good, yet somehow in the context of the music, he manages to be convincing. The drums and riffs grow on you in a similar way - not the most impressive thing you've heard, but they get the job done. The production is nice and bottom-heavy, boosting the rolling grooves.

Even though it sounds like there wasn't a ton of time spent in the writing room here, it still turned out pretty good? I guess that's the advantage of longevity, you get more efficient with your processes.
-Nate

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Kardashev - Liminal Rite
Metal Blade Records

I'm not as into this as a lot of folks seem to be, but I definitely get the hype. The riffs and arrangements have a grandiosity and aggression to them that post-black (or "deathgaze" as I guess they're trying to call it) has desperately needed for a long time to give it some life back, and the vocals are some Next Level Shit. Mark Garrett is fast on his way to becoming a household name with his combination of high shrieks and a somewhat nasally, yet still incredibly soulful and resonant clean voice.

Despite the abundance of ability on display, Liminal Rite sometimes struggles to contain the ridiculous amount of emotion it packs in, often losing momentum in its attempts to be all-encompassing… but I'm also just wondering if I haven't fully digested this yet, as this is not the type of thing you write off after a couple of listens. At the very least, check this out so you don't miss out on what is likely going to become the next big thing.
-Nate

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Vipère - Douleurs
Vetus Capra

Vipere changed their style a bit from their previous EP released last year, retaining their black metal base while adding some extra folk elements. Their black metal influences still range between industrial BM stuff and dissonant black metal á la DSO or Misþyrming, but it isn't quite the sheer madness of the debut. The folk parts add variety, giving the harsh, challenging and hectic music time to breathe, peaking with the chaos of songs like 'La Bourgade Et Le Dandy' or 'Choc Terminal'. All in all, a very interesting and entertaining black metal release that once again reveals the boundless creativity in the French black metal scene.
-Michael

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Enchantment - Cold Soul Embrace
Transcending Records

Does anybody remember the British band Enchantment? They released a very nice death-doom album called Dance Of The Marble Naked in 1994 and unfortunately split-up after that. I was pretty surprised to see that they are back with a new album, and even more surprised to see they picked up where they left off. Still we can hear the death/doom of early My Dying Bride and Anathema, as well as Draconian – the opener 'As Greed As The Eye Beholds' is a trip back in time. The production sounds fuller and more powerful with the passage of time adding some more progressive (or maybe modern) elements to the sound. Some more acoustic guitars, piano, a little bit of pop sensibility (like the first minute of 'A Swanlike Duet') and even some classical vibes. This brings back the classic somber spirit of 90s UK death/doom and I hope this group will not split up for another 24 years after releasing this one.
-Michael

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Light Dweller - Lucid Offering
Total Dissonance Worship

I don't have many words to say about this because I need to give it more time, but for now I can offer two pieces of critique: 1) holy shit and 2) this fucks.
-Nate

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Inanimate Existence - The Masquerade
The Artisan Era

This is the band's sixth album and they still haven't managed to break out of the 7/10 "good but not great" mold. I've seen this band live, heard several of their albums, I even own one on CD, and they still have yet to move the needle to the point where I can call myself an outright fan. This is despite the fact that I can acknowledge Ron Casey and Cameron Porras are both exceptional at what they do - the former played on a Brain Drill album, for crying out loud.

Ironically enough, though, Inanimate Existence seems to have inherited Brain Drill's chronic inability to write a solid hook. There's tons of melodic licks a la Gorod and Obscura, maybe a bit more of a brutal death metal vibe than something like Inferi (while still keeping the sense of melody), but it never does anything to startle your expectations. A lot of the time it seems like the songs were written riff by riff without having a clear end goal in sight, which makes it feel like something is missing, even though it's consistently solid and enjoyable. Worth a listen if you know you dig it already, but if you're already familiar and haven't been convinced yet, this won't move the needle.
-Nate

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Origin - Chaosmos
Agonia Records

One of the longest-running tech behemoths, and former holders of the Speed Crown when Antithesis was released almost 15 years ago (!!!) before Archspire (and perhaps Viscera Infest, to a lesser extent) dethroned them. They're still plugging along, with Chaosmos being album number 8. They took five years in between releases, which surprisingly enough is the longest gap between any two Origin albums (previously, they never went more than three years without dropping something).

