BROKEN HOPE recently released their seventh studio album, Mutilated and Assimilated, via Century Media Records to astonishing critical acclaim. In further celebration of the release, the band has prepared a new music video for the pummeling single, 'Outback Incest Clan', which can be seen below.

Guitarist Jeremy Wagner commented: "What's in a name? Our song titles usually say a lot, and OUTBACK INCEST CLAN should tell you what's in store. I got the idea for the subject matter straight from our sick vocalist, Damian Leski, who has can given me a few lyrical ideas. This song is based on TRUE EVENTS! I'll give you the Wikipedia lowdown: It's about the 'Colt family incest case,' dubbed by media as the "Colt incest clan," an Australian family discovered in 2012 to have been engaging in four generations of incest beginning with 'Tim and June Colt,' a brother and sister who emigrated from New Zealand in the 1970s. The family grew to nearly 40 members ranging from grandparents to mothers, fathers, sons, daughters, aunts, uncles, nephews, brothers and sisters all engaging in various forms of incest. Many of the children suffered from deformities and medical problems. The video was another collaboration between director Tommy Jones and Broken Hope and we love the way this one played out with Tommy's cool camera angles and the creepiness he injected into it. Enjoy!"

Broken Hope - Mutilated And Assimilated

1. Disc 1 (CD) - The Meek Shall Inherit Shit 2. The Bunker 3. Mutilated And Assimilated 4. Outback Incest Clan 5. Malicious Meatholes 6. Blast Frozen 7. The Necropants 8. The Carrion Eaters 9. Russian Sleep Experiment 10. Hell's Handpuppets 11. Beneath Antarctic Ice 12. Swamped-In Gorehog (S.I.G. 25th Anniversary Tribute) 13. Disc 2 (DVD) - The Dead Half 14. Womb Of Horrors 15. The Docking Dead 16. Dilation And Extraction 17. Grind Box 18. Into The Necrosphere 19. Gorehog 20. Predacious Poltergeist 21. Swamped In Gore 22. I Am God 23. Felching Vampires

Hello all.

First off, I would just like to apologize for my month-plus absence from MetalBite. As cheesy as it sounds, the death of Neil Peart hit me way harder than I thought possible. I've basically been in mourning and listening to all the Rush. (Studio albums, live albums, bootlegs, etc.) But, a few days ago, I sensed it was time to dive back into areas cold and misanthropic. So here we go.

My stepfather is Swedish, and highly Swedish at that. One thing that always fascinated me was whenever he would talk about the differences between Finland and all the other corners of Scandinavia. From cultural activities to the language itself, he always talked about how Finland sometimes seemed like its own civilization.

Although not quite as renowned or popular as the scenes in say, Norway or Sweden, Finland has birthed several classic black metal acts. And every band sounds unique. (You know how you can very easily pinpoint the "Swedish" sound? Or "TNBM?" Good luck trying that with Finland bands.)

Anyway, we are looking at early chapters from three different Finnish masters, the first of which is BEHERIT.

If you feel the need to subject yourself to a primitive, neanderthal-esque, blasphemous beating, look to BEHERIT; one of history's chief architects of primal black metal chaos. (Although I suppose I could very easily been talking about ARCHGOAT.) So it's back to 1990 for their legendary "The Oath of Black Blood". One thing that is especially cool to hear is that, even amidst the distorted, nonstop heretical hammering (which so frequently invites the ARCHGOAT comparisons)... you can hear the beginnings of the exploration of stranger soundscapes (electronic or otherwise) that would characterize the band as the decade progressed.

Speaking of ARCHGOAT...

Another Finnish founding father of unholy filth (you're welcome) would undoubtedly have to be ARCHGOAT. Formed in 1989, they were barely a whisper above the underground before they went on hiatus in 1993. Ever since reforming in 2004, they have been slowly building a fervent following, thanks in no small part to the tireless efforts of labels like Debemur Morti and Hells Headbangers.

I invite you to enjoy their debut EP, "Angelcunt (Tales of Desecration)". Released in 1993 (not long before the band disappeared), the black metal contained in these 14 minutes is not QUITE as primitive as one would expect. Does it just clobber you continuously for those 14 minutes? DUH. But there is some nice soloing in there, and an almost doom-metal feel at times. Honestly, it reminds me very much of Golgotha-era Incantation.

We will close out this installment with a band that was the first (and for many, still the best) Finland act that made themselves well-known on a worldwide scale...

France's Osmose Productions label, although continuing to spew forth black/death records from the underground, pretty much had a monopoly on BM bands in the early 1990s; bands that would go on to become classic artists from the genre's golden age. Immortal, Enslaved, Marduk and Absu are among the many bands that Osmose unleashed onto the world. (Other bands that have released albums on the label include Blasphemy, Thornspawn and Urgehal.)

So yes, we are going back to yet ANOTHER classic debut from the early 90s. This time it's IMPALED NAZARENE, with the mysteriously-titled "Tol Cormpt Zorz Norz Norz" (1992). (One metal site has it translated as "You Shall All Be Numbered Six Six Six," which is entirely possible.) And although they have enough "traditional" black metal elements to be labeled as such, they definitely made the sound their own. Their debut is this wonderfully chaotic clusterfuck of black metal, punk, and even some traditional hard rock passages. The band's confrontational, anti-everything, warped-sense-of-humor lyrical sensibilities were present from the get-go (song titles here include 'Impure Orgies,' 'Goat Perversion' and 'The Art of God (Symmetry of Penis).')

Thanks for reading. Hopefully the next break won't be nearly as long.

Jeff

Previous BMR can be found here.