Perhaps the extra time spent in the writing room helped, because this may be the strongest album from them since Antithesis itself. Their last couple of albums had a few too many songs that were essentially just John Longstreth warmup exercises with guitars and vocals recorded overtop - this band is really at their strongest when Paul Ryan adds a bit of diversity and flair as opposed to hyperspeed stutter grooves plodding through the entire track. There's a reason 'The Aftermath' and 'Finite' continue to be live staples and are the best moments on the 2008 album I keep continuously referring to. Songs like 'Ecophagy' and 'Panoptical' feature more of this contrasting melody, even using it in a bit more of a cold, calculated fashion, reminding one of an intergalactic battle that's occurring 200 years from now.
-Nate

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Ataraxy - The Last Mirror
Dark Descent / Me Saco Un Ojo

Spanish death/doom that straddles a line between the haunting, layered textures of Sepulcros and the riff-oriented force that Anatomia taps into. The vocals have a strained, hoarse tone to them that gives off Asphyx vibes if you pay close attention - I would be shocked if the Dutch band was not a huge influence on Ataraxy throughout their career. None of this is a surprise given the label choice and aesthetics of the band. They're in a genre that is saturated full of bands by now, but manage to retain some edge and distinctiveness by keeping a symphonic undertone during the riffs, not being afraid to try something a bit different like 'Under the Cypress Shadow' which feels more like Hellenic black metal than Spanish death/doom.

They balance this more involved, melodic component with trudging repetition, creating an album that is expensive and varied while still keeping a theme. It's much more than the sum of its parts, and the parts were already pretty cool to begin with.
-Nate

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METALBITE'S TOP 10 ALBUMS OF THE MONTH

 

10: Misgivings - Misgivings
Dolorem Records

Some more music made by a band with a drummer who spent way too many hours practicing blastbeats, curated by the hyperspeed lovers over at Dolorem Records that I like to rep a little bit. What can I say, I like to go fast on a level only rivaled by blue hedgehogs.

Despite never fully committing to being a fan of Angelcorpse, I always like bands that create a similar vibe but actually have memorable riffs - which was always the downfall of Pete Helmkamp and co., despite their pulverizing surface feel. However, even if that's not typically your jam, writing this French group off based on one influence they have would be lazy, not to mention incorrect. There's a few methods Misgivings use to grind your ears into pulp, and they add a surprising amount of dynamics to a rough, cutting surface - even with the guitars having a thin production, the groove can still be felt right in the gut, a side benefit of the strong thrash metal backbone heard in songs like 'Ancient Fear' and 'The Age of Christic Sorrow'.

The drummer also manages to keep the beats engaging when he isn't going at max speed, which is a common pitfall for blasturbation bands. Guilhem Auge's got a deceptive amount of texture and depth to his playing style, no doubt informed by his extensive resume with flamenco death metallers Impureza. He's not the only one coming into this with experience, either. Though this is the band's first full-length, they've been active for over 20 years with a scattered history of smaller releases. If you're expecting youthful energy and sloppiness, look elsewhere, because Misgivings are seasoned pros, sharpening their thrashy blackened death metal spears with this project to further focus and increase the potency of their ideas.
-Nate

MetalBite's Rating: 8/10

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9: Darkane - Inhuman Spirits
Massacre Records

Look at me, giving large volumes of praise to a thrash band whose best years are almost certainly behind them - usually I leave it up to fellow MB contributor Michael to do that. That being said, Darkane's in a weird spot for their genre. They formed in 1998, long after thrash had its heyday, well after the mid-90s melodeath explosion, but also too early for the retro-thrash boom of the mid-late 00s. They started to make a style of music when it was arguably at its least popular or interesting, and despite this unique position - perhaps even because of it - they are one of the more uniquely gripping and nuanced thrash bands out there today.

The Gothenburg influences breathe fresh life into stale 80s arrangements, opening up new horizons for two genres that both suffer from how restrictive and specific they have to be to get it right. The melodic choices complements the Lamb of God-esque production on the guitars surprisingly well - in any other band, these would be some of the most boring riffs imaginable, but these Swedes have an uncanny ability to take those moments you've come to despise because you've heard them a million times and not only make them listenable, but genuinely captivating and entertaining.

One more underlooked aspect of this band is their lineup consistency. In over 20 years of existence, they have never had a drummer, guitarist or bassist leave the band, which is extremely rare. The only lineup change they've ever had is on vocals, and even then, the singer you hear on Inhuman Spirits, Lawrence Mackrory, was actually on their first album anyways, so essentially the founding core is completely intact. You can hear it in the execution - no idea is ever out of place, and the interplay between instruments during the fills, transitions into the choruses and interlude diversions really underline the band's excellent chemistry. You don't notice it at first - Darkane's a slow burn in that way. They don't jump out at you immediately because their surface aesthetic doesn't suggest they'll be much different than the countless melodeath/thrash/metalcore/groove/whatever local bands you've heard, but then three or four tracks in you realize they haven't actually had a bad riff yet.
-Nate

MetalBite's Rating: 8.1/10

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8: DeathFuckingCunt - Decadent Perversity
Hammerheart Records

Brutal death metal that is speedy, jarring, incorporates pitch harmonics and constant rhythmic shifting, similar in execution to Deeds of Flesh or Severed Savior with an extra dollop of goregrind aesthetic - aside from the band name obviously turning a few heads, we've also got a treasure trove of song titles like 'Fisted Into Form' or 'Garroted by Frenulum' to make you cross your legs and cover your nuts.

At first glance it might seem like an immature joke project, but the music within is anything but - it's an overstimulating mass of anti-melody, lurching forward with the same sort of rhythmic intricacy and complexity as something like Desecravity, or Car Bomb with more 4/4 time signatures (worth noting the drummer played in Beyond Terror Beyond Grace, who are hella underrated). The only moment of relief you get is a sample where the dude talks about extermination as the ideal form of sterilizing the human race, and otherwise the album only seems to get denser, more punishing and more filled with notes as time goes on. You won't be recommending it to your grandmother, but Decadent Perversity easily holds its own and makes me wonder if these guys would be more of a fixture in BDM if not for the ridiculous name choice.
-Nate

MetalBite's Rating: 8.2/10

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7: Besieged - Violence Beyond All Reason
Neurot Recordings

As the first chord of opening track 'Last Chance' fades in, and the compressed mid-range tone of the none-more-80s guitars reveals itself, this listener is desperate for the Canadian death/thrashers riffs to follow through on the promise of that initial burst of excitement. Thankfully, once again, the discerning people behind the excellent Unspeakable Axe have reinforced their reputation for fine judgement in all matters of thrash and death metal, as Besieged launch into a concise and exhilarating album that absolutely scratches the itch for anyone brought up on Sepultura, Anthrax and Coroner, who might be looking for a modern band putting out a similar brand of aggressive, speed-limit breaking, moderately technical thrashing death metal.
-Benjamin

MetalBite's Rating: 8.2/10

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6: Lunar Chalice - Transcendentia: The Shadow Pilgrimage
Iron Bonehead

Considering their prolific release schedule, Iron Bonehead are unfailingly reliable when it comes to putting out high quality orthodox black metal, and Lunar Chalice's debut Transcendentia is no exception. Veterans of the German underground scene, Lunar Chalice follow a brace of EPs with a full length that, while unremittingly savage, shows enough touches of deft ingenuity to ensure that the album is not simply a jackhammer blastfest. Although the almost robotic, Mysticum-like, rhythm section (apparently occupied by humans in this instance) do keep the velocity dangerously high throughout much of the record, the ritualistic chanting of much of the vocals adds a creepy, twisted ecclesiastical feel that adds depth and sophistication to a fairly raw mix. It is not quite an innovation in a scene that is already well-populated by bands aiming to offer something more than standard black metal shrieks, but it is undeniably well-matched with the bands cold, scything walls of minor chords and tremolo runs, which at turns recalls Swiss masters Darkspace, as well as mid-period Mayhem and even Gorgoroth. Like those bands, Lunar Chalice further reinforce a genre that continues to deliver solid works of black art that demand your attention.
-Benjamin

MetalBite's Rating: 8.3/10

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5: Instigate - Unheeded Warnings Of Decay
Everlasting Spew Records

With all these speedfreak drummers coming out of the woodwork like parasites, Fleshgod Apoclaypse's Francesco Paoli needed to make a statement and remind everyone why he's the fucking man, so he hooked up with some regional comrades and Unheeded Warnings Of Decay was born. Misery Index came out with a new album this year, and I'd argue that Instigate beat them at their own game here. The key to making this style work is actually adding just the right amount of choppy stutter-riffing and melody to the blistering deathgrind in order to make it less of a blur. The way the verses on songs like 'Liturgy of Emptiness' and 'Seeds of Cain' power forward is kinetic, with the perfect groove within the speed giving you a huge surge of confident energy. The drums are surgically tight, as they should be from one of the country's most renowned kinsmen, but there's enough of a playful, rock-n-roll type bounce to make them feel natural, with a lot of skank beats to remind you that as juiced-up as this sounds, it's really just a heavier and more explosive version of late 80s Slayer and Napalm Death.

Very much a niche album, but it's a niche that I gravitate to frequently. When Everlasting Spew works with a band that's outside the death/doom realms they prefer, they tend to be more selective about who they represent, which is only further evidence to point to Instigate's quality.
-Nate

MetalBite's Rating: 8.3/10

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4: Moribund Dawn - Dark Mysteries Of Time & Eternity
Carbonized Records

A blue painting invites us to a frigid, icy trip, into a mysterious fortress high up on a hill. Atop the hill, you are led back to 1995 - the guys from Phoenix, Arizona play some old-school black metal that could come from some Swedish bands like Sacramentum, Dawn, or Ophthalamia. They offer a mixture of wintry, harsh black metal which is combined with atmospheric keyboard painting and melancholy doom-laden riffing. When I got the album, I had to double check to make sure they weren't Swedish and that Dan Swanö wasn't involved. Dark Mysteries Of Time & Eternity is an anachronistic album, and could have been a classic if only the group was 30 years older. Hopefully they get the recognition they deserve now for this. Now, to wait until winter, when the time is right for this, when BBQ is no longer in season (actually, forget that, there's never a bad time for BBQ).
-Michael

MetalBite's Rating: 8.5/10

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3: Artificial Brain - Artificial Brain
Profound Lore Records

The boys in Arty B have had me interested from the first day I heard them, but previous albums have fallen short of becoming regular listening staples. I love Will Smith's wet, subterranean purr, Dan Gargiulo has a feel to his playing you can't find anywhere else in dissodeath, the rest of the members seem to understand and complement the vision well, but they've always been more of a "moments" band than a "songs" band…like you listen to them more for the one riff you think is cool midway through the song than you do to experience the songs itself.

That is the biggest change I notice with their self-titled third album - the "full song" experience. I don't think there was a hidden factor at play or anything: there was no lineup change, no introduction of new influences and themes or anything like that. It's the same sound the band defined for themselves on their first two albums, but it's just…smoother. They maintain a vibe for a full track and go into it further, and the ethereal wandering that happens in the latter half of 'Tome of the Exiled Engineer' and 'Emblamed with Magma' around the midpoint is one of the most powerfully emotional segments the band has ever strung together. That it happens during the midpoint of the album, a section usually reserved for bands to get the non-crowd-pleasing deep cuts out, just shows how thoroughly incredible and immersive Artificial Brain can be when they click. It may have taken them 10 years to fully hit their stride, but I'm really glad they did. This shit rules.
-Nate

MetalBite's Rating: 8.6/10

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2: Am Himmel - As Eternal As The Starless Kingdom Of Sorrow
Burning World Records

The somewhat mysterious Am Himmel unleash their debut offering to the world this month, and it's a slow-burning work of dark ambient soundscapes, that at times is barely metal at all, even if the ghostly spectre cast over the music by the harsh vocals just about anchors the album into the genre. Not unlike its cousin, drone-doom, the concept of ambient black metal can be something that causes this listener to question whether the emperor is indeed wearing any clothes, but so compelling, and so affecting are Am Himmel's dirges, that no such accusation can be levelled at this Netherlands-based solo project. Underpinning each desolate hymn is impressively thick low-end, offset by spectral synths, suggesting shards of pale sunlight penetrating the depths of a ruined cathedral, offering a sense of despair, shot through with a glimmer of redemption. The lush and enveloping cocoon of the synths are reminiscent of very early Anathema, but the overall sensibility suggests the early 2000s US black metal scene of Xasthur and Leviathan, shorn of the blastbeats and serrated tremolo riffing, and although there are no real hooks in evidence, Ad Himmel impressively manage to maintain the listener's interest right to the bitter end.
-Benjamin

MetalBite's Rating: 8.7/10

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1: Soreption - Jord
Unique Leader Records

This arrived at the perfect time for me. I've just started really diving into Soreption's jutting, groovy style of tech-Swedeath, which carries the torch of the regional old guard such as Spawn of Possession - no small feat - infused with modern techniques popularized by The Faceless. Absurdly tight start-stop riffing with thick production forms the base as diminished high notes accent the melodies, and the band sounds so in sync with each other's ideas it's like they share a collective brain. They're one of the best new bands in the genre and are further proof of the time-tested fact: no matter how good you think the best band in any metal genre is, there's always a Swedish counterpart that can give them a run for their money.

There are no significant reinventions or changes on Jord - the group continues to polish their approach, making minor augmentations to the melodic sensibilities and song arrangements. There's a very faint symphonic undertone, but it's hardly even worth mentioning as 95% of this album is the same type of riffs Soreption is known for. Vocalist Frederik Soderberg is a bit more involved in the music, pushing his abilities further with fast, complex vocal lines, but other than that it's hard to identify any major changes. They give the old fans just enough extra stuff to keep things fresh, while still keeping all the qualities that they've become known for that will continue to draw new folks in. Tech death has cooled off a bit in the first half of 2022 after an absolutely stacked 2021 run, but this is the best of a really strong blast'n'sweep crop that came bursting out of the gate in June. It's hard to stay fresh and inventive with this kind of music, but Soreption has a style that immediately stands out, and it's really addicting once you get a feel for it.
-Nate

MetalBite's Rating: 8.8/10

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Thanks as always for stopping by! As an extra addendum, and to give you even more music to dig into, here's a short list of stuff I wanted to write about, but I didn't end up getting to because of time constraints (and because I want to give the appropriate amount of listens and digest albums properly instead of tearing through them in a review-fueled haze):

Seventh Wonder - The Testament
Denouncement Pyre - Forever Burning
Eggs of Gomorrh - Wombspreader
Tardigrada - Widrstand
Krallice - Psychagogue
Temple of Void - Summoning the Slayer
Grave Infestation - Persecution of the Living

Thanks for your support. If you like something you hear on this list: Tell your friends, tell your dog, get drunk, masturbate, punch something, throw up, burn stuff down, love yourself and stay metal. Not necessarily in that order. And, as always, here's the past lists to get caught up on the goods in 2022:

May 2022

April 2022

March 2022

February 2022

January 2022

Entered: 7/6/2022 5:28:34 PM

